| Dolls | Chancay
Peru | 1950/84, with textile fragments from CE 1000/1476 | Textiles | | false |
|---|
| Dolls | Chancay
Peru | 1950/84, with textile fragments from CE 1000/1476 | Textiles | | false |
|---|
| Dolls | Chancay
Peru | 1950/84, with textile fragments from CE 1000/1476 | Textiles | | false |
|---|
| Dolls | Chancay
Peru | 1950/84, with textile fragments from CE 1000/1476 | Textiles | | false |
|---|
| A5: Massachusetts Drawing Room, 1768 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A2: New Hampshire Parlor, c. 1710 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A10: Massachusetts Dining Room, 1795 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A11: Rhode Island Parlor, c. 1820 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A12: Cape Cod Living Room, 1750–1850 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A13: New England Bedroom, 1750–1850 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A14: Pennsylvania Drawing Room, 1834–36 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A15: New York Parlor, 1850–70 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A16: Pennsylvania Drawing Room, 1761 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A17: Pennsylvania Kitchen, 1752 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A18: Shaker Living Room, c. 1800 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A19: Maryland Dining Room, 1770–74 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A20: Virginia Dining Room, 1758 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A21: Virginia Parlor, 1758–87 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A22: Virginia Dining Room, c. 1752 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A23: Virginia Drawing Room, 1754 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A24: Virginia Entrance Hall, 1751–55 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A25: Virginia Drawing Room, 1755 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A26: Virginia Dining Room, c. 1800 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A27: Virginia Kitchen, 18th Century | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A28: South Carolina Drawing Room, 1775–1800 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A29: South Carolina Ballroom, 1775–1835 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A30: Georgia Double Parlor, c. 1850 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A31: Tennessee Entrance Hall, 1835 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A32: Louisiana Bedroom, 1800–50 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A33: “Middletown” Parlor, 1875–90 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A1: Massachusetts Living Room and Kitchen, 1675–1700 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A3: Massachusetts Dining Room, 1720 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A4: Connecticut Valley Tavern Parlor, c. 1750 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A6: New Hampshire Dining Room, 1760 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A7: New Hampshire Entrance Hall, 1799 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A8: Massachusetts Bedroom, c. 1801 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A9: Massachusetts Parlor, 1818 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| A36: California Living Room, 1850–75 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1940 | Applied Arts of Europe | | true |
|---|
| E10: English Dining Room of the Georgian Period, 1770–90 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E23: French Dining Room of the Louis XV and Louis XIV Periods, 1760–80 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E7: English Drawing Room of the Early Georgian Period, 1730s | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E2: English Bedchamber of the Jacobean or Stuart Period, 1603–88 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E3: English Reception Room of the Jacobean Period, 1625–55 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E4: English Drawing Room of the Late Jacobean Period, 1680–1702 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E5: English Cottage Kitchen of the Queen Anne Period, 1702–14 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E6: English Library of the Queen Anne Period, 1702–50 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E29: English Roman Catholic Church in the Gothic Style, 1275–1300 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E20: French Library of the Louis XV Period, c. 1720 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E1: English Great Room of the Late Tudor Period, 1550–1603 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E8: English Bedroom of the Georgian Period, 1760–75 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E9: English Drawing Room of the Georgian Period, 1770–1800 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E11: English Entrance Hall of the Georgian Period, c. 1775 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1932 | Applied Arts of Europe | | true |
|---|
| E12: English Drawing Room of the Georgian Period, c. 1800 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E13: English Rotunda and Library of the Regency Period, 1810–20 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E14: English Drawing Room of the Victorian Period, 1840–70 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E18: French Salon of the Louis XIV Period, 1660–1700 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E19: French Dining Room of the Louis XIV Period, 1660–1700 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E21: French Boudoir of the Louis XV Period, 1740–60 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E22: French Provincial Bedroom of the Louis XV Period, 18th Century | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E24: French Salon of the Louis XVI Period, c. 1780 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E26: French Anteroom of the Empire Period, c. 1810 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E28: German Sitting Room of the Biedermeier Period, 1815–50 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E16: French Hall of the Louis XII Period, c. 1500 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E17: French Bedroom, Late 16th Century | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| E25: French Bathroom and Boudoir of the Revolutionary Period, 1793–1804 | Designed by Narcissa Niblack Thorne
American, 1882–1966 | c. 1937 | Applied Arts of Europe | | true |
|---|
| Woven Silk Fragment | Iran | About 1930–50, imitation of a 10th- or 11th-century pattern | Textiles | | false |
|---|
| Panel | Produced by F. Schumacher & Co. (American, founded 1889)
New York, United States | about 1928-29 (reproduction of an 18th century design) | Textiles | | false |
|---|
| Panel | Produced by F. Schumacher & Co. (American, founded 1889)
New York, United States | 1928-29 (reproduction of 18th century design) | Textiles | | false |
|---|
| Talisman | Republic of Türkiye | Ottoman dynasty (1299–1923), 1822 | Textiles | | true |
|---|
| Wurzblatt (Wallpaper Design) | Designed by Dagobert Peche (Austrian, 1887–1923)
Manufactured by F. O. Schmidt
Austria, Vienna | c. 1915 | Textiles | | false |
|---|
| Curtain Panel | Designed by John Scott Bradstreet (American, 1845–1914)
United States, Minnesota, Duluth | 1905 | Textiles | | false |
|---|
| Curtain Panel | Designed by John Scott Bradstreet (American, 1845–1914)
United States, Minnesota, Duluth | 1905 | Textiles | | false |
|---|
| Cruet Stand | Designed by Koloman Moser (Austrian, 1868-1918)
Made by Alfred Mayer, silversmith for the Wiener Werkstätte (Austrian, 1903-1932)
Austria, Vienna | 1904/05 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740 | 1904 | Applied Arts of Europe | | false |
|---|
| Tapestry | Hungarian
Probably made at the Gödöllő School of Weaving | 1904/1914 | Textiles | | false |
|---|
| Panel (Dress or Furnishing Fabric) | Produced by the Wiener Werkstätte (Vienna, active 1903–1932)
Vienna, Austria | 1903/05 | Textiles | | false |
|---|
| Table | Designed by Charles Rennie Mackintosh
Scottish, 1868-1928
Glasgow, Scotland | 1902 | Applied Arts of Europe | | true |
|---|
| Loop-Handled Dish | Designed by Charles Robert Ashbee
English, 1863-1942
Made by the Guild of Handicraft Ltd.
England, 1888-1908
Chipping Campden, Gloucestershire, England | 1902/03 | Applied Arts of Europe | | true |
|---|
| Spoon | Designed by Charles Robert Ashbee
English, 1863-1942
Made by the Guild of Handicraft Ltd.
England, 1888-1908
Chipping Campden, Gloucestershire, England | 1903/04 | Applied Arts of Europe | | true |
|---|
| Tablecloth or Bedcover probably titled "Ragged Poppy" | Designed by John Scarratt Rigby (English, 1833–1914)
Produced by G.P. & J. Baker for Liberty & Co.
England, London | 1902 | Textiles | | false |
|---|
| Chair | Designed by Peter Behrens
German, 1868-1940
Germany | 1902 | Applied Arts of Europe | | false |
|---|
| Eiffel Tower Chair | Carlo Bugatti
Italian, 1856-1940
Italy | 1902 | Applied Arts of Europe | | false |
|---|
| Fukusa (Gift Cover) | Japan | Taishô period (1912–1926), c. 1912 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Taishô period (1912–1926), c. 1912 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Decanter | Designed by Charles Robert Ashbee
English, 1863-1942
Silver made by the Guild of Handicraft Ltd.
England, 1888-1908
Glass made by James Powell and Sons, Whitefriars Glassworks
England, 1834-1962 | 1901 | Applied Arts of Europe | | true |
|---|
| Portière | Designed by George Washington Maher (American, 1864–1926)
Possibly produced by Louis J. Millet (American, 1853–1923)
Designed and made for the James A. Patten House in Evanston, Illinois | 1901 | Textiles | | false |
|---|
| Panel | After designs by Aubrey Beardsley (English, 1872–1898)
England | 1901/25 Reproductions (Originals 1894/95) | Textiles | | false |
|---|
| Chôken (Noh Costume) | Japan | 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926) | Textiles | | false |
|---|
| Vase | Martin Brothers
English, 1873-1914 | 1901 | Applied Arts of Europe | | false |
|---|
| Panel (Dress or Furnishing Fabric) | Worked by Josef Maria Olbrich (German, 1867–1908) or his circle
Austria, Vienna | 1901 | Textiles | | false |
|---|
| Tunic | Shipibo-Conibo
Peru, Ucayali, Possibly Pucallpa region | c. 1900 | Textiles | | false |
|---|
| Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric) | Designed by Koloman Moser (Austrian, 1868–1918)
Produced by Johan Backhausen und Söhne (Austrian, founded 1849)
Austria, Vienna | 1900 | Textiles | | false |
|---|
| Coffee Pot | Designed by Charles Robert Ashbee
English, 1863-1942
Made by the Guild of Handicraft Ltd.
England, 1888-1908
London, England | 1900/01 | Applied Arts of Europe | | false |
|---|
| Panel | Produced by F. Schumacher & Co. (American, founded 1889)
New York, United States | 1900 | Textiles | | false |
|---|
| Quilt Top | United States | 1900/20 | Textiles | | false |
|---|
| Bookcover | Dutch | c. 1910 | Textiles | | false |
|---|
| Sample Book Containing 125 Swatches | Produced by the Wiener Werkstätte (Vienna, active 1903–1932)
Vienna, Austria | c. 1910 | Textiles | | false |
|---|
| Side Chair | Jacob Keller
German, active early 20th century
Gunzenhausen, Germany | 1900 | Applied Arts of Europe | | false |
|---|
| Bedcover in the Arts and Crafts Style | England | Early 20th century (based on 17th–century English designs) | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | 1900/12, late Meiji period (1868–1912) | Textiles | | false |
|---|
| Embroidered Picture | Japan | c.1900-1910 | Textiles | | false |
|---|
| Demitasse and Saucer | Designed by Peter Behrens
German, 1868-1940
Manufactured by Gebrüder Bauscher
Weiden, Germany, founded 1881 | 1900/02 | Applied Arts of Europe | | false |
|---|
| Hip Wrapper (Kain Panjang) | Indonesia, North Coast, Java, Lasem | 1900/25 | Textiles | | false |
|---|
| Head Cover | China, Hainan Dao
Hainan Island off South China coast | 1900, Qing Dyanasty (1644–1911) | Textiles | | false |
|---|
| Hafis (Dress or Furnishing Fabric) | Designed by Koloman Moser (Austrian, 1868–1918)
Produced by Johann Backhausen & Söhne (Austrian, 1849-2012)
Austria, Vienna | 1899 | Textiles | | false |
|---|
| Hanging | Probably designed by the Haslemere Peasant Industries
England, Surrey | 1899/1901 | Textiles | | false |
|---|
| Plate from the Fish Service | Designed by Hermann Gradl
German, 1869-1934
Made by Königlich-Bayerische Porzellan-Manufaktur
Nymphenburg, Germany | 1899 | Applied Arts of Europe | | false |
|---|
| Fan with Monogram of Cantacuzene Family | Belgium, Brussels | 1899 | Textiles | | false |
|---|
| Vase | Ovchinnikov Firm
Moscow, 1853-1917; St. Petersburg, 1873-1917
Moscow | 1899/1900 | Applied Arts of Europe | | false |
|---|
| Miniature Easter Egg with Scent Bottle | Fabergé Workshop
Saint Petersburg, Russia, 1842-1917 | Before 1899 | Applied Arts of Europe | | false |
|---|
| Student Notebook Containing Notes, Diagrams and Swatches | Alfred Fehr (Switzerland, 1879-1955) | c. 1898–1900 | Textiles | | false |
|---|
| Side Chair | Designed by Richard Riemerschmid
German, 1868-1957
Made by Vereinigte Werkstätten für Kunst und Handwerk
Munich | 1898/99 | Applied Arts of Europe | | false |
|---|
| Armchair No. 8 | Designed by Otto Wagner (Austrian, 1841-1918)
Austria, Vienna | 1898/99 | Applied Arts of Europe | | false |
|---|
| Ewer | Léonard-Agathon van Wydeveld (French, born Belgium, 1841–1923)
Designed and made by Louchet Frères (French, active 19th century) | 1898 | Applied Arts of Europe | | false |
|---|
| Vase | Design attributed to József Rippl-Rónai
Hungarian, 1861-1927
Made by Zsolnay-Pécs
Hungary, founded 1862 | 1898/1900 | Applied Arts of Europe | | false |
|---|
| Manxman Piano | Designed by Mackay Hugh Baillie Scott
English, 1865-1945
Made by John Broadwood and Sons
England, founded 1728
London, England | 1897 | Applied Arts of Europe | | true |
|---|
| Armchair | Designed by Charles Rennie Mackintosh (Scottish, 1868-1928)
Scotland, Glasgow | 1897 | Applied Arts of Europe | | true |
|---|
| Shelf Clock | Designed by Archibald Knox (English, 1864-1933)
Manufactured by Liberty & Co. (English, founded 1875)
England, London | c. 1902 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Arthur Silver (English, 1853–1896)
France, Mulhouse | 1896 | Textiles | | false |
|---|
| Genealogy Quilt | Designed and executed by Catharine L. Clark (American, active c. 1896)
Cape Cod, Massachusetts, United States | 1896 | Textiles | | false |
|---|
| Vestment Set | American | c. 1900 | Textiles | | false |
|---|
| Pair of Ewers | Fabergé Workshop
Russian, 1842-1917
Made by Julius Alexandrovitch Rappoport (Russian, 1864-1916) | 1896/1908 | Applied Arts of Europe | | false |
|---|
| Work Cabinet | Designed by Mackay Hugh Baillie Scott (English, 1865-1945)
Made by John P. White, Pyghtle Works (Bedford, England, active c. 1900/1910) | c. 1900 | Applied Arts of Europe | | true |
|---|
| One of a Pair of Andirons | Designed by Charles Francis Annesley Voysey
English, 1857-1941
Probably made by Thomas Elsley Ltd.
London, c. 1880-1930 | c. 1900 | Applied Arts of Europe | | true |
|---|
| One of a Pair of Andirons | Designed by Charles Francis Annesley Voysey (English, 1857-1941)
Probably manufactured by Thomas Elsley Ltd. (English, c. 1880-1930)
England | c. 1900 | Applied Arts of Europe | | true |
|---|
| Shell-Form Vase | Pierre-Adrien Dalpayrat (French, 1844–1910)
Bourg-la-Reine, France | c. 1900 | Applied Arts of Europe | | true |
|---|
| Jar | Svend Hammershøi
Danish, 1873-1948
Denmark | 1895 | Applied Arts of Europe | | false |
|---|
| Vase | Ernest Chaplet (French, 1835-1909)
Sevres, France | 1895 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by René Beauclair (French, active c. 1910)
France | c. 1900 | Textiles | | false |
|---|
| Blanket or Rug | Navajo (Diné)
Ganado area, Arizona, United States | c. 1900 | Textiles | | false |
|---|
| Blanket or Rug | Navajo (Diné)
Ganado region, Arizona, United States | c. 1900 (Transitional Period) | Textiles | | false |
|---|
| Fragment of Velvet | England | Made c. 1900 | Textiles | | false |
|---|
| Vase | Manufactured by Minton
English, Staffordshire, founded c. 1793 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Fire Screen | Designed by William Arthur Smith Benson (English, 1854-1924)
Manufactured by W. A .S. Benson & Co. (English, 1880-1920)
England, London | c. 1900 | Applied Arts of Europe | | false |
|---|
| Box | Erhard & Söhne
Schwäbisch Gmünd, Germany, founded 1844 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Summer Kimono (Hitoe) | Japan | About 1900–1916 | Textiles | | false |
|---|
| Quatrefoil Table | Eugenio Quarti
Italian, 1867-1929 | c. 1900 | Applied Arts of Europe | | false |
|---|
| La Cothurne (Tragic Pose from Le Jeu d'escharpe) | Agathon Léonard (Agathon van Weydeveldt)
French, 1841-1923
Cast by: Susse Frères Editeurs
French | modeled 1895 (cast 1900) | Applied Arts of Europe | | false |
|---|
| Miniature Cup | Alfred Tillander
Russian, 1837-1918 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Fukusa (Gift Cover) | Japan | Mid–/late Meiji period (1868–1912), c. 1895/1912 | Textiles | | false |
|---|
| Prayer Rug | Dagestan or Shirvan, Turkestan | About 1900 | Textiles | | false |
|---|
| Panel | England | c. 1900 | Textiles | | false |
|---|
| Vase | France | c. 1900 | Applied Arts of Europe | | false |
|---|
| Plate | Théodore Haviland
French, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Plate | Théodore Haviland
French, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Plate | Théodore Haviland
French, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Plate | Théodore Haviland
French, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Bowl | Limoges Pottery and Porcelain Manufactory
Limoges, France | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase | Designed by Edward Colonna (German, 1862-1948)
Made by Gérard, Dufraissex & Abbot, Limoges
French, 19th-20th century | c. 1900/02 | Applied Arts of Europe | | false |
|---|
| Vase | Attributed to Ernst Wahliss (Austrian, 1863-1934) | c. 1900 | Applied Arts of Europe | | false |
|---|
| Fish Platter | Théodore Haviland
French, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Plate | Designed by William De Morgan (English, 1839-1917)
Decorated by Charles Passenger (English, 1877-1911)
England | c. 1900 | Applied Arts of Europe | | false |
|---|
| Miniature Kovsh | Fabergé Workshop
Moscow, Russia, 1842-1917
Master Craftsman: Henrik Wigstrom
Russian, early 20th century | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase | Austria
Attributed to Loetz (founded 1840) | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase | France, Nancy
Émile Gallé (French, 1846-1904) | c. 1900 | Applied Arts of Europe | | false |
|---|
| Miniature Box with Lid in the form of an Egg and Stand | Fabergé Workshop
Saint Petersburg or Moscow, Russia, 1862-1930
Master Craftsman: Henrik Wigstrom
Russian, 1862-c.1930 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Bowl | France, Nancy
Émile Gallé (French, 1846-1904) | c. 1900 | Applied Arts of Europe | | false |
|---|
| Cachepot | William Arthur Smith Benson
English, 1854-1924
W. A. S. Benson & Co.
London, England, 1880-1920 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Cup | Emile Gallé
French, 1846-1904 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase | Pierre-Adrien Dalpayrat (French, 1844–1910)
Bourg-la-Reine, France | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase | Pierre-Adrien Dalpayrat (French, 1844–1910)
Bourg-la-Reine, France | c. 1900 | Applied Arts of Europe | | false |
|---|
| Vase with Pinched Neck | Pierre-Adrien Dalpayrat (French, 1844–1910)
Bourg-la-Reine, France | c. 1900 | Applied Arts of Europe | | false |
|---|
| Saucer | Emile Gallé
French, 1846-1904 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Panel | Possibly produced for Liberty & Co., London (English, founded 1875)
Thomas Wardle, Wardle & Co., Bridgnorth (English, 1875-1930) | Design c. 1894 | Textiles | | false |
|---|
| Panel | Japan | 1894, Meiji period (1868–1912) | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Vase | Martin Brothers (English, 1873-1914)
England, London and Southall | 1894 | Applied Arts of Europe | | false |
|---|
| Panel Entitled "Femme à marguerite" (Woman with Daisy) | Designed by Alphonse Marie Mucha
Czech, 1860–1939
Produced by Scheurer Lauth & Cie, founded 1813
France, Mulhouse | c. 1898/1900 | Textiles | | false |
|---|
| Chicago Pitcher | Manufactured by W. T. Copeland and Sons
English, 1847-1970 | 1893 | Applied Arts of Europe | | false |
|---|
| Vase | Royal Doulton Co.
English, 1815-1965 | 1893 | Applied Arts of Europe | | false |
|---|
| Vase | Martin Brothers (English, 1873-1914)
England, London and Southall | 1893 | Applied Arts of Europe | | false |
|---|
| Scarf Commemorating the World's Columbian Exposition | United States, Illinois, Chicago | 1893 | Textiles | | false |
|---|
| Hanging | Iran | 1893 | Textiles | | false |
|---|
| Punch Bowl | Royal Porcelain Manufactory (Königliche Porzellan-Manufaktur or KPM, 1763–present)
Designed by Alexander Kips (born Prussia [now Germany], 1858–1910)
Modeled by Ernst Wägner (born Austria-Hungary, active Germany, 1877–1951)
Berlin | Designed 1891, made 1892 | Applied Arts of Europe | | true |
|---|
| Claret Jug | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by J. T. Heath and J. H. Middleton (Birmingham, England, 1887-1952) | c. 1892-c. 1893 | Applied Arts of Europe | | false |
|---|
| Panel (Upholstery Fabric) | Designed by Koloman Moser Schule (Austrian, 1868–1918)
Produced by Johan Backhausen & Söhne
Austria, Vienna | c. 1902 | Textiles | | false |
|---|
| Pelican | Emmanuel Fremiet, French, 1824–1910
Made by Émile Muller et Cie, Ivry-sur-Seine, France, 1854–1908 | c. 1896 | Applied Arts of Europe | | true |
|---|
| Napkin Depicting The Five Senses | Designed by Walter Crane (English, 1845–1915)
Produced by John Wilson & Sons
England, London | 1891 | Textiles | | false |
|---|
| Cigarette Case | Peter Carl Fabergé
Moscow, Russia, 1846-1920
Master Craftsman: Fador Ruekert, 19th century | c. 1896/1900 | Applied Arts of Europe | | false |
|---|
| Florence | Designed by John Henry Dearle (English, 1860–1932)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design c. 1890, made 1890–1917 | Textiles | | false |
|---|
| Ceremonial Hanging (palepai) | Paminggir people
Indonesia, South Sumatra, Lampung area | c. 1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Vase | Minton (Stoke-on-Trent, England, founded 1793) | 1890 | Applied Arts of Europe | | false |
|---|
| Border for a Table Cover or Valance | Design attributed to May Morris (English, 1862–1938)
Produced by Morris & Co., London (English, 1875–1940) | Design 1890s | Textiles | | false |
|---|
| Panel | Designed by Sir Hubert Herkomer (English, born Germany, 1849–1914)
Woven by Anton Herkomer (American, 1806–1901) | 1890 (produced 1890/94) | Textiles | | false |
|---|
| Blanket | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1890s | Textiles | | false |
|---|
| Clutha Vase | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by James Couper & Sons (Glasgow, 1850-1922) | c. 1895 | Applied Arts of Europe | | false |
|---|
| Lion with Palms (Rug) | After a pattern designed by Ebenezer Ross (American, active c. 1890–1900)
United States, Ohio, Toledo | 1890-1900 | Textiles | | false |
|---|
| Mennonite 'Crazy Quilt' | Mennonite
Pennsylvania, United States | about 1890-1900 | Textiles | | false |
|---|
| Samuel Slater, The Father of American Manufacturers (Handkerchief) | Engraved by James Provan & Son's (American, active 1890s) after a portrait by James Sullivan Lincoln (American, 1811–1888)
Manufactured by Cranston Print Works Co. (American, active 1890)
United States, Rhode Island, Cranston | 1890 | Textiles | | false |
|---|
| Panel (Formerly a Furnishing Textile) | Designed by Sidney Mawson (English, 1876–1937)
Probably produced by Turnbull & Stockdale, founded 1881
England, Ramsbottom | c. 1895/1900 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Mid–Meiji period (1868–1912), c. 1895 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | Mid–Meiji period (1868–1912), c. 1895 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | 1890/1912, late Meiji period (1868–1912) | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | 1890/1906, Meiji period (1868–1912) | Textiles | | false |
|---|
| Priest's Hat | Japan | Late 19th century, Meiji period (1868–1912) | Textiles | | false |
|---|
| Garden rug | Caucasus, Kazakhstan | 1890 | Textiles | | false |
|---|
| Plaque | Henri Cros
French, 1840-1907 | c. 1895 | Applied Arts of Europe | | false |
|---|
| Vase | England
Probably made by William De Morgan (English, 1839-1917) | 1890/1900 | Applied Arts of Europe | | false |
|---|
| Vase | Nancy Daum Glassworks (French, founded 1875)
France, | c. 1895/1900 | Applied Arts of Europe | | false |
|---|
| Vase | Daum Frères
Nancy, France, founded 1875 | c. 1895 | Applied Arts of Europe | | false |
|---|
| Panel | England | 1890s | Textiles | | false |
|---|
| Tubular Skirt (Sarong) | Indonesia, Java, North Coast, Pekalongan | c. 1900 | Textiles | | false |
|---|
| Jug | Martin Brothers (English, 1873-1914)
London and Southall, England | 1890 | Applied Arts of Europe | | false |
|---|
| "Rock Crystal" Vase | Thomas Webb & Sons
Stourbridge, England, founded 1837 | 1889 | Applied Arts of Europe | | false |
|---|
| Curtain | Designed by Elise Grill (German, active c. 1889–1890)
Germany | 1889/90 | Textiles | | false |
|---|
| Lotus | Design attributed to May Morris (English, 1862–1938)
Produced by Morris & Co., London (English, 1875–1940)
Embroidered by the Decorative Arts Society, Chicago (American, founded 1877) | Design by 1888, made 1888 | Textiles | | false |
|---|
| Fleurs Stylises | Designed by Arthur Silver (English, 1853-1896)
Produced by Silver Studio
Sold by Liberty & Co. Ltd.
France, Alsace | c. 1898 | Textiles | | false |
|---|
| Grotesque Vase | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Ault Pottery (Swadlincote, Derbyshire, England, 1887-1923) | c. 1893 | Applied Arts of Europe | | false |
|---|
| Plates | Jules-Paul Brateau
French, 1844-1923
Paris, France | c. 1892 | Applied Arts of Europe | | false |
|---|
| "The Arts" Ewer and Basin | Jules-Paul Brateau
French, 1844-1923
Paris, France | 1887/89 | Applied Arts of Europe | | false |
|---|
| Commemorative Bookmark "1837-1887 Jubilee" | Woven by Thomas Stevens (English, 1828-88)
Coventry, England | 1887 | Textiles | | false |
|---|
| Sampler | Probably executed by Maggie Curtain (Belgian, active c. 1887)
Belgium | 1887 | Textiles | | false |
|---|
| 'Crazy Quilt' with Animals | Designed and executed by Florence Elizabeth Marvin (American, 1856-1916)
Brooklyn Heights, New York, United States | 1886 | Textiles | - silk
- wool
- cotton_linen
- glass
| false |
|---|
| Children at Play (Furnishing Fabric) | Printed and Manufactured by Merrimack Manufacturing Company (United States, founded 1823)
United States, Massachusetts, Lowell | 1886/90 | Textiles | | false |
|---|
| Vase | Made by Thomas Webb and Sons (1837–1979)
Carved by George Woodall (born England, 1850–1925)
Stourbridge, England | 1885–90 | Applied Arts of Europe | | true |
|---|
| Tunic (Jibbeh) | Mahdiyya State, Sudan | 1885/99 | Textiles | | false |
|---|
| Panel (Formerly Furnishing Textiles) | Designed by Lewis F. Day (English, 1845–1910)
Produced by Turnbull & Stockdale, founded 1881
England, Ramsbottom | Late 1880s/early 1890s | Textiles | | false |
|---|
| Ewer | Manufactured by Phoenix Ware
Designed by Thomas Forester and Sons
English, 1883-1959 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Tea Service | Designed by Thomas Blocksidge (English)
Coalport Porcelain Factory (England, about 1799-1926) | c. 1885 | Applied Arts of Europe | | false |
|---|
| Side Table | Arthur Heygate Mackmurdo (English, 1851-1942)
England | c. 1890 | Applied Arts of Europe | | false |
|---|
| Miniature Snail | Fabergé Workshop
Saint Petersburg or Moscow, Russia, 1842-1917 | c. 1890/00 | Applied Arts of Europe | | false |
|---|
| Pilgrim Bottle Vase | Mintons Ltd.
English, founded 1793 | 1880/90 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Alexander Morton (Scottish, 1844–1921)
Produced by Alexander Morton and Company
Scotland, Darvel | 1885/90 | Textiles | | false |
|---|
| Miniature Polar Bear | Fabergé Workshop
Saint Petersburg or Moscow, Russia, 1842-1917 | c. 1890/00 | Applied Arts of Europe | | false |
|---|
| Two Minstrels | Attributed to James Egan (English, 1849-1920) | 1885-95 | Applied Arts of Europe | | false |
|---|
| Miniature Leopard | Fabergé Workshop
Saint Petersburg or Moscow, Russia, 1842-1917 | c. 1890/1900 | Applied Arts of Europe | | false |
|---|
| Ewer | Designed by Ernest Chaplet (French, 1835-1909)
Made by Haviland & Co., Auteuil Studio, Paris (French, 1872-1886) | 1885 | Applied Arts of Europe | | false |
|---|
| Khamseh Carpet | Southwest Iran | c. 1890 | Textiles | | false |
|---|
| Miniature Hippopotamus | Fabergé Workshop
Saint Petersburg, Russia, 1842-1917 | c. 1890/00 | Applied Arts of Europe | | false |
|---|
| Vase d'Arezzo | Sèvres Porcelain Manufactory
Sèvres, France, founded 1740
Designed by Albert-Ernest Carrier-Belleuse (French, 1824-1887)
Decorated by Henri Lucien Lambert (French, 1836-1909) | 1884/85 | Applied Arts of Europe | | true |
|---|
| Cray | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1884, made 1884–1917 | Textiles | | false |
|---|
| Cray | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1884, made 1884–1917 | Textiles | | false |
|---|
| Covered Vase | Crown Derby (England, founded 1750) | 1884 | Applied Arts of Europe | | false |
|---|
| Square from a 'Crazy Quilt' | United States | 1884 | Textiles | | false |
|---|
| Square from a 'Crazy Quilt' | United States | 1884 | Textiles | | false |
|---|
| Strawberry Thief | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1883, made 1883–1917 | Textiles | | false |
|---|
| Wey | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design c. 1883 | Textiles | | false |
|---|
| Windrush | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1883, made 1917–25 | Textiles | | false |
|---|
| Corncockle | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1883, made 1917–25 | Textiles | | false |
|---|
| Wey for a Valance | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design c. 1883 | Textiles | | false |
|---|
| "Swan House" Carpet | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design c. 1883, made 1887 | Textiles | | false |
|---|
| Kennett | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1883, made 1887 | Textiles | | false |
|---|
| Kennet | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940) | Design 1883, made 1887 | Textiles | | false |
|---|
| Panel | Probably produced by G.P. & J. Baker Ltd. (founded after 1850)
Printed at Swaisland Print Works (Acquired by G. P. & J. Baker after 1893)
For Liberty & Co. (founded 1875)
England, Crayford | c. 1893 | Textiles | | false |
|---|
| Dônuki | Japan | 1883/1900, Meiji period (1868–1912) | Textiles | | false |
|---|
| Bust of President Thiers | Sèvres Porcelain Manufactory
French, founded 1740
Designed by Albert-Ernest Carrier-Belleuse
French, 1824-1887 | 1883 | Applied Arts of Europe | | false |
|---|
| Altered or Unfinished 'Crazy Quilt' | Phyllis Rothschild (American, active c. 1883)
United States | 1883 | Textiles | | false |
|---|
| Demitasse Cup and Saucer | Austria, Vienna
J.L. Lobmeyr (Austrian, founded 1823) | c. 1888 | Applied Arts of Europe | | false |
|---|
| Teapot | Royal Worcester Porcelain Factory (1751–2009)
Designed by James Hadley (born England, 1837–1903)
Worcester, England
Enameled Parian ware | 1882 | Applied Arts of Europe | | true |
|---|
| Pomona | After designs by Sir Edward Burne-Jones (English, 1833–1898) and John Henry Dearle (English, 1860–1932)
Produced by Morris & Co., London (English, 1875-1940)
Woven by Walter Taylor (English, 1875–1965) and John Keich (English, active 1890s–1910)
Merton Abbey Tapestry Works, London (English, 1881–1940) | Figure design 1882, background design 1898, made 1906 | Textiles | | false |
|---|
| Cornelius Vanderbilt Fishing | Designed by J.E. Hodgson (English, 1836-1895) after John O'Connor (English, born Ireland, 1830-1889)
Manufactured at Royal Windsor Workshop (English, 1876-1890)
England | 1882 | Textiles | | false |
|---|
| Oak | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
J.O. Nicholson, Macclesfield, Cheshire (English, founded 1865) or Merton Abbey, London (English, 1881-1940) | Designed 1881 | Textiles | | false |
|---|
| Plate | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Old Hall Earthenware Co., Ltd. (Staffordshire, England, 1861-1866) | c. 1886 | Applied Arts of Europe | | false |
|---|
| Figure of John Bull | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | May 25, 1881 | Applied Arts of Europe | | false |
|---|
| Plaque: Perseus and Andromeda | Attributed to Wedgwood Manufactory
England, founded 1759 | c. 1886 | Applied Arts of Europe | | false |
|---|
| Wall Sconce (One of a Pair) | Designed by William Arthur Smith Benson (English, 1854-1924)
Made by W. A .S. Benson & Co. (England, 1880-1920)
England, London | 1880/1900 | Applied Arts of Europe | | true |
|---|
| Wall Sconce (One of a Pair) | Designed by William Arthur Smith Benson (English, 1854-1924)
Made by W. A .S. Benson & Co. (English, 1880-1920)
England, London | 1880/1900 | Applied Arts of Europe | | true |
|---|
| Wearing Blanket | Unknown weaver
Navajo (Diné), active late 19th century
Navajo Nation (parts of Arizona, New Mexico, and Utah) | c. 1885 | Textiles | | false |
|---|
| Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories | Manchu, China | Qing dynasty (1644–1911), about 1890 | Textiles | | false |
|---|
| "Eye-Dazzler" Weaving | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1880/1900 | Textiles | | false |
|---|
| Flowerpot Fire Screen | Designed by William Morris (English, 1834-1896)
Produced by Morris & Co., London (English, 1875–1940) | Design early 1880s | Textiles | | false |
|---|
| Woman's Semiformal Domestic Magua (Short Coat) | Manchu, China | Qing dynasty (1644–1911), 1880–1900 | Textiles | | false |
|---|
| Dance Blanket with Diving Whale and Raven Motifs | Chilkat Tlingit
Southeastern Alaska, United States | Late 19th century | Textiles | | false |
|---|
| Sarape with Serrated Diamond Pattern | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1880–1900 | Textiles | | false |
|---|
| Blanket | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1880s/90s | Textiles | | false |
|---|
| Pitcher | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Linthorpe Art Pottery (Yorkshire, England, 1879-1889) | 1880 | Applied Arts of Europe | | false |
|---|
| Armchair | Designed by Arthur Heygate Mackmurdo (English, 1851-1942) for Pownall Hall, Cheshire
Made by E. Goodall and Company
Upholstery: Designed by Herbert P. Horne (English, 1864-1916), made by Simpson and Godlee (English, active about 1884)
Manchester, England | c. 1885 | Applied Arts of Europe | | false |
|---|
| "Garfield and Arthur" Quilt | Possibly Annie Ensminger Kready (American, 1871-1956) or Louisa Ensminger (American, 1850-1899)
Manheim Township, Lancaster County, Pennsylvania, United States | c. 1880 | Textiles | | false |
|---|
| Bedcover Depicting Thirty-four Scenes from the Old and New Testaments | United States | 1880s | Textiles | | false |
|---|
| Woman's Qun (Skirt) | Han-Chinese
China | 1880/90, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Man's Rank Badge | Manchu
China | 1880/1900, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Man's Court Badge | Manchu
China | 1880/1900, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel (Dress Fabric) | Manchu
China | 1880/90, Qing dynasty(1644–1911) | Textiles | | false |
|---|
| Portière | Designed by Anna G. Lyman (American, active 1880/1900)
Executed by Associated Artists, 1833–1907
United States, Illinois, Chicago | 1880/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Pair of Covered Vases | Crown Derby (England, founded 1750) | c. 1885 | Applied Arts of Europe | | false |
|---|
| Pineapple or Windmill Blades Log Cabin Quilt | Indiana, United States | 1880s | Textiles | | false |
|---|
| Panel | France, Lyon | c. 1890 | Textiles | | false |
|---|
| Coverlet | Sarah Scott (American, active c. 1880)
United States, Southern Illinois | 1880 | Textiles | | false |
|---|
| Side Chair | Designed by August Thonet
Austrian, 1853-1921
Made by Gebrüder Thonet
Austrian, 1853-1921 | Designed c. 1885; Made c. 1900/15 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | After Kate Greenaway (American, 1846-1901)
Engraved and printed by Edmund Evans (American, 1826-1905)
United States | c. 1880/90 | Textiles | | false |
|---|
| Pillow Cover | Possibly England | c. 1890 | Textiles | | false |
|---|
| "Sawtooth" or "Jagged Square" Quilt | Pennsylvania Dutch
Pennsylvania, United States | c. 1890 | Textiles | | false |
|---|
| Potpourri Vase | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | c. 1885 | Applied Arts of Europe | | false |
|---|
| Plate with Water Lilies | Copeland Porcelain Factory
English, founded 1847
Painted by Charles F. Hürten
German, active in England, 1818-1897 | c. 1885 | Applied Arts of Europe | | false |
|---|
| Furisode | Japan | Meiji period (1868–1912), c. 1890 | Textiles | | false |
|---|
| "Amish Plain" Quilt | Holmes County, Ohio, United States | c. 1890 | Textiles | | false |
|---|
| Panel | England | c. 1890s | Textiles | | false |
|---|
| Vase | Mintons Ltd.
English, founded 1793 | 1880/90 | Applied Arts of Europe | | false |
|---|
| Carpet | United States | 1880/90 | Textiles | | false |
|---|
| Vase | Designed by William De Morgan
English, 1839-1917
Merton Abbey, Wandsworth, London | c. 1885 | Applied Arts of Europe | | false |
|---|
| Vase | William de Morgan & Co.
English, founded 1869
Decorated by Fred Passenger
English, 1864-1935 | c. 1885 | Applied Arts of Europe | | false |
|---|
| Panel | France | 1880s | Textiles | | false |
|---|
| "Feather-Edged Star" Quilt | Nancy Margaret Mooney (American, 1850-1925)
Pennsylvania or West Virginia, United States | 1880 | Textiles | | false |
|---|
| Circular Plaque | Made by Théodore Deck
French, 1823-1891
Painted by Paul-Cesar Helleu
French, 1859-1927 | 1880/87 | Applied Arts of Europe | | false |
|---|
| Imperial Edict | Manchu
China | 1879, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Square from a 'Crazy Quilt' | United States | c. 1884 | Textiles | | false |
|---|
| Square from a 'Crazy Quilt' | United States | c. 1884 | Textiles | | false |
|---|
| Square from a 'Crazy Quilt' | United States | c. 1884 | Textiles | | false |
|---|
| Moon Flask | Minton (Stoke-on-Trent, England, founded 1793) | c. 1878 | Applied Arts of Europe | | true |
|---|
| Bird | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Queen Square, London (English 1865-81) or Merton Abbey, London (English, 1881-1940) | Design 1878 | Textiles | | false |
|---|
| Peacock and Dragon | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Queens Square, London, or Merton Abbey, London (English, 1881–1940) | Design 1878 | Textiles | | false |
|---|
| Pair of Bottles | Worcester Porcelain Factory (Worcester, England, founded 1751) | 1878 | Applied Arts of Europe | | false |
|---|
| Bottle | Worcester Porcelain Factory (Worcester, England, founded 1751) | 1878 | Applied Arts of Europe | | false |
|---|
| Fragment of a Chair Seat | Designed by Thomas Wardle (English, 1831–1909)
Printed at Hencroft Dye Works
England, Staffordshire, Leek | c. 1888 | Textiles | | false |
|---|
| Fragment of a Chair Seat | Designed by Thomas Wardle (English, 1831–1909)
Printed at Hencroft Dye Works
England, Staffordshire, Leek | c. 1888 | Textiles | | false |
|---|
| Pair of Tea Caddies | William Barnard
English, active 1767-1818
London, England | 1878/79 | Applied Arts of Europe | | false |
|---|
| Cup | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1878 | Applied Arts of Europe | | false |
|---|
| Cup | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1878 | Applied Arts of Europe | | false |
|---|
| Creamer | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1878 | Applied Arts of Europe | | false |
|---|
| Saucer | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1878 | Applied Arts of Europe | | false |
|---|
| Saucer | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1878 | Applied Arts of Europe | | false |
|---|
| Covered Bowl (Écuelle) with Representations of French Rivers | Jules-Paul Brateau
French, 1844-1923
Paris, France | 1878/1892 | Applied Arts of Europe | | false |
|---|
| Tea Service | Royal Worcester Porcelain Factory (1751–2009)
Worcester, England | 1877–78 | Applied Arts of Europe | | true |
|---|
| "Lily" Carpet | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875-1940)
Woven by Yates & Co., Wiltshire (English, founded 1701); later Wilton Royal Carpet Factory, Ltd. (English, founded 1741) | Design by 1877, made 1877–1940 | Textiles | | false |
|---|
| Tulip and Rose | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Probably woven by Heckmondwike Manufacturing Company, Yorkshire (English, founded 1873) | Design 1876 | Textiles | | false |
|---|
| Fan Box | Minton (Stoke-on-Trent, England, founded 1793) | 1876 | Applied Arts of Europe | | false |
|---|
| Acanthus | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1876, made 1877–1917 | Textiles | | false |
|---|
| Acanthus | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1876, made 1877–1917 | Textiles | | false |
|---|
| Snakeshead | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1876, made 1925–40 | Textiles | | false |
|---|
| Honeysuckle | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1876 | Textiles | | false |
|---|
| Panel | Designed by Arthur Heygate Mackmurdo (English, 1851–1942)
England, London | c. 1886 | Textiles | | false |
|---|
| Armchair | Luigi Frullini
Italian, 1839–1897
Florence, Italy | 1876 | Applied Arts of Europe | | false |
|---|
| Rocking Chair | Made by Jacob And Josef Kohn
Austria, Vienna | c. 1881 | Applied Arts of Europe | | false |
|---|
| Covered Sugar Bowl | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1876 | Applied Arts of Europe | | false |
|---|
| Hanging | Mexico and/or United States | 1876/1900 | Textiles | | false |
|---|
| Philadelphia Centennial Exhibition Quilt | United States | 1876/1900 | Textiles | | false |
|---|
| Panel | Designed by Arthur Heygate Mackmurdo (English, 1851–1942)
England, London | c. 1886 | Textiles | | false |
|---|
| Work Table | Made by Maison Alphonse Giroux (1874–82)
Paris | c. 1880 | Applied Arts of Europe | | true |
|---|
| Fragment (Towel or Napkin) | Republic of Türkiye | 1875‒1900 | Textiles | | true |
|---|
| Wall Clock | Probably made by L’Escalier de Cristal (1802–1923)
Paris | c. 1880 | Applied Arts of Europe | | true |
|---|
| Tureen with Cover | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Hukin and Heath (London and Birmingham, England, 1855-1953) | c. 1880 | Applied Arts of Europe | | false |
|---|
| Woman's Changfu (Informal Court Robe) | Manchu
China | Qing dynasty (1644–1911), late 19th/early 20th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ceremonial Skirt | Bushong, Kuba
Mushenge, Kasaï Province, Democratic Republic of the Congo | Late 19th century | Textiles | | false |
|---|
| Ceremonial Skirt | Kuba, Bushong
Democratic Republic of the Congo, Kasai Province, Mushenge | 1875/1900 | Textiles | | false |
|---|
| Teapot on Stand with Rechaud | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Gebrüder Frank (Vienna, Austria, active c. 1900-1901) | 1875/90 | Applied Arts of Europe | | false |
|---|
| Ladle | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Hukin and Heath (London and Birmingham, England, 1855-1953) | c. 1880 | Applied Arts of Europe | | false |
|---|
| Prestige cloth | Dyula
Côte d’Ivoire | Late 19th century | Textiles | | false |
|---|
| Marigold | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1875, made 1917–25 | Textiles | | false |
|---|
| Embroidered Trimmings for a Woman's Ao (Short Coat) | Han-Chinese
China | Qing dynasty (1644–1911), 1875–1900 | Textiles | | false |
|---|
| Marigold | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1875, made 1917–25 | Textiles | | false |
|---|
| Tulip | Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Wardle & Co., Bridgnorth (English, 1875-1930) | Design 1875, made 1917–25 | Textiles | | false |
|---|
| Toast Rack | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by James Dixon & Sons Ltd. (Sheffield, England, 1835-1976) | c. 1880 | Applied Arts of Europe | | false |
|---|
| Ceremonial Textile (Tampan) | Paminggir people
Indonesia, South Sumatra, Lampung area, Possibly Kota Agung | Late 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Egyptian Revival Clock | Brocot
Paris, France, 19th century | 1875–90 | Applied Arts of Europe | | false |
|---|
| Pair of Moccasins | Santee Sioux
Plains, North America | 1875/1900 | Textiles | | false |
|---|
| Pair of Child's Mocassins | Possibly Sioux
Plains, North America | c. 1885 | Textiles | | false |
|---|
| Pair of Moccasins | Artist unknown (Arapaho, Hinono’ei)
Central Plains | c. 1885 | Textiles | | false |
|---|
| Pair of Child's Moccasins | Sioux
Plains, North America | c. 1885 | Textiles | | false |
|---|
| Woman's Ao (Short Robe) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Man's Bufu (Court Surcoat) | Manchu
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Waitao (Semiformal Domestic Surcoat) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Prayer Carpet (Sarouk Style) | Persia (present-day Iran) | 1875-1900 | Textiles | | false |
|---|
| Veil with Russian Imperial Family Coat of Arms | Belgium | 1875/1900 | Textiles | | false |
|---|
| Woman's Selendang Limar (Shoulder Cloth) | Palembang area, south Sumatra, Indonesia | Late 19th century | Textiles | | false |
|---|
| Fragment (Skirt) | Designed by Bertha Honoré Palmer (American, 1850–1918)
Belgium, Brussels | 1875/1900 | Textiles | | false |
|---|
| Coverlet (Fragment) | United States | 1875–1900 | Textiles | | false |
|---|
| Woman's Sari | India | Late 19th century | Textiles | | false |
|---|
| Woman's Vest | Manchu
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Saber (Kiliç) with Scabbard | Ottoman Turkish | late 19th century
Blade inscribed 1099 Hejira [A.D. 1687] | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woman's Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Sleeve Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Sleeve Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Dish | Designed by William De Morgan (English, 1839 - 1917)
Made by William De Morgan & Company (founded 1869)
Chelsea, England | c. 1880 | Applied Arts of Europe | | false |
|---|
| Bridal Long Pao (Dragon Robe) | Han-Chinese
China | 1875/90, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel | Produced by J. W. & C. Ward
England, Yorkshire | 1875/1900 | Textiles | | false |
|---|
| Urn (one of a pair) | Brocot
French, 19th century
Paris, France | 1875/90 | Applied Arts of Europe | | false |
|---|
| Panel (sleeveband) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Sleeve Bands | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Sleeve Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Trouser Bands | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Woman's Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Urn (one of a pair) | Brocot
Paris, France, 19th century | 1875/90 | Applied Arts of Europe | | false |
|---|
| Fragment (From a Sleeve Band) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment (Touser Bands) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment (Trouser Band) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (For Sleeve Bands) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment (Trouser Band) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Cover (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Uncut Yardage (For Woman's Coat) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Sleeve Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Shoulder Cloth (?) | Komering (?)
Indonesia, South Sumatra, Lampung area | End of the 19th century | Textiles | | false |
|---|
| Panel (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Dress Fabric) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Mantel Clock | England | 1875/80 | Applied Arts of Europe | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Handkerchief | Manufactured by A. & C. Cramer (German, active about 1876)
Germany, Düsseldorf | c. 1876 | Textiles | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Commemorative Ribbon | Manufactured by William Strange & Company
United States, New Jersey | c. 1885/90 | Textiles | | false |
|---|
| Kuro Tomesode | Japan | Meiji period (1868–1912), c. 1885 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Obi (Belt) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | Late 19th century, Meiji period (1868–1912) | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | Late 19th century, Meiji period (1868–1912) | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Seating Mat | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Obi (Belt) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Furoshiki (Wrapping Cloth) | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Panel | England | Late 19th century | Textiles | | false |
|---|
| Karabagh Prayer Rug | Kazakhstan, Caucasus | 1875/1900 | Textiles | | false |
|---|
| Carpet | Morocco, Rabat | 1875–1900 | Textiles | | false |
|---|
| Carpet | Caucasus, Shirvan | 1875/1900 | Textiles | | false |
|---|
| Kesa | Japan | Late 19th century, Meiji period (1868–1912) | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Valance | China | Qianlong Period, Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1875-1900 | Textiles | | false |
|---|
| Uchishiki (Altar Cover) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Child's Collar | China | Qing dynasty (1644– 1911), late 19th century | Textiles | | false |
|---|
| Shawl | Produced by Clabburn, Sons and Crisp
England, Norwich | Late 19th century | Textiles | | false |
|---|
| Vase | Worcester Porcelain Factory (Worcester Royal Porcelain Company, 1862-1958)
Worcester, England, founded 1751 | 1875/80 | Applied Arts of Europe | | false |
|---|
| Mirror Case | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Miniature Perfume Bottle | Fabergé Workshop
Saint Petersburg or Moscow, Russia, 1842-1917
Master Craftsman: Michael Perchin
Russian, 1860-1903 | Late 19th century | Applied Arts of Europe | | false |
|---|
| Seal | Gilliland Glass Manufactory
American, founded 1820 | c. 1880 | Applied Arts of Europe | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | Late 19th century | Applied Arts of Europe | | false |
|---|
| Pair of Candelabra | Auguste Cain
French, 1821-1894 | c. 1880 | Applied Arts of Europe | | false |
|---|
| Towel/Napkin | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | late 19th century | Applied Arts of Europe | | false |
|---|
| Hangiri (Noh Costume) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Pair of Fire Fans | England | Late 19th century | Textiles | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Furoshiki (Wrapping Cloth) | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Cover (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment (From Obi) | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | Late 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | Late 19th century | Applied Arts of Europe | | false |
|---|
| Panel (For a Screen) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Towel or Napkin | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1875‒1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Paperweight | Gilliland Glass Manufactory
American, founded 1820 | c. 1880 | Applied Arts of Europe | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Cushion | China | Qing dynasty (1644– 1911), late 19th century | Textiles | | false |
|---|
| Cushion | China | Qing dynasty (1644– 1911), late 19th century | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Cigarette Case | Fabergé Workshop
Saint Petersburg, Russia, 1842-1917
Master Craftsman: Michael Perchin
Russian, 1860-1903 | Late 19th century | Applied Arts of Europe | | false |
|---|
| Ikat-dyed Blanket | Iban
Malaysia, Sarawak or Borneo | 1875/1900 | Textiles | | false |
|---|
| Ikat-dyed Blanket | Iban
Malaysia, Sarawak or Borneo | 1875/1900 | Textiles | | false |
|---|
| Sarape (Interpretation of Mexican Saltillo Serape) | Germany or Czechoslovakia | 1875/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644– 1911), late 19th century | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Double Decilitre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Decilitre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Litre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Demilitre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Double Centilitre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Centilitre Measure | Maison Le Seigneur
Deverre
Caen, France | 1875/1895 | Applied Arts of Europe | | false |
|---|
| Panel (Trouser Band) | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Trouser Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Band | Han-Chinese
China | Qing dynasty (1644–1911), 1875/1900 | Textiles | | false |
|---|
| Fragment | Japan | Meiji period (1868–1912), 1875/1900 | Textiles | | false |
|---|
| Pair of Jardinieres | Minton (Stoke-on-Trent, England, founded 1793) | 1874 | Applied Arts of Europe | | false |
|---|
| "The Present Time" | Woven by Thomas Stevens (English, 1828–88)
Coventry and London, England | After 1879 | Textiles | | false |
|---|
| "The Good Old Days" (Royal Mail Coach)" | Woven by Thomas Stevens (English, 1828–88)
Coventry and Lodon, England | After 1879 | Textiles | | false |
|---|
| Moon Flask | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Minton (Stoke-on-Trent, England, founded 1793) | 1873 | Applied Arts of Europe | | true |
|---|
| Pair of Boxes | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Minton (Stoke-on-Trent, England, founded 1793) | c. 1875 | Applied Arts of Europe | | true |
|---|
| Paperweight | Attributed to Monot, Pere et Fils, et Stumpf
Cristallerie de Pantin (French, 1850-1890) | c. 1878 | Applied Arts of Europe | | true |
|---|
| Moon Flask | Painted by William Mussill (Austrian, active in France and England, 1828-1906)
Minton (Stoke-on-Trent, England, founded 1793) | c. 1875 | Applied Arts of Europe | | false |
|---|
| Moon Flask | Minton (Stoke-on-Trent, England, founded 1793) | c. 1875 | Applied Arts of Europe | | false |
|---|
| Paperweight | Monot, Pere et Fils, et Stumpf
Cristallerie de Pantin (French, 1850-1890) | c. 1878 | Applied Arts of Europe | | true |
|---|
| "Ocean Wave" Quilt Bedcover | Made by Frances Brooks Wyld (American, died 1958)
Chicago, Illinois, United States | c. 1883 | Textiles | | false |
|---|
| Coverlet | John Eusebius Schneider (American, born German, active 1823-1903)
United States, Missouri, St. Charles County, Hamburg | 1872 | Textiles | | false |
|---|
| Sideboard | Designed by Edward William Godwin (English, 1833-1886)
Made by William Watt (English, 1834-1885)
London | Designed 1867, made c. 1876 | Applied Arts of Europe | | true |
|---|
| Fountain Panel | Designed by Thomas Jeckyll (English, 1827–1881)
Made by Barnard, Bishop and Barnards, (Norwich, England, 1826–1908) | 1871 | Applied Arts of Europe | | true |
|---|
| Moon Flask | Minton's Art Pottery Studio (London, 1871-1875) | 1871 | Applied Arts of Europe | | false |
|---|
| Utrecht Velvet | Attributed to William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940 | Design c. 1871 | Textiles | | false |
|---|
| Utrecht Velvet | Attributed to William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940 | Design c. 1871 | Textiles | | false |
|---|
| Drawing Room Cabinet | Designed by Bruce James Talbert
Scottish, active in England, 1838–1881
Made by Gillow & Company
England, 1730–1974 | 1871/72 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Christopher Dresser (English, born Scotland, 1834–1904)
Produced by James W. & C. Ward
England, Halifax | 1871 | Textiles | | false |
|---|
| Footed Bowl | Philippe-Joseph Brocard
French, 1831-1896
Paris | 1871 | Applied Arts of Europe | | false |
|---|
| Handkerchief | After a painting by John Trumbull (American, 1756–1843)
United States | c. 1876 | Textiles | | false |
|---|
| Fireplace Surround | Designed by Thomas Jeckyll (English, 1827-1881)
Made by Barnard, Bishop & Barnards (Norwich, England, 1826-1908) | c. 1875 | Applied Arts of Europe | | true |
|---|
| Bulb Vase | Minton (Stoke-on-Trent, England, founded 1793) | c. 1875 | Applied Arts of Europe | | true |
|---|
| Sarape with Compound Banded Design | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1870–95 | Textiles | | false |
|---|
| Moon Flask | Minton (Stoke-on-Trent, England, founded 1793) | c. 1875 | Applied Arts of Europe | | false |
|---|
| Pair of Vases | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Painted by William Mussill (Austrian, active in France and England, 1828-1906)
Minton (Stoke-on-Trent, England, founded 1793) | c. 1870 | Applied Arts of Europe | | false |
|---|
| Double Vase | Probably designed by Christopher Dresser (English, born Scotland, 1834-1904)
Minton (Stoke-on-Trent, England, founded 1793) | 1870 | Applied Arts of Europe | | false |
|---|
| Chief Blanket (Third Phase) | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1880 | Textiles | | false |
|---|
| Chief Blanket (Third Phase) | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1880 | Textiles | | false |
|---|
| Chief Blanket (Third Phase) | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1880 | Textiles | | false |
|---|
| Woman's Majia (Semiformal or Informal Domestic Vest) | Manchu
China | Qing dynasty (1644–1911), 1870/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woman's Long Pao (Formal Domestic Robe) | Manchu
China | Qing dynasty (1644–1911), 1870/1910 | Textiles | | false |
|---|
| Woman's Qun (Semiformal Domestic Skirt) | Han-Chinese
China | Qing dynasty (1644–1911), 1870/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woven Textile Fragment | Probably Varanasi (Benares), India | Probably 1870s | Textiles | | true |
|---|
| Woman's Long Shawl | Possibly designed by Antony Berrus (French, 1815–1883)
Probably France | 1870s | Textiles | | false |
|---|
| Coverlet | United States | 1870/76 | Textiles | | false |
|---|
| Coverlet | United States, Pennsylvania | 1870/76 | Textiles | | false |
|---|
| Woman's Ao (Short Robe) | Han-Chinese
China | Qing dynasty (1644–1911), 1870/90 | Textiles | | false |
|---|
| Shawl Fragment | India | 1870s | Textiles | | false |
|---|
| Panel (Dress Fabric) | Possibly from a dress designed by the House of Worth
Possibly Lyon, France | c. 1880 | Textiles | | false |
|---|
| Sutherland | Designed by Owen Jones (English, 1809–1874)
Manufactured by Warner, Sillett & Ramm
London | 1870/71 | Textiles | | false |
|---|
| Mirror | Siena, Italy
Carlo Bartolozzi (Italian, 1835-1922) and Nicodemo Ferri (Italian, c. 1835-1899) | 1870 | Applied Arts of Europe | | false |
|---|
| Kuro Tomesode | Japan | Meiji period (1868–1912), c. 1880 | Textiles | | false |
|---|
| Bedcover | Mary Elizabeth (née Motter) Tansill (American, 1847-1936)
United States, Illinois, Clayton | c. 1880 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | early Meiji period (1868–1912), 1870/80 | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Uchikake | Japan | Meiji period (1868–1912), c. 1880 | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Meiji period (1868–1912), 1870/90 | Textiles | | false |
|---|
| Plate | Coalport and Coalbrookdale Porcelain Factory
England, founded 1796 | 1870/75 | Applied Arts of Europe | | false |
|---|
| Square Shawl | India | 1870s | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/90 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/1900 | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Meiji period (1868–1912), 1870/90 | Textiles | | false |
|---|
| Fan | France | c. 1880 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/1900 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Scroll | Japan | Meiji period (1868–1912), c. 1880 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Vase | England, Stourbridge
Manufactured by Thomas Webb & Co. (English, founded 1837)
Engraved by William Fritsche (English, fl. 19th century) | c. 1875/80 | Applied Arts of Europe | | false |
|---|
| Paperweight | Boston and Sandwich Glass Company
Sandwich, Massachusetts, 1826-1888 | 1870 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/80 | Textiles | | false |
|---|
| Pendant | Japan | 1870/90, Meiji period (1868–1912) | Textiles | | false |
|---|
| Point Paper (mise-en-carte) | Roubaix, France
Possibly from the firm of Emile Leblanc | c. 1880 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1870/90 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1870/95 | Textiles | | false |
|---|
| Pair of Boots (Theatrical) | France | 1870s | Textiles | | false |
|---|
| Platter | Designed by Félix Bracquemond (French, 1833–1914)
Made by Haviland & Co., Auteuil Studio, Paris (French, 1872-1886) | c. 1874 | Applied Arts of Europe | | true |
|---|
| Teapot | Minton (English, founded 1793)
Stoke-on-Trent, England | c. 1874 | Applied Arts of Europe | | false |
|---|
| Teapot | Minton (English, founded 1793)
Stoke-on-Trent, England | c. 1874 | Applied Arts of Europe | | false |
|---|
| Fukusa (Gift Cover) | Japan | early Meiji period (1868–1912), 1868/83 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | early Meiji period (1868–1912), 1868/83 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | early Meiji period (1868–1912), 1868/83 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), 1868/1900 | Textiles | | false |
|---|
| Bride's Quilt | Sarah Catherine "Kate" (née Strother) McClanahan (American, 1834/35-1887)
Virginia or Kentucky, United States | 1868 | Textiles | | false |
|---|
| Armchair | Designed by Owen Jones (born England, 1809–1874)
Made by Jackson & Graham (c. 1840–85)
London | c. 1867–70 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Vase | Fritz Heckert Glass Refinery and Glassworks
Petersdorf, Silesia (now Poland), 1866-1923
Possibly designed by Otto Thamm
German, 1860-c. 1905
Possibly decorated by Adolph Heyden
German, 1838-1902 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Fragment (Furnishing Fabric) | Manufactured by the American Print Works (American, founded 1876)
United States, Massachusetts, Fall River | c. 1876 | Textiles | | false |
|---|
| Kesa | Japan | Meiji period (1868–1912), late 19th century | Textiles | | false |
|---|
| Plate | Designed by Félix Bracquemond (French, 1833-1914) for François-Eugène Rousseau (French, 1827-1891)
Made by Creil et Montereau Manufactory (French, founded 1797) | 1866/75 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Manufactured by Cocheco Cotton Manufacturing Company (American, founded 1812)
United States, New Hampshire, East Rochester | c. 1876 | Textiles | | false |
|---|
| Hall Stand | Designed by Christopher Dresser (English, born Scotland, 1834-1904)
Made by Coalbrookdale Company (Shropshire, England founded c. 1756-c. 1762) | c. 1870 | Applied Arts of Europe | | false |
|---|
| Sarape with Terraced Zigzag Design | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1865–85 | Textiles | | false |
|---|
| Moqui-Style Sarape | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1870 | Textiles | | false |
|---|
| Box | Rawlins & Sumner
London, England, 19th century | 1865 | Applied Arts of Europe | | false |
|---|
| Dining Chair | Theophil Hansen
Danish, 1813-1891 | c. 1870 | Applied Arts of Europe | | false |
|---|
| Scarf | England | c. 1875 | Textiles | | false |
|---|
| Pendant Shaped as a Ship | Designed by Reinhold Vasters (German, active 1853-90); probably made by him or possibly by Alfred André (French, 1839-1919) | c. 1870/90 | Applied Arts of Europe | | false |
|---|
| Tea and Coffee Service | George Angell
English, active 1865
London, England | 1865 | Applied Arts of Europe | | false |
|---|
| Paperweight | Mount Washington Glass Co.
American, 1837-1900 | c. 1870–90 | Applied Arts of Europe | | false |
|---|
| Carpet | Heriz, Persia (present-day Iran) | About 1875 | Textiles | | false |
|---|
| Large Syringa | Designed by Edward William Godwin (English, 1833–1886)
Produced by Warner & Sons Ltd.
England, London | c. 1874 | Textiles | | false |
|---|
| Carpet (Sileh) | Caucasus, Shirvan Provence | 1864 | Textiles | | false |
|---|
| Cigar Cabinet | Designed by Jean-Eugene Brandely (active France, 1867–1873)
Bronzes modeled by Emmanuel Fremiet (born France, 1824–1910)
Made by Charles-Guillaume Diehl (born Hesse [now Germany], active France, 1811–1855)
Paris | c. 1867 | Applied Arts of Europe | | true |
|---|
| Pair of Altar Candlesticks | Designed by Eugène Emmanuel Viollet-le-Duc (born France, 1814–1879)
Made by Placide-Benoît-Marie Poussielgue-Rusand (born France, 1824–1889)
Paris | 1862 | Applied Arts of Europe | | true |
|---|
| Splash Cloth | United States | c. 1872 | Textiles | | false |
|---|
| "Alhambra" textile panel with double border | Probably produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | c. 1865 | Textiles | | false |
|---|
| Vase | Fritz Heckert Glass Refinery and Glassworks
Petersdorf, Silesia (now Poland), 1866-1923
Probably designed by Otto Thamm
German, 1860-c. 1905
Probably decorated by Max Rade
German, 1840-1917 | c. 1899 | Applied Arts of Europe | | false |
|---|
| Tureen | Sèvres Porcelain Manufactory
French, founded 1740 | 1861/64 | Applied Arts of Europe | | false |
|---|
| Vase | Fritz Heckert Glass Refinery and Glassworks
Petersdorf, Silesia (now Poland), 1866-1923
Possibly designed by Otto Thamm
German, 1860-c. 1905
Possibly decorated by Adolph Heyden
German, 1838-1902 | c. 1900 | Applied Arts of Europe | | false |
|---|
| Basket Pattern Quilt | Mary Katharine Ashbrook Hill (American, 1843–1927)
Southern Illinois, United States | 1861 | Textiles | | false |
|---|
| Men's Wearing Blanket (Third Phase Chief Style) | Unknown weaver
Navajo (Diné), active late 19th century
Navajo Nation (parts of Arizona, New Mexico, and Utah, United States) | c. 1870–1880 | Textiles | | false |
|---|
| Wearing Blanket | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1860-90 | Textiles | | false |
|---|
| ˀımáˀsp̉alx̣ (Flat Storage Bag) | Probably Nez Perce (Nimíipuu)
Columbia Plateau, United States | c. 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Lace Border Fragment | Belgium or France | 1860-80 | Textiles | | true |
|---|
| Woman's Surcoat | Han-Chinese
China | Qing dynasty (1644–1911), 1860/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel | Possibly designed by Owen Jones (English, 1809–1874)
Made by Warner, Sillet, and Ramm, 1870–1874
England, Spitalfields or Bethnal Green, Hollybush Gardens | c. 1870 | Textiles | | false |
|---|
| Man's Rank Badge | Manchu
China | Qing dynasty (1644–1911), 1860/89 | Textiles | | false |
|---|
| Woman's Mantle (Iskallu) | Aymara
Bolivia, La Paz, Possibly Aroma | 1860/80 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Souvenir Handkerchief Commemorating "Visit of His Royal Highness Prince of Wales to America, 1860" | United States | 1860 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Handkerchief | After illustrations by Célestin Nanteuil (French, 1813–1873)
France | 1860/1900 | Textiles | | false |
|---|
| Portland Vase | Wedgwood Manufactory
England, founded 1759 | 1860/80 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Panel | Produced by Mathevon et Bouvard (French, 1810–1895)
Lyon, France | 1860/80 | Textiles | | false |
|---|
| Shawl | Produced by Clabburn, Sons and Crisp
England, Norwich | 1860s | Textiles | | false |
|---|
| Shawl | Produced by Clabburn, Sons and Crisp
England, Norwich | 1860s | Textiles | | false |
|---|
| Shawl | Produced by Clabburn, Sons and Crisp
England, Norwich | 1860s | Textiles | | false |
|---|
| Sampler | Sophia Margaretha Reuning (Dutch, 1843- ?)
Netherlands | 1860 | Textiles | | false |
|---|
| Fan | France | 1860/70 | Textiles | | false |
|---|
| Sideboard and Wine Cabinet | Designed by William Burges (born England, 1827–1881)
Made by Harland & Fisher (1845-88)
Painted by Nathaniel Hubert John Westlake (born England, 1833–1921)
London, England | 1859 | Applied Arts of Europe | | true |
|---|
| Cigar and Tobacco Stand | Stockholm, Sweden
Attributed to Adolf Lindberg (Swedish, 1839-1916) | 1859–72 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740
Designer: Emile Renard
French, 1850-1930
Enameler: Bernard Pine
French, 19th century
Painter: Paul Roussel
French, 19th century | 1859/60 | Applied Arts of Europe | | false |
|---|
| Coverlet | Harry Tyler (American, 1801-1858)
United States, New York, Jefferson County | 1857 | Textiles | | false |
|---|
| Coverlet | United States, Ohio | 1856 | Textiles | | false |
|---|
| Candelabra (One of a Pair) | Designed by William White (born England, 1825–1900)
England | c. 1860 | Applied Arts of Europe | | true |
|---|
| Candelabra (One of a Pair) | Designed by William White (born England, 1825–1900)
England | c. 1860 | Applied Arts of Europe | | true |
|---|
| Coverlet | Robert, Thomas, John or William Muir (American, Born Scottish, active c. 1835-1857)
United States, Indiana | 1855 | Textiles | | false |
|---|
| Chief Blanket (Third Phase) | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1860/65 | Textiles | | false |
|---|
| Blanket | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1865/75 | Textiles | | false |
|---|
| Coverlet | Ira Hadsell (American, 1813-1896)
United States, New York, Wayne County, Palmyra | 1855 | Textiles | | false |
|---|
| Armchair | Michael Thonet
Austrian, 1796-1871
Thonet Brothers
Austria, founded 1849 | Designed 1848/50; Made c. 1860 | Applied Arts of Europe | | false |
|---|
| Vase | Wedgwood Manufactory
England, founded 1759 | c. 1860 | Applied Arts of Europe | | false |
|---|
| Plate | Russian Imperial Porcelain Factory
Russian, founded 1744 | 1855/81 | Applied Arts of Europe | | false |
|---|
| Plate | Russian Imperial Porcelain Factory
Russian, founded 1744 | 1855/81 | Applied Arts of Europe | | false |
|---|
| Shawl | Produced by Clabburn, Sons and Crisp
England, Norwich | c. 1860s | Textiles | | false |
|---|
| Single Shoe | China | Qing dynasty (1644–1911), c. 1860s | Textiles | | false |
|---|
| Three Part Centerpiece | Baccarat Glassworks
French, founded 1764 | c. 1860/70 | Applied Arts of Europe | | false |
|---|
| Bedcover | Sarah J. Harden (American, active c. 1855)
United States, Ohio | 1855 | Textiles | | false |
|---|
| Parasol | Produced by Gorham Manufacturing Company (Probably Handle) (American, Founded 1831)
France | c.1865/70 | Textiles | | false |
|---|
| Combination Hunting Dagger and Double-Barrel Percussion Pistol, Sheath, and Belt of Emperor Maximilian of Mexico | Joseph-Célestin Dumonthier
France, Paris, active 1850–1900 | 1864/67 | Applied Arts of Europe | | true |
|---|
| Album Quilt | Sarah Ann Wilson (American, active mid-19th century)
New York or New Jersey, United States | 1854 | Textiles | | false |
|---|
| Coverlet | Ira Hadsell (American, 1813-1896)
United States, New York, Wayne County, Palmyra | 1854 | Textiles | | false |
|---|
| Coverlet | Matthew Rattray (American, born Scottish, 1796–1872)
United States, Indiana, Wayne County, Richmond | 1853 | Textiles | | false |
|---|
| Coverlet | John Rogers (American, born Irish, active c. 1853)
United States, Indiana, Wayne County | 1853 | Textiles | | false |
|---|
| A Chinese Tea Party (Furnishing Fabric) | Manufactured by Daniel Lee & Co. (English, active 1876-1900)
England, Manchester | c. 1854 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Possibly after Utagawa Kunisada (Japanese, 1786-1865)
England or United States | 20th century | Textiles | | false |
|---|
| Chandelier | Augustus Welby Northmore Pugin
English, 1812-1852
Manufactured by John Hardman and Company
Birmingham, England, founded 1838 | 1852 | Applied Arts of Europe | | true |
|---|
| Coverlet | Samuel Snider (American, born 1820)
United States, Indiana, Elkhart County, New Paris | 1852 | Textiles | | false |
|---|
| Coverlet | James Van Ness (American, 1811-1872)
United States, New York, Wayne County, Palmyra | 1851 | Textiles | | false |
|---|
| Coverlet | Jesse Hart (American, 1814-1894)
Wilmington, Clinton County, Ohio, United States | 1851 | Textiles | | false |
|---|
| Paperweight | Paris | 1851 | Applied Arts of Europe | | true |
|---|
| Blanket | Probably Pueblo
Southwest, United States | 1851/1900 | Textiles | | false |
|---|
| Curtain Fragment | England and possibly India | late 18th century | Textiles | | false |
|---|
| Qabqabs (Bath Clogs) | Republic of Türkiye | Late 19th century or early 20th century | Textiles | - silk
- cotton_linen
- wood
- paper
| true |
|---|
| Reliquary | Designed by Eugène Emmanuel Viollet-le-Duc (born France, 1814–1879)
Made by Louis Bachelet (active France, 1851–about 1880)
Paris | c. 1851 | Applied Arts of Europe | | true |
|---|
| Fragment of Towel End | Republic of Türkiye | 1850‒1900 | Textiles | | true |
|---|
| "Attus" Amip (Man's Coat) | Ainu
Japan, Hokkaido Island | c. 1860 | Textiles | | false |
|---|
| Wearing Blanket (Phase II) | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | 1850-65 | Textiles | | false |
|---|
| Coverlet | William Craig, Jr. (American, c. 1824-1880)
United States, Indiana, Decatur County, Greensburg | 1850 | Textiles | | false |
|---|
| Coverlet | Dennis Cosley (American, 1816–1904)
United States, Ohio, Greene County, Xenia | 1850 | Textiles | | false |
|---|
| Coverlet | William Hicks (American, 1821–1903)
United States, Indiana, Madison County, Killbuck Creek | 1850 | Textiles | | false |
|---|
| ˀımáˀsp̉alx̣ (Flat Storage Bag) | Probably Nez Perce (Nimíipuu)
Columbia Plateau, United States | c. 1850/70 | Textiles | | false |
|---|
| Lined Curtain Panel | Design attributed to Bruce James Talbert (English, 1838-1881)
Possibly manufactured by J. W. & C. Ward | Late 19th century | Textiles | | false |
|---|
| Buzi (Court Rank Badge) | Manchu
China | Qing dynasty (1644–1911), 1850/75 | Textiles | | false |
|---|
| Coca Bag (Chuspa) | Aymara
Bolivia, Oruro, Ladislao Cabrera, Pampa Aullagas region | 1850/1900 | Textiles | | false |
|---|
| Coverlet | United States, New York | 1850/55 | Textiles | | false |
|---|
| Coverlet | United States, New York | 1850 | Textiles | | false |
|---|
| Ceremonial Scarf (bufando or ufanta) | Aymara
Bolivia | 1850/1900 | Textiles | | false |
|---|
| Chief’s Poncho | Mapuche
Chile, Araucanía, Temuco | 1850/1900 | Textiles | | false |
|---|
| Boy's Baijia Pao ("One Hundred Household" Robe) | Han-Chinese
China | Qing dynasty (1644–1911), 1850/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Vestment (For a First-degree Taoist Priest) | Han-Chinese
China | Qing dynasty (1644–1911), 1850/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Scroll | China | Qing dynasty (1644–1911), c. 1860 | Textiles | | false |
|---|
| Poncho | Aymara
Bolivia, La Paz, Pacajes | 1850/1900 | Textiles | | false |
|---|
| Quilt Top | Susan Major (1843-1926)
Probably Harrisburg, Dauphin County, Pennsylvania, United States | 1850 or later | Textiles | | false |
|---|
| Sin Mi (Woman's Funerary Skirt) | Tai Neua
Laos, Ban Neua | Late 19th century | Textiles | | false |
|---|
| Chief's Poncho | Mapuche
Chile | 1850/1900 | Textiles | | false |
|---|
| Badge | Manchu
China | Qing dynasty (1644–1911), 1850/75 | Textiles | | false |
|---|
| Overskirt (Urku) | Aymara
Bolivia, Oruro, Ladislao Cabrera, Pampa Aullagas region | 1850/1900 | Textiles | | false |
|---|
| Coca or Ceremonial Cloth (Inkuña) | Aymara
Bolivia, La Paz, Aroma | 1850/1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Casket | French | 19th century in the 16th century style | Applied Arts of Europe | | false |
|---|
| Quilt Top | Susan Major (1843-1926)
Probably Harrisburg, Dauphin County, Pennsylvania, United States | 1850 or later | Textiles | | false |
|---|
| Long Shawl | Probably Paris, France | 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Shirt (Camisa) | Maya
Guatemala | 1850/1900 | Textiles | | false |
|---|
| Trimming | Han-Chinese
China | Qing dynasty(1644–1911), 1850/1900 | Textiles | | false |
|---|
| Shawl | Probably designed by Anthony Berrus (French, 1815–1883)
Probably Paris, France | about 1855/62 | Textiles | | false |
|---|
| Man's Theater Costume (Reversible) | China | 1850/1900, Qing dynasty (1644–1911) | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Bedcover | Lorinda Gilbert (English, active 1850s)
England | 1850/1900 | Textiles | | false |
|---|
| Mouchoirs D'Instruction Militarie No. 1 (Handkerchief) | Designed and engraved by Alexandre Buquet (French, 1802–1865)
Manufactured by E. Renault
France, Rouen | 1850/1900 | Textiles | | false |
|---|
| Borghese Vase | Wedgwood Manufactory
England, founded 1759 | 1850/1900 | Applied Arts of Europe | | false |
|---|
| Vase | Wedgwood Manufactory
England, founded 1759 | 1850/75 | Applied Arts of Europe | | false |
|---|
| Vase | Wedgwood Manufactory
England, founded 1759 | c. 1850 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/70 | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Carpet fragment | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Carpet fragment | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Carpet fragment | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Fragment (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Flounce | France | 1850/60 | Textiles | | false |
|---|
| Kanjivaram Sari | Kanchipuram, Tamil Nadu, India | Late 19th century | Textiles | | false |
|---|
| Furnishing Valence | North American or Northern European | 1850-1875 | Textiles | - silk
- wool
- cotton_linen
- glass
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/Meiji period (1868–1912), 1850/75 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (Dress Fabric) | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1850/63 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Chinese | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Sash (?) | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Towel/Napkin | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), mid–/late 19th century | Textiles | | false |
|---|
| Pillbox | Fabergé Workshop
Saint Petersburg, Russia, 1842-1917
Master Craftsman: Michel Angelo Pergolesi
Italian, active 1777-1801 | 1850/1900 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900 | Textiles | | false |
|---|
| Tobacco Pouch | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900 | Textiles | | false |
|---|
| Fragment (Sleeve Band) | China | Qing dynasty (1644–1911), 1850/75 | Textiles | | false |
|---|
| Handkerchief | Hermione Rosales (Colombian, active c. late 19th century)
Colombia, Bogotá | 1850/1900 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Cup | Berlin Porcelain Manufactory (Königliche Porzellan-Manufaktur im Berlin)
Germany, 1763-1918 | 1850/70 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1850/1900 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1850‒1900 | Textiles | | false |
|---|
| Pendant Shaped as a Horseman | Austrian | c. 1860/70, second half of the 19th century | Applied Arts of Europe | | false |
|---|
| Cover (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1850/75 | Textiles | | false |
|---|
| Border | Denmark, Tønder | 1850/75 | Textiles | | false |
|---|
| "A Wreath of Roses" Quilt | Sarah Slane (American, 1825–1923)
Probably Princeville, Illinois, United States | 1850 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | England, London | 1852 | Textiles | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 1850/1900 | Applied Arts of Europe | | false |
|---|
| Wine Glass | Attributed to Baccarat Glassworks
French, founded 1764 | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Part of a Skirt | India, Kutch, Gujarat | Late 19th century | Textiles | | false |
|---|
| Figure of Saint Paul | Salomon Weininger, workshop of
Austrian, 1822-1879 | 1863/1876 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900 | Textiles | | false |
|---|
| Coverlet | James Van Ness (American, 1811-1872)
United States, New York, Wayne County, Palmyra | 1849 | Textiles | | false |
|---|
| Coverlet | Wool spun and dyed by Rebexy Gray Hamilton (American, active c. 1850)
Waynesburg, Greene County, Pennsylvania, United States | 1849 | Textiles | | false |
|---|
| Armchair | Gustav Friedrich Hetsch (Danish, 1788-1864)
Copenhagen | c. 1854-55 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Augustus Welby Northmore Pugin (English, 1812–1852)
Produced by Bannister Hall Printworks
England, Lancashire, Preston | 1849/51 | Textiles | | false |
|---|
| Compote | Worcester Porcelain Factory (Chamberlain & Co. Period, 1840—1852)
Worcester, England, founded 1751 | 1849 | Applied Arts of Europe | | false |
|---|
| Compote | Worcester Porcelain Factory (Chamberlain & Co. Period, 1840—1852)
Worcester, England, founded 1751 | 1849 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | England, London | c. 1850s | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | true |
|---|
| Coverlet | United States, Pennsylvania, Lehigh County | 1848 | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848/55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Long Shawl | Designed by Antony Berrus (French, 1815–1883)
Produced by Lion Frères
France | 1848/52 | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1848 | Applied Arts of Europe | | false |
|---|
| Inkwell | Whitefriars Glasshouse
English, founded late 17th century | 1848 | Applied Arts of Europe | | false |
|---|
| Coverlet | Dennis Cosley (American, 1816–1904)
United States, Ohio, Greene County, Xenia | 1847 | Textiles | | false |
|---|
| "Well Spring" Carafe | Designed by Richard Redgrave
English, 1804-1888
Made by John Fell Christy, Stangate Glass Works (Lambeth, England, active 1840/50)
Commissioned by Henry Cole (English, 1808-1882) for Felix Summerly's Art Manufactures (England, 1847-1850) | 1847 | Applied Arts of Europe | | false |
|---|
| Prie-Dieu Cover | England | c. 1857/60 | Textiles | | false |
|---|
| Prie-Dieu Cover | England | c. 1857/60 | Textiles | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 1847 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 1847 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 1847 | Applied Arts of Europe | | false |
|---|
| Paperweight | Pietro Bigaglia (Italian, 1786-1878) | 1847 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1851–60 | Applied Arts of Europe | | true |
|---|
| Coverlet | Abram William Van Doren (American, 1808-1884)
Michigan, Oakland County, Avon | 1846 | Textiles | | false |
|---|
| Coverlet | William Craig, Sr. (American, 1800–1880)
United States, Indiana, Decatur County, Greensburg | 1846 | Textiles | | false |
|---|
| Coverlet | United States, Ohio | 1846 | Textiles | | false |
|---|
| Side Chair | Designed by Michael Thonet
Austrian, 1796-1871
Made by Gebrüder Thonet
Austrian, 1853-1921 | Designed c. 1851; Manufactured c. 1855 | Applied Arts of Europe | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | 1846 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1851 | Applied Arts of Europe | | false |
|---|
| Wine Coaster with the Arms of Baron Lionel de Rothschild | Marked by Robert Garrard II (born England, 1793–1881)
London | 1845–46 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1850–70 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1850–70 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1850–70 | Applied Arts of Europe | | true |
|---|
| Coverlet | Attributed to Sarah Ann Riddell (American, 1816-1853)
United States, New York, possibly Perinton Township, Monroe County | 1845 | Textiles | | false |
|---|
| Coverlet | Abram William Van Doren (American, 1808–1884)
United States, Michigan, Oakland County, Avon | 1845 | Textiles | | false |
|---|
| Coverlet | Robert, Thomas, John or William Muir (American, born Scottish, active c. 1835-1857)
United States, Indiana, Wayne County | 1845 | Textiles | | false |
|---|
| Coverlet | United States, New York | 1845/50 | Textiles | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | 1845/46 | Applied Arts of Europe | | false |
|---|
| Pitcher | Sèvres Porcelain Manufactory
French, founded 1740 | 1845 | Applied Arts of Europe | | false |
|---|
| Game Pie Tureen | Wedgwood Manufactory
England, founded 1759 | c. 1850 | Applied Arts of Europe | | false |
|---|
| Teapot | Sèvres Porcelain Manufactory
French, founded 1740 | 1845 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), c. 1850 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Wine Coaster with the Arms of Baron Lionel de Rothschild | Marked by Robert Garrard II (born England, 1793–1881)
London | 1845–46 | Applied Arts of Europe | | false |
|---|
| Paperweight | Val St. Lambert Co.
Belgian, founded 1825 | c. 1850–1900 | Applied Arts of Europe | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | 1845/70 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 1845/70 | Applied Arts of Europe | | false |
|---|
| Paperweight | Boston and Sandwich Glass Company
Sandwich, Massachusetts, 1826-1888 | c. 1850–1900 | Applied Arts of Europe | | false |
|---|
| Paperweight | Boston and Sandwich Glass Company
Sandwich, Massachusetts, 1826-1888 | c. 1850–1900 | Applied Arts of Europe | | false |
|---|
| Paperweight | Boston and Sandwich Glass Company
Sandwich, Massachusetts, 1826-1888 | c. 1850–1900 | Applied Arts of Europe | | false |
|---|
| Bride's Album Quilt | Fanny Lovejoy (1856/57)
Weston, Vermont, United States | c. 1850/60 | Textiles | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Boston and Sandwich Glass Company
Sandwich, Massachusetts, 1826-1888 | c. 1850–1900 | Applied Arts of Europe | | false |
|---|
| Model for a Chalice | Designed by Augustus Welby Northmore Pugin (born England, 1812–1852)
Manufactured by John Hardman and Company (1838–2008)
Birmingham, England | c. 1849 | Applied Arts of Europe | | true |
|---|
| Chair | Designed by Lewis Nockalls Cottingham (English, 1787–1847)
Manufactured by Samuel Luke Pratt (English, 1805-1878)
England, London | 1844 | Applied Arts of Europe | | false |
|---|
| Coverlet | William Craig, Sr. (American, 1800–1880)
United States, Indiana, Decatur County, Greensburg | 1844 | Textiles | | false |
|---|
| Pair of Chairs | Jennens and Bettridge
Birmingham and London, England, 1815-1864 | 1844 | Applied Arts of Europe | | false |
|---|
| Bedcover | Executed by Rebecca C. Hayward
American, active c. 1849
United States, Massachusetts, Winchendon | c. 1849 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1844/80 | Textiles | | false |
|---|
| Cup and Saucer | Berlin Porcelain Manufactory (Königliche Porzellan-Manufaktur im Berlin)
Germany, 1763-1918 | 1844/47 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Coverlet | James Cunningham (American, born Scottish, c. 1797-after 1865)
United States, New York, Oneida County, New Hartford | 1843 | Textiles | | false |
|---|
| Side Chair | Designed by Augustus Welby Northmore Pugin
English, 1812-1852
Possibly made by John Webb
London | c. 1848 | Applied Arts of Europe | | false |
|---|
| Sheet | United States | 1843 | Textiles | | false |
|---|
| Coverlet | Martin Hoke (American, born German, 1815–1893)
United States, Pennsylvania, York County, Dover | 1843 | Textiles | | false |
|---|
| “Log Cabin” Quilt, “Courthouse Steps” Variation | New York, United States | c. 1850-90 | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Handcooler | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Handcooler | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848/55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848/55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848/55 | Applied Arts of Europe | | false |
|---|
| Doorknob | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–60 | Applied Arts of Europe | | false |
|---|
| Paperweight | George Bacchus and Sons
Birmingham, England, c. 1817-1882 | c. 1848–49 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1848–60 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | false |
|---|
| Friendship Quilt | Made for Ella Maria Deacon (American, 1811–94)
Mount Holly, New Jersey, United States | 1842 | Textiles | | false |
|---|
| Coverlet | William Craig, Sr. (American, 1800–1880)
United States, Indiana, Decatur County, Greensburg | 1842 | Textiles | | false |
|---|
| Coverlet | United States, Indiana, Union County | 1842 | Textiles | | false |
|---|
| Coverlet | Jacob Impson (American, c. 1802-1869)
United States, New York, Cortland County, Groton | 1842 | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | true |
|---|
| Coverlet | James Cunningham (American, born Scottish, c. 1797-after 1865)
United States, New York, Oneida County, New Hartford | 1841 | Textiles | | false |
|---|
| Myddelton Biddulph Armorial Medallion | Designed by Augustus Welby Northmore Pugin (English, 1812–1852) for Chirk Castle Red Drawing Room and Saloon
England, Wales, Wrexham, Chirk | c. 1846 | Textiles | - silk
- wool
- cotton_linen
- glass
- paper
| false |
|---|
| Myddelton Biddulph Armorial Medallion | Designed by Augustus Welby Northmore Pugin (English, 1812–1852) for Chirk Castle Red Drawing Room and Saloon
Wales, Wrexham, Chirk | c. 1846 | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Doorknob | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Box | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Probably Manufactured by Wright & Lee
England, probably Manchester | c. 1851 | Textiles | | false |
|---|
| Manuscrit Lyonnais | Jules Marquis (French, active c. 1841)
France | 1841 | Textiles | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1846–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–60 | Applied Arts of Europe | | true |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–55 | Applied Arts of Europe | | true |
|---|
| Suzani (large hanging or cover) | Uzbekistan, probably Tashkent | 1840/1890 | Textiles | | true |
|---|
| Coverlet | Sarah Douglas Smith (American, active c. 1840)
Stonington Colony, Christian County, Illinois, United States | 1840 | Textiles | | false |
|---|
| Coverlet | Michael Franz (American, active c. 1839-1851)
United States, Ohio, Miami County | 1840 | Textiles | | false |
|---|
| Empress' Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1840-60 | Textiles | | false |
|---|
| Coverlet | United States, Ohio | 1840-45 | Textiles | | false |
|---|
| Coverlet | United States, possibly Ohio | 1840-45 | Textiles | | false |
|---|
| Coverlet | United States, New York, Genessee County | 1840/50 | Textiles | | false |
|---|
| Fragment of a Woman's Skirt Flounce | Probably France | c. 1850 | Textiles | | false |
|---|
| Fragment of a Woman's Skirt Flounce | Probably France | c. 1850 | Textiles | | false |
|---|
| Coverlet | United States, New York | 1840s | Textiles | | false |
|---|
| Coverlet | United States, Pennsylvania, Chester County | 1840 | Textiles | | false |
|---|
| Coverlet | United States, Ohio | 1840/45 | Textiles | | false |
|---|
| Man's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1840/70 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing Dynasty, (1644–1911), 1840/70 | Textiles | | false |
|---|
| Coverlet | United States | c. 1850 | Textiles | | false |
|---|
| Pair of Shoes | Designed by Gundry & Sons (English, active c. 1850)
England, London | c.1850 | Textiles | | false |
|---|
| Coverlet | Hugh Gilchrist (American, born Scottish, 1806-1857)
United States, Indiana | 1840/45 | Textiles | | false |
|---|
| X-Frame Armchair | Designed by Lewis Nockalls Cottingham (English, 1787-1847)
Possibly after T. F. Hunt (Scottish, c. 1791-1831)
England | 1840/45 | Applied Arts of Europe | | false |
|---|
| Dessert Basket with view of Worcester | Worcester Porcelain Factory (Chamberlain & Co. Period, 1840—1852)
Worcester, England, founded 1751 | 1840/50 | Applied Arts of Europe | | false |
|---|
| Woman's Robe | Bukhara, Uzbekistan | 1840/60 | Textiles | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1840/60 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | c. 1845–55 | Applied Arts of Europe | | false |
|---|
| Towel | Republic of Türkiye | 1840‒1860 | Textiles | | false |
|---|
| Communion Cup | James Dixon & Sons
English, 1835-1976 (following the firms of James Dixon, 1806-1829 and James Dixon and Son, 1829-1835)
Sheffield, England | c. 1845 | Applied Arts of Europe | | false |
|---|
| Tazza | Charles Duron, (Probably)
French | c. 1850 | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | c. 1845–60 | Applied Arts of Europe | | false |
|---|
| Coverlet | Abram Allen (American, born Irish, c. 1796- after 1860)
United States, Ohio, Clinton County, Wilmington | 1839 | Textiles | | false |
|---|
| Coverlet | Joseph Gilmour (American, born Scottish, born 1805) or William Gilmour (American, born Scottish, born 1807)
United States, Indiana, Union County, Dunlapsville | 1839 | Textiles | | false |
|---|
| Coverlet | Abram Allen (American, born Irish, c. 1796- after 1860)
United States, Ohio, Clinton County, Wilmington | 1839 | Textiles | | false |
|---|
| Jeanne d'Arc (Joan of Arc)(Furnishing Fabric) | After a sculpture by Marie Christine d'Orléans (French, 1813–1839)
France, Alsace | 1839/40 | Textiles | | false |
|---|
| Episodes de la Vie de Napoléon Ier (Episodes from the life of Napoleon the first) (Furnishing Fabric) | Designed by George Zipelius (French, 1808–1890) after Eugene-Louis Lami (French, 1800–1890), Horace Vernet (French, 1789–1863), and Jean-Pierre-Marie Jazet (French, 1788–1871)
Manufactured by Koechlin-Ziegler
France, Alsace, Mulhouse | c. 1840 | Textiles | | false |
|---|
| Coverlet | Attributed to James Alexander (American, born Irish, 1770–1870)
United States, New York, Orange County, Little Britain | 1839 | Textiles | | false |
|---|
| Book of Woven Coverlet Designs (Draft) | Owned by Daniel Stephenson (American, born England, 1823-92)
United States | c. 1839 | Textiles | | false |
|---|
| Covered Pitcher | Sèvres Porcelain Manufactory
French, founded 1740 | 1839 | Applied Arts of Europe | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | 1839 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740 | 1839/40 | Applied Arts of Europe | | false |
|---|
| Vinaigrette with View of Eley Cathedral | Taylor and Perry
Birmingham, England | 1839/40 | Applied Arts of Europe | | false |
|---|
| Coverlet | Archibald Davidson (American, born Scottish, active 1832-1848)
United States, New York, Tompkins County, Ithaca | 1838 | Textiles | | false |
|---|
| Coverlet | David Isaac Grave (American, c. 1803-1864)
United States, Indiana, Wayne County, Richmond | 1838 | Textiles | | false |
|---|
| Fragment | Designed by Gertrude Rapp (American, 1808–1889)
Woven by the Harmony Society (American, founded in Germany, 1785-1916) | 1838/1855 | Textiles | | false |
|---|
| Sampler | Nancy Vredenburgh (American, active c. 1838)
Mount Tabor Academy
East Chester, Westchester County, New York, United States | 1838 | Textiles | | false |
|---|
| Coverlet | Peter Lorentz (American, born French, 1801-1876)
United States, Ohio, Montgomery County | 1837 | Textiles | | false |
|---|
| Coverlet | Charles Meily (American, 1806-1877)
United States, Ohio, Wayne County | 1837 | Textiles | | false |
|---|
| Jeanne d'Arc (Joan of Arc)(Furnishing Fabric) | After a sculpture by Marie Christine d'Orléans (French, 1813–1839)
France, possibly Rouen | c. 1840 | Textiles | | false |
|---|
| Vinaigrette | Taylor and Perry
Birmingham, England | 1836/37 | Applied Arts of Europe | | false |
|---|
| Sampler | Mary S. Burr (American, b. 1825-1894)
North Carolina, Wilmington, North Carolina, United States | 1836 | Textiles | | false |
|---|
| Teapot | Spode Pottery & Porcelain Factory
English, founded 1767 | c. 1840 | Applied Arts of Europe | | false |
|---|
| Coverlet | United States | c. 1845 | Textiles | | false |
|---|
| Coverlet | United States, New York | c. 1840/50 | Textiles | | false |
|---|
| Octagonal Library Table | Attributed to Richard Hicks Bridgens
English, 1785-1846
Made by Edward Holmes Baldock
English, 1777-1845
London, England | c. 1840; designed 1832 | Applied Arts of Europe | | false |
|---|
| Coverlet | United States | 1835/40 | Textiles | | false |
|---|
| Coverlet | United States, possibly Pennsylvania | c. 1840 | Textiles | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1840 | Applied Arts of Europe | | false |
|---|
| Book-Shaped Vinaigrette | Taylor and Perry
Birmingham, England | 1835/36 | Applied Arts of Europe | | false |
|---|
| Vinaigrette | Taylor and Perry
Birmingham, England | 1835/36 | Applied Arts of Europe | | false |
|---|
| Vinaigrette with View of Abbotsford House | Taylor and Perry
Birmingham, England | 1835/36 | Applied Arts of Europe | | false |
|---|
| Pitcher | Staffordshire, England | c. 1840 | Applied Arts of Europe | | false |
|---|
| "Lone Star" Variation Quilt | Ruth Hart (American, active c. 1845–1850)
Guilford, Connecticut, United States | c. 1845/50 | Textiles | | false |
|---|
| Coverlet | Attributed to David D. Haring (American, 1800–1889)
United States, New Jersey, Bergen County, West Norwood or New York, Rockland County, Tappan | 1834 | Textiles | | false |
|---|
| Bag | United States | c. 1839 | Textiles | | false |
|---|
| Money Pouch | After an engraving by V. S. Aksolsky (Russian, active c. 1839)
Russia | c. 1839 | Textiles | | false |
|---|
| Sugar Bowl | Sèvres Porcelain Manufactory
French, founded 1740 | 1834 | Applied Arts of Europe | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | 1834 | Applied Arts of Europe | | false |
|---|
| Coverlet | United States, New York, Ontario County, Gorham | 1833 | Textiles | | false |
|---|
| Long Shawl | Europe | 1833/66 | Textiles | | false |
|---|
| Coverlet | United States, New York, Ontario County, Gorham | 1833 | Textiles | | false |
|---|
| Pitcher | Sèvres Porcelain Manufactory
French, founded 1740 | 1833 | Applied Arts of Europe | | false |
|---|
| Montelius Dye Recipe Book with Printed Swatches (No. 11) | John Montelius, Jr. (American, active c. 1833)
Bustleton, Philadelphia County, Pennsylvania, United States | 1833 | Textiles | | false |
|---|
| Sampler | Kitty (Dodsley) Marriot Moffatt (English, 1825-1902)
England | 1833 | Textiles | | false |
|---|
| Coverlet | Attributed to David D. Haring (American, 1800–1889)
United States, New Jersey, Bergen County, West Norwood or New York, Rockland County, Tappan | 1832 | Textiles | | false |
|---|
| Hackney Coach and Cabriolet Fares/ Regulations and Acts of Parliament (Handkerchief) | Designed by John Leander Bishop (English, 1810–1868)
England, London | 1832 | Textiles | | false |
|---|
| Montelius Dye Recipe Book | John Montelius, Jr. (American, active c. 1832)
United States, Pennsylvania, Philadelphia County, Bustleton | 1832 | Textiles | | false |
|---|
| Teapot | Sèvres Porcelain Manufactory
French, founded 1740 | 1832/35 | Applied Arts of Europe | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | 1831 | Applied Arts of Europe | | false |
|---|
| Side Chair | Designed by Filippo Pelagio Palagi (born Papal States [now Italy], 1775–1860)
Made by Gabriele Capello (1806–1877) and Carlo Chivasse (active 1830s)
Turin, Duchy of Savoy (now Italy) | c. 1835 | Applied Arts of Europe | | true |
|---|
| 'Honeycomb' Coverlet | United States | c. 1840 | Textiles | | false |
|---|
| Coverlet | United States | 1830/40 | Textiles | | false |
|---|
| Coverlet | United States | 1830/40 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Probably France | c. 1840 | Textiles | | false |
|---|
| Side Chair | Designed by Filippo Pelagio Palagi (born Papal States [now Italy], 1775–1860)
Made by Gabriele Capello (1806–1877) and Carlo Chivasse (active 1830s)
Turin, Duchy of Savoy (now Italy) | c. 1835 | Applied Arts of Europe | | false |
|---|
| Les Rois de France (The Kings of France) (Handkerchief) | Engraved by Raimond Laverdin (French, active 1830) after Francois Seraphin Delpech (French, 1778-1825)
Manufactured by Claude Arnaud Tizon (French, 1778-1825)
France | 1845/47 | Textiles | | false |
|---|
| La Chasse à Rouen (Hunting at Rouen) (Furnishing Fabric) | Horace Vernet (French, 1789-1863)
France, Rouen | 1840 | Textiles | | false |
|---|
| Handkerchief | Engraved by Raimond Laverdin (French, active 1830) after Francois Seraphin Delpech (French, 1778-1825)
Manufactured Claude Arnaud Tizon (French, founded 1810)
France, Rouen | 1830/48 | Textiles | | false |
|---|
| Fragment | Designed by Gertrude Rapp (American, 1808–1889)
Woven by the Harmonist Society, 1830-1850
United States, Pennsylvania, Ambridge, Old Economy | 1830/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Paul Gavarni (French, 1804-1866)
France, Alsace | c. 1830 | Textiles | | false |
|---|
| Scroll | China | Qing dynasty (1644–1911), c. 1840 | Textiles | | false |
|---|
| Candlestick with Madonna and Child | Bohemia, Czech Republic
Harrachov Glassworks (founded 1831) | c. 1835/40 | Applied Arts of Europe | | false |
|---|
| Candlestick with Madonna and Child | Bohemia, Czech Republic
Harrachov Glassworks (founded 1831) | c. 1835/40 | Applied Arts of Europe | | false |
|---|
| Mantel | Charles James Mason
English (1771-1856) | 1830/45 | Applied Arts of Europe | | false |
|---|
| Waistcoat Design | England or France | 1830s/40s | Textiles | | false |
|---|
| Bonnet Veil | Sara Ann Reno (American, active c. 1835)
United States, Ohio, Holland | c. 1835 | Textiles | | false |
|---|
| Clawed Arm Defense | Attributed to Antonio Cortelazzo
Italian, active mid-19th century | mid–19th century in the early 17th centlury style | Applied Arts of Europe | | false |
|---|
| Chalice | Designed by Augustus Welby Northmore Pugin (born England, 1812–1852)
Marked by John Bridge (born England, 1755–1834)
Retailed by Rundell, Bridge and Rundell (1788–1843)
London | 1827–28 | Applied Arts of Europe | | true |
|---|
| Furnishing Fabric | Designed by Philippe Wyngaert (Flemish, active c. 1820) after engravings by Jean-Pierre-Marie Jazet (French, 1788-1871) and paintings by Henri Jean-Baptiste Victoire Fradelle (French, 1778-1865)
France, possibly Alsace or Bolbec | 1827-40 | Textiles | | false |
|---|
| Coverlet | United States, New York | 1827 | Textiles | | false |
|---|
| Dessert Plate | Prince Iusupov Porcelain Factory
Russian, 1814-1831 | 1826 | Applied Arts of Europe | | false |
|---|
| Dessert Plate | Prince Iusupov Porcelain Factory
Russian, 1814-1831 | 1826 | Applied Arts of Europe | | false |
|---|
| Akhnif (Man's Cape) | Ait Ouaouzguite Confederation
Siroua Mountains, Morocco | Mid–19th century | Textiles | | true |
|---|
| Plate | Worcester Porcelain Factory (1751–2009; Flight, Barr & Barr Period, 1813–1840)
Decorated by Enoch Doe (active England, early–mid-1800s)
Worcester, England | c. 1830 | Applied Arts of Europe | | true |
|---|
| Qabqabs (Bath Clogs) | Algeria | Mid–19th century | Textiles | | true |
|---|
| Coverlet | Attributed to James Alexander (American, born Irish, 1770–1870)
United States, New York | 1825 | Textiles | | false |
|---|
| Double Panel | Possibly Mangbetu
Democratic Republic of the Congo | Mid–/late 19th century | Textiles | | false |
|---|
| Buzi (Court Rank Badge) | Manchu
China | 1825/50, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Long Shawl | France or Paisley, Scotland | 1825/75 | Textiles | | false |
|---|
| Coverlet | United States | 1825/35 | Textiles | | false |
|---|
| Chôken (Noh Costume) | Japan | late Edo period (1789–1868), 1825/1875 | Textiles | | false |
|---|
| La Route de Jouy (The Road to Jouy) (Furnishing Fabric) | Horace Vernet (French, 1789-1863) and Carle Vernet (French, 1758-1836)
Manufactured by Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1825/35 | Textiles | | false |
|---|
| Coverlet | United States | 1825/35 | Textiles | | false |
|---|
| Coverlet | United States, Pennsylvania, Bucks County | 1825/35 | Textiles | | false |
|---|
| Design for a Woven, Printed, or Embroidered Skirt Border | Probably France | Mid-19th century | Textiles | | false |
|---|
| Coverlet | United States | 1825/30 | Textiles | | false |
|---|
| Emperor's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1825/50 | Textiles | | false |
|---|
| Coverlet | United States | 1825/35 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1825‒1875 | Textiles | | false |
|---|
| Long Shawl | Scotland or England | c. 1835 | Textiles | | false |
|---|
| Kani Jamawar (Fabric for a Jama Coat or Shawl) | Probably Kashmir for the Persian market (present-day Iran) | 1825–75 | Textiles | | false |
|---|
| Ceremonial Cloth (tampan) | Paminggir people
Indonesia, South Sumatra, Lampung area, Lampung Bay | Mid–19th century | Textiles | | false |
|---|
| Goat and Bee Cream Jug | Coalport and Coalbrookdale Porcelain Factory
English, founded 1796 | c. 1830 | Applied Arts of Europe | | false |
|---|
| Le Bal (The Costume Ball) (Furnishing Fabric) | Designed by George Zipelius (French, 1808-1890) after Sulpice Guillaume Chevallier, called Gavarni (French, 1804-1866)
France | 1827/40 | Textiles | | false |
|---|
| Platter | England, Staffordshire | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Cover | Laura Dollaff Dresser (American, 1823–1887)
United States, Maine | 1825/75 | Textiles | | false |
|---|
| Armchair (one of two) | Northern Europe | c. 1830 | Applied Arts of Europe | | false |
|---|
| Vestment (For a First-degree Taoist Priest) | China | Qing dynasty (1644–1911), 1825/75 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/Meiji period (1868–1912), mid–19th century | Textiles | | false |
|---|
| Ascot Cup | England, London
Paul Storr (English, 1771–1844) | 1825/26 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), mid–19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), mid–19th century | Textiles | | false |
|---|
| Vinaigrette | John Bettridge
Birmingham, England | 1825/26 | Applied Arts of Europe | | false |
|---|
| Plate | England, Staffordshire | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Plate | England, Staffordshire | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1825/33 | Applied Arts of Europe | | false |
|---|
| Oval Dish | Paris, France
In style of Bernard Palissy | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Hanging | Japan | late Edo period (1789–1868)/Meiji period (1868–1912), 1825/1900 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Platter | England, Staffordshire | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Mug | England, Staffordshire | c. 1830 | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Plate | Baccarat Glassworks
French, founded 1764 | c. 1830/60 | Applied Arts of Europe | | false |
|---|
| Vase | Bohemia, Czech Republic
Attributed to Harrachov Glassworks (founded 1712) | c. 1830/50 | Applied Arts of Europe | | false |
|---|
| Covered Bowl and Stand | Baccarat Glassworks
French, founded 1764 | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Plate | Baccarat Glassworks
French, founded 1764 | c. 1830/60 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 1825/75 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 1825‒1875 | Textiles | | false |
|---|
| Cup and Saucer | Russian Imperial Porcelain Factory
Russian, founded 1744 | 1825/55 | Applied Arts of Europe | | false |
|---|
| Coverlet | United States | 1825-30 | Textiles | | false |
|---|
| Carpet (For a Buddhist Temple Column) | China | Qing dynasty (1644–1911), mid–19th century | Textiles | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868), 1825/75 | Textiles | | false |
|---|
| Flower Holder | England, Staffordshire | c. 1830 | Applied Arts of Europe | | false |
|---|
| Watch Holder | England, Staffordshire | c. 1830 | Applied Arts of Europe | | false |
|---|
| Incense Burner | England, Staffordshire | c. 1830 | Applied Arts of Europe | | false |
|---|
| Panel | Produced by Cocheco Cotton Manufacturing Company, founded 1812
United States, New Hampshire | 1825/75 | Textiles | | false |
|---|
| Medallion | Dominik Biemann
Bohemian, 1800-1857 | c. 1830 | Applied Arts of Europe | | false |
|---|
| Lithyalin Beaker | Workshop of Friedrich Egermann
Bohemian, 1777-1864 | c. 1830 | Applied Arts of Europe | | false |
|---|
| Lithyalin Beaker | Workshop of Friedrich Egermann
Bohemian, 1777-1864 | c. 1830 | Applied Arts of Europe | | false |
|---|
| Beaker with St. Stephen's Cathedral, Vienna | Anton Kothgasser
Austrian, 1769-1851
Vienna, Austria | c. 1830 | Applied Arts of Europe | | false |
|---|
| Watch and Stand | England, Staffordshire | c. 1830 | Applied Arts of Europe | | false |
|---|
| Sampler | Mary Ayer (American, active 1825)
United States, Massachusetts, Charlestown | 1825 | Textiles | | false |
|---|
| Les Nouveaux Elements (Furnishing Fabric) | Designed by Samuel Cholet (French, 1786–1874)
Manufactured by Ferdinand Favre Petitpierre et Cie. (French, 1802-1818)
France, Nantes | c. 1815 | Textiles | | false |
|---|
| Watch Holder | Staffordshire, England | c. 1830 | Applied Arts of Europe | | false |
|---|
| Two Panels from a Skirt | Philippines | c. 1830 | Textiles | | false |
|---|
| Centerpiece | Marked by John Bridge (born England, 1755–1834)
Retailed by Rundell, Bridge and Rundell (1788–1843)
London | 1824–25 | Applied Arts of Europe | | true |
|---|
| Jug with Masonic Iconography | Manufacturer: Spode Pottery & Porcelain Factory
English, founded 1776 | 1824 | Applied Arts of Europe | | false |
|---|
| Watch | John Harrison
English, 19th century | 1824/29 | Applied Arts of Europe | | false |
|---|
| Sampler | Elizabeth Moss (active c. 1824)
United States or England | 1824 | Textiles | | false |
|---|
| Bedcover | Mercy Post (American, active early 19th century)
Newport, Herkimer County, New York, United States | 1824 | Textiles | | false |
|---|
| Warwick Vase | Marked by Paul Storr (born England, 1771–1844)
London | 1823–24 | Applied Arts of Europe | | true |
|---|
| Sampler | Clarissa Emerson (American, born 1808)
Lancaster, Massachusetts, United States | 1822/23 | Textiles | | false |
|---|
| La Route de St. Cloud ou de Poissy (Furnishing Fabric) | Designed by Carle Vernet (French, 1758–1836) and Delmès (French, founded 1815) engraved by Philibert Louis Debucourt (French, 1755-1831) after Carle Vernet (French 1758-1836)
Manufactured by Favre Petitpierre et Cie. (French, 1802-1818)
France, Nantes | 1822 or after | Textiles | | false |
|---|
| Le Romain (The Roman) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after etchings by Bartolomeo Pinelli (Italian, 1781–1835) engraved by Jules Mallet (French, 1759–1835)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1811/1821 | Textiles | | false |
|---|
| Belisarius (Furnishing Fabric) | Designed by Jean-Louis-Toussaint Caron (French, 1790-1832)
France | 1821 | Textiles | | false |
|---|
| Le Solitaire au Pont du Torrent (The Hermit at the Bridge over the Torrent) (Furnishing Fabric) | Designed by Marius Rollet (French, active c. 1820s)
Probably Manufactured by Hartmann et Fils (French, founded 1776)
France, Munster | c. 1822 | Textiles | | false |
|---|
| Le Solitaire au Pont du Torrent (The Hermit at the Bridge over the Torrent) (Furnishing Fabric) | Designed by Marius Rollet (French, 1796-1830)
Manufactured by Hartmann et Fils (French, founded 1776)
France, Munster | c. 1822 | Textiles | | false |
|---|
| Sampler | C. S. Peake (born 1807)
England or United States | 1820 | Textiles | | false |
|---|
| Le Combat des Horaces et des Curiaces (Furnishing Fabric) | Designed by Francois Pieters (French, active c. 1820) after engravings by Antoine Alexandre Morel (French, 1740-1822) and others after painting by Jacques-Louis David (French, 1771-1835) and drawing by Jean Jacques Francois Lebarbier (French, 1738-1826)
France, Nantes | c. 1820 | Textiles | | false |
|---|
| Armchair | Vienna | 1820–25 | Applied Arts of Europe | | true |
|---|
| Woman's Waitao (Semiformal Domestic Surcoat) | Han-Chinese
China | Qing dynasty (1644–1911), 1820/40 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Plate | Spode Pottery & Porcelain Factory
English, founded 1776 | c. 1825 | Applied Arts of Europe | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Probably Pennsylvania | 1820-40 | Textiles | | false |
|---|
| Coverlet | United States, Kentucky, Warren County | 1820/30 | Textiles | | false |
|---|
| Coverlet | United States | 1820/25 | Textiles | | false |
|---|
| Woman's Long Shawl | Probably Norwich, England | 1820s | Textiles | | false |
|---|
| Coverlet | United States | 1820/30 | Textiles | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Coverlet | United States | 1820/30 | Textiles | | false |
|---|
| Coverlet | United States, Virginia | 1820/30 | Textiles | | false |
|---|
| Coverlet | Waynesburg, Pennsylvania, United States | 1820 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manufactured by H. Brunet et Cie. (French)
France, Lyon | 1820 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1820/30 | Textiles | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Sari | India, Tamil Nadu, Ayyampettai | 1820 | Textiles | | false |
|---|
| Sampler | Caroline Ditcham (American B. 1808)
United States | 1820 | Textiles | | false |
|---|
| Portrait Plaque | Apsley Pellatt and Company
England, 1790-1875 | 1820/30 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Engraved by François Pieters (French, active c. 1830)
Manufactured by Hartmann et Fils (French)
France, Munster | c. 1830 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Engraved by François Pieters (French, active c. 1830)
Manufactured by Hartmann et Fils (French)
France, Munster | c. 1830 | Textiles | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Coverlet | United States | 1820s/30s | Textiles | | false |
|---|
| Wallpaper Fragment | France
Dauptain et Soeur | 1820 | Applied Arts of Europe | | false |
|---|
| Dish | Spode Pottery & Porcelain Factory
English, founded 1776 | c. 1825 | Applied Arts of Europe | | false |
|---|
| Wine Glass | Ireland; Cork | c. 1825 | Applied Arts of Europe | | false |
|---|
| Sampler (Needlework) | Rebecca Ann Dod (American, active c. 1820)
United States | 1820 | Textiles | | false |
|---|
| The Lady of the Lake (Furnishing Fabric) | Designed by G. Merklen (French, active c. 1820)
France, Alsace, Mulhouse | c. 1820 | Textiles | | false |
|---|
| The Story of Joseph (Furnishing Fabric) | Designed by François Pieters (French, active c. 1820) after engraving by Tony Jahannot (French, 1803-1852) after Charles Abraham Chasselat (French, 1782-1843)
France, Rouen | c. 1820 | Textiles | | false |
|---|
| The Resurrection (Furnishing Fabric) | Designed by Alexandre Buquet (French, 1802–1865)
France, Rouen | c. 1830 | Textiles | | false |
|---|
| Fables of La Fontaine (Furnishing Fabric) | Designed by Alexandre Buquet (French, 1802–1865) after Jean Michel Moreau, the Younger (French, 1741–1814)
Manufactured by Bapaume et Cocatrix(French, ?)
France, Rouen | c. 1830 | Textiles | | false |
|---|
| Le Bain d'Amour (Love Bath) (Furnishing Fabric) | Designed by Cholet Samuel (French, 1786-1874) after paintings by Jean Baptiste Mallet (French, 1759–1835)
Manufactured by Favre-Petitpierre et Cie. (French, active c. 1815)
France, Nantes | c. 1825 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Engraved by Alexandre Buquet (French, 1802–1865)
Manufactured by Henry Manufactory
France, Rouen | c. 1830 | Textiles | | false |
|---|
| The Story of Joseph (Furnishing Fabric) | Designed by François Pieters (French, active c. 1820) after Charles Abraham Chasselat (French, 1782-1843) engraved Tony Johannot (Germany, active 1813-1852)
France, Rouen | c. 1820 | Textiles | | false |
|---|
| Plum Trees and Pheasants (Furnishing Fabric) | Printed at Bannister Hall Print Works (English, 1798-1893)
England, Lancashire, Preston | c. 1830/40 | Textiles | | false |
|---|
| The Seasons and the Ages of Man (Furnishing Fabric) | Design attributed to Frédéric Etienne Joseph Feldtrappe (French, active c. 1820–1830's)
Possibly France, Deville (near Rouen) | 1827/40 | Textiles | | false |
|---|
| Beaker | In the style of Anton Kothgasser
Austrian, 1769-1851
Vienna, Austria | c. 1820/30 or later | Applied Arts of Europe | | false |
|---|
| Charger | Samuel Woods
Irish, active 1820-1840
Ireland | 1820/40 | Applied Arts of Europe | | false |
|---|
| Pair of Bonbon Dishes | Paris, France | c. 1819-38 | Applied Arts of Europe | | false |
|---|
| Handkerchief | Possibly printed by Charles Gray (Scottish, active c. 1819) or Colin Gillespie (Scottish, active c. 1819)
Engraved by Cornelius Tiebout (American, 1777–1832) after a drawing by Charles Buxton (American, 1768–1833) and Gilbert Stuart (American, 1755–1828)
Glasgow, Scotland | 1819 | Textiles | | false |
|---|
| George Washington at the Altar of Liberty (Handkerchief) | Possibly printed by Charles Gray (Scottish, active c. 1819) or Colin Gillespie (Scottish, active c. 1819)
Engraved by Cornelius Tiebout (American, 1777–1832) after a drawing by Charles Buxton (American, 1768–1833) and Gilbert Stuart (American, 1755–1828)
Scotland, Glasgow | 1819 | Textiles | | false |
|---|
| Vinaigrette | Thomas Shaw
Birmingham, England | c. 1824/25 | Applied Arts of Europe | | false |
|---|
| Le Vampire (The Vampyre) (Furnishing Fabric) | France | c. 1820 | Textiles | | false |
|---|
| Pair of Chop Plates | Scheggi Brothers (Italian, active 1796-1830)
After Martin-Guillaume Biennais (French, 1764-1843)
Florence, Italy | c. 1818-1824 | Applied Arts of Europe | | false |
|---|
| “Paul and Virginie” Furnishing Fabric | Engraved by Tony Johannot (German, active 1813-1852) and others after works by Jean Michel Moreau, the Younger (French, 1741–1814) and Jean Frederic Schall (French, 1752-1825) and others.
Based on the story by Bernardin de Saint-Pierre (French, 1737-1814)
Manufactured by Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | after 1818 | Textiles | | false |
|---|
| Cambronne at Waterloo (Furnishing Fabric) | Manufactured by Hartmann et Fils
France, Alsace, Munster | 1820/25 | Textiles | | false |
|---|
| Purse-Shaped Vinaigrette | Joseph Willmore
English, active 1808-1855
Birmingham, England | 1818/19 | Applied Arts of Europe | | false |
|---|
| Snuff Box | James Scouler
English, 1741-1812 | 1818/19 | Applied Arts of Europe | | false |
|---|
| La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric) | Designed by Charles Abraham Chasselat (French, 1782–1843) after Engraved by Jamet (French, active c. 1825)
Manufactured by François Kettinger et Fils (French, founded 1791)
France, Bolbec | after 1817 | Textiles | | false |
|---|
| Vinaigrette | John Bettridge
Birmingham, England | c. 1822/23 | Applied Arts of Europe | | false |
|---|
| “Les Arts” Furnishing Fabric | Designed by Hippolyte Lebas (French, 1782–1867) | c. 1816 | Textiles | | false |
|---|
| Wine Cooler | Mack, Williams, and Gibton (Irish, 1811–1829)
After a design by Francis Johnston (Irish, 1760–1829)
Dublin, Ireland | c. 1821 | Applied Arts of Europe | | false |
|---|
| Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric) | Designed by Hippolyte Lebas (French, 1782–1867) engraved by Nicolas Auguste Leisnier (French, 1787–1857)
Manufactured by Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1816/18 | Textiles | | false |
|---|
| Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric) | Designed by Hippolyte Lebas (French, 1782–1867)
Engraved by Nicolas Auguste Leisnier (French, 1787–1857)
Manufactured by Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1816/18 | Textiles | | false |
|---|
| Purse-Shaped Vinaigrette | T. Simpson and Son
Birmingham, England | 1816/17 | Applied Arts of Europe | | false |
|---|
| La Manufacture de Munster (Furnishing Fabric) | Designed by Antoine Henri Lebert (French, 1794-1862) and others after Carle Vernet (French, 1758-1836)
Manufactured by Hartmann et Fils (French, founded 1776)
France, Munster | c. 1816 | Textiles | | false |
|---|
| La Noce de Campagne (The Country Wedding) (Furnishing Fabric) | Designed by Delmes (French, founded 1815) after engraving by Jean Pierre Marie Jazet (French, 1788-1871) after Hippolyte Lecomte (French, 1781-1857)
France | c. 1820 | Textiles | | false |
|---|
| Beaker with a view of Dresden | Germany, Dresden
Gottlob Samuel Mohn (German, 1789-1825) | 1816 | Applied Arts of Europe | | false |
|---|
| Chair | West Indies or Asia (possibly Dutch-colonized Indonesia) | c. 1820-40 | Applied Arts of Europe | | true |
|---|
| Center Table | Danhauser Furniture Factory (1814–39)
Vienna | c. 1825 | Applied Arts of Europe | | true |
|---|
| Covered Cream Bowl from a Service Made for the Duke of Clarence (Later KingWilliam IV of the United Kingdom) | Henry and Richard Daniel Manufactory (1822–46)
Retailed by Mortlock China Co. (1746–1930)
Stoke-on-Trent, England | c. 1824–36 | Applied Arts of Europe | | true |
|---|
| Covered Cream Bowl from a Service Made for the Duke of Clarence (Later KingWilliam IV of the United Kingdom) | Henry and Richard Daniel Manufactory (1822–46)
Retailed by Mortlock China Co. (1746–1930)
Stoke-on-Trent, England | c. 1824–36 | Applied Arts of Europe | | true |
|---|
| Pair of Standing Dishes | Pietro Paola Spagna (Italian, 1793-1861)
Rome, Italy | c. 1820 | Applied Arts of Europe | | false |
|---|
| “Fables of Fontaine” Furnishing Fabric | Manufactured by Hartmann et Fils (French, founded 1776)
Drawings from "Fables Choisies" written by Jean de la Fontaine (French, 1621-1695); published by Desaint et Saillant (French, 18th century) and Durand (French, 18th century); engraved by Jean Ouvrier (French, 1725-1784); illustrations designed by Jean-Baptiste Oudry (French, 1686-1755) | c. 1815 | Textiles | | false |
|---|
| Portraits of Serafina, Gaetanino and Ciccillo di Ottaiano | Embroidered by Princess Isabella Albertini de Medici di Ottaiano (Italian, 1784-1819)
Painted by Marquis Filippo Petrone (Italian, active early 19th century) | 1815 | Textiles | | false |
|---|
| Flintlock Revolver with Bayonet | Gunsmith: Richard Constable (American, active 1817-1851)
Philadelphia, Pennsylvania, and Birmingham, England | 1820 | Applied Arts of Europe | | true |
|---|
| Coverlet | United States, Virginia | c. 1825 | Textiles | | false |
|---|
| Palledar (Long Shawl) | Kashmir | 1815-25 | Textiles | | false |
|---|
| Panel | France | Empire period, c. 1820 | Textiles | | false |
|---|
| “Paul and Virginie” Furnishing Fabric | Designed by Cornelis (French, active c. 1820) after Jean Michel Moreau, the Younger (French, 1741-1814) and others
Manufactured by Hartmann et Fils (French, founded 1776)
Based on the story by Bernardin de Saint-Pierre (French, 1737-1814)
France, possibly Münster | after 1818 | Textiles | | false |
|---|
| Side Chair (one of two) | England | c. 1820 | Applied Arts of Europe | | false |
|---|
| Set of Salt Spoons (2), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pietro Paola Spagna
Italian, 1793-1861 | c. 1820 | Applied Arts of Europe | | false |
|---|
| La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric) | Designed by Charles Abraham Chasselat (French, 1782–1843)
Possibly Manufactured by Hartmann et Fils (French, founded 1776)
France, possibly Munster | c. 1815 | Textiles | | false |
|---|
| Globe-Shaped Work Table | Vienna, Austria | c. 1820 | Applied Arts of Europe | | false |
|---|
| Chair | Vienna, Austria | 1815–20 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Philippe Wyngaert (Flemish, active c. 1820)
France, Munster or Rouen | c. 1820 | Textiles | | false |
|---|
| La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric) | Designed by Charles Abraham Chasselat (French, 1782–1843) Engraved by Jamet (French, active c. 1825)
Manufactured by François Kettinger et Fils (French, founded 1791)
France, Bolbec | after 1817 | Textiles | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Crocus Pot | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Flower Vase with view of Worcester | Worcester Porcelain Factory (Flight, Barr & Barr Period,1813—1840)
Worcester, England, founded 1751 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Creamer | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Spittoon | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Inkwell | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Purse-Shaped Vinaigrette | William Eliott
London, England | 1815/16 | Applied Arts of Europe | | false |
|---|
| La Marchande d'Amour (The Merchant of Love) (Furnishing Fabric) | Designed by Louis-Hippolyte LeBas (French, 1782–1867) after Jacques Firmin Beauvarlet (French, 1731-1797)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1815/17 | Textiles | | false |
|---|
| Sugar Bowl | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Bowl | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Vase | Leeds, England
With Transfer Decoration after Adam Buck (Irish, 1759-1833) | c. 1820 | Applied Arts of Europe | | false |
|---|
| Vase | Leeds, England
With Transfer Decoration after Adam Buck (Irish, 1759-1833) | c. 1820 | Applied Arts of Europe | | false |
|---|
| Vase | Leeds, England
Transfer Decoration after Adam Buck (Irish, 1759-1833) | c. 1820 | Applied Arts of Europe | | false |
|---|
| Vase | Leeds, England
With Transfer Decoration after Adam Buck (Irish, 1759-1833) | c. 1820 | Applied Arts of Europe | | false |
|---|
| Vase (part of a Garniture of 5 Vases) | England, Leeds
With Transfer Decoration after Adam Buck
Irish, 1759-1833 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Tea and Coffee Service | Denuelle Porcelain Manufactory (1818–29)
Paris | c. 1820 | Applied Arts of Europe | | false |
|---|
| Teapot | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Teapot | Birch and Villers (John Birch and William Villers)
England, active c. 1775-1820
Birmingham, England | c. 1820 | Applied Arts of Europe | | false |
|---|
| La Route de Jouy (The Route to Jouy) (Furnishing Fabric) | Designed by Horace Vernet (French, 1789–1863)
Engraved by Pierre Guillaime Lemeunnie (French, active c. 1815)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1815 | Textiles | | false |
|---|
| La Route de Jouy (The Road to Jouy) (Furnishing Fabric) | Designed by Horace Vernet (French, 1789–1863)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1815 | Textiles | | false |
|---|
| Hannah Moore | Minton
English, founded 1793 | c. 1830 | Applied Arts of Europe | | false |
|---|
| Jeanne d'Arc (Joan of Arc) (Furnishing Fabric) | Fleury Francois Richard (French, 1777-1852)
France, Rouen | c. 1820 | Textiles | | false |
|---|
| Coffee Pot | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Milk Jug | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Denuelle Porcelain Manufactory
French, 1818-1829 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Le Kakatoes (The Cockatoo) (Furnishing Fabric) | Designed by Francois Pieters (French, active c. 1820)
Possibly Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818)
France, Rouen | c. 1815/20 | Textiles | | false |
|---|
| Beaker with Tarot Cards | Anton Kothgasser
Austrian, 1769-1851
Vienna, Austria | c. 1820 | Applied Arts of Europe | | false |
|---|
| Plaisir de l'été (Pleasure of Summer) (Furnishing Fabric) | Philippe Wyngaert (Flemish, active c. 1820)
France | c. 1820 | Textiles | | false |
|---|
| Judgement of Clara (Furnishing Fabric) | Designed by Alexandre Buquet (French, 1802–1865)
France, Rouen | c. 1815 | Textiles | | false |
|---|
| Le Kakatoès (The Cockatoo) (Furnishing Fabric) | Possibly Favre-Petitpierre et Cie. (French, 1802-1818) and Francois Pieters (French, active c. 1820)
France, Nantes | c. 1815 | Textiles | | false |
|---|
| Le Retour de L'Ile d'Elbe (The Return from the Isle of Elba) (Furnishing Fabric) | Engraved by Samuel Cholet (French, 1785–1874) after lithographs by Nicolas Toussaint Charlet (French, 1792–1895)
Manufactured by Favre- Petitpierre et Cie.(French, active 1815)
France, Nantes | c. 1830 | Textiles | | false |
|---|
| Jeanne d'Arc (Joan of Arc)(Furnishing Fabric) | Fleury Francois Richard (French, 1777-1852)
France, Rouen | c. 1820 | Textiles | | false |
|---|
| Fragment (Furnishing Fabric) | Manufactured for John Marshall (English, active 1818–1824)
England, Manchester | c. 1820 | Textiles | | false |
|---|
| Le Romance du Cortés (The Song of Cortez) (Furnishing Fabric) | Designed by Delmès (French, founded 1815) after artist Hyacinthe Aubry-Lecomte (French, 1787-1858)
Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818)
France, Nantes | 1815 | Textiles | | false |
|---|
| Chimney Ornament: Wedding | Staffordshire, England | c. 1820 | Applied Arts of Europe | | false |
|---|
| Chimney Ornament: Tee Total | Staffordshire, England | c. 1820 | Applied Arts of Europe | | false |
|---|
| Chimney Ornament: Ale-Bench | Staffordshire, England | c. 1820 | Applied Arts of Europe | | false |
|---|
| Portrait of the Princess di Ottaiano and her son Carlo | Embroidered by Princess Isabella Albertini de Medici di Ottaiano (Italian, 1784-1819)
Painted by Marquis Filippo Petrone (Italian, active early 19th century) | 1814 | Textiles | | false |
|---|
| La Route de Jouy (The Road to Jouy) (Furnishing Fabric) | Engraved by Delmes (French, active 1815) after Carle Vernet (French, 1758-1836) and Horace Vernet (French, 1789-1863)
Manufactured by Favre-Petitpierre et Cie. (French, active 1815)
France, Nantes | c. 1820 | Textiles | | false |
|---|
| Beaker | Samuel Mohn
German, 1762-1815
Dresden, Germany | 1814 | Applied Arts of Europe | | false |
|---|
| Louis XIV and Mademoiselle de La Vallière (Furnishing Fabric) | Engraved by Louis Charles Ruotte (French, 1754-1806) after Jean Frederic Schall (French, 1752-1825)
Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818)
France, Nantes | c. 1815 | Textiles | | false |
|---|
| Vase (Vase étrusque à rouleau) | Sèvres Porcelain Manufactory (1756–present)
Model designed by Charles Percier (born France, 1764–1838)
Decoration designed by Alexandre-Theodore Brogniart (born France, 1739–1813)
Flowers and ornament painted by Gilbert Drouet (active France, 1785–1825)
Birds painted by Christophe-Ferdinand Caron (active France, 1792–1815)
Sèvres, France | 1813 | Applied Arts of Europe | | true |
|---|
| Plate | Worcester Porcelain Factory (Flight, Barr & Barr Period,1813—1840)
Worcester, England, founded 1751 | 1813/19 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Flight, Barr & Barr Period,1813—1840)
Worcester, England, founded 1751 | 1813/19 | Applied Arts of Europe | | false |
|---|
| Book-Shaped Vinaigrette | Samuel Pemberton
Birmingham, England | c. 1818/19 | Applied Arts of Europe | | false |
|---|
| Scenic Wallpaper: The Battle of Heliopolis | Designed by Jean-Julien Deltil
Paris, France | First edition, c. 1818 | Applied Arts of Europe | | false |
|---|
| Beaker | Samuel Mohn
German, 1762-1815
Dresden, Germany | 1813 | Applied Arts of Europe | | false |
|---|
| Handkerchief | Engraved by Rymer and Son (English, active c. 1812)
England, London | 1812 | Textiles | | false |
|---|
| Boat-Shaped Dish | Wedgwood Manufactory
England, founded 1759 | c. 1820 | Applied Arts of Europe | | false |
|---|
| The Travels of Doctor Syntax (Furnishing Fabric) | After works by Thomas Rowlandson (English, 1756–1827)
England, Manchester | c. 1820 | Textiles | | false |
|---|
| Le Romain (The Roman) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after etchings by Bartolomeo Pinelli (French, 1781–1835)
Engraved by Jules Mallet (French, 1759–1835)
France, Jouy-en-Josas | 1811 | Textiles | | false |
|---|
| “Scenes of Rome” Furnishing Fabric | France, Rouen | c. 1815 | Textiles | | false |
|---|
| Map of North America (Handkerchief) | Engraved by R. Gray (Scottish, 1811) after Robert Wilkinson (1804)
Scotland, Glasgow | 1811 | Textiles | | false |
|---|
| Vinaigrette | T. Simpson and Son
Birmingham, England | c. 1816/17 | Applied Arts of Europe | | false |
|---|
| Sampler | Ann S. Sweitzers (American, active c. 1811)
United States | 1811 | Textiles | | false |
|---|
| John Milton | Bloor Derby Porcelain Manufactory
England, 1811-1848 | 1811/48 | Applied Arts of Europe | | false |
|---|
| Les Monuments du Midi (Monuments of the South of France) (Furnishing Fabric) | Designed by Hippolyte Lebas (French, 1782–1867) after etchings by Bartolomeo Pinelli (Italian, 1781–1835) and engraved by Nicolas Auguste Leisnier (French, 1787–1835)
France, Jouy-en-Josas | c.1811 | Textiles | | false |
|---|
| Pallu (Shawl Border) Fragment | Kashmir | c. 1820 | Textiles | | false |
|---|
| Long Shawl | Probably Norwich, England | 1810-25 | Textiles | | false |
|---|
| Shawl Border (Pallu) | India, Kashmir | c. 1820 | Textiles | | false |
|---|
| Shawl Border (Pallu) | Kashmir | c. 1820 | Textiles | | false |
|---|
| Panel | France | 1810/20 | Textiles | | false |
|---|
| The Elements (Furnishing Fabric) | Designed by Bonaventure M. Lebert (French, 1759-1836)
Manufactured by Hartmann et Fils (French, founded 1776)
France, Nantes | 1810/20 | Textiles | | false |
|---|
| Achille reconnu par Ullysse (Achilles Recognized by Ulysses) (Furnishing Fabric) | Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818)
France, Nantes | c.1798 | Textiles | | false |
|---|
| Vase | Wedgwood Manufactory
England, founded 1759 | 1820/20 | Applied Arts of Europe | | false |
|---|
| Teapot Stand | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl with Cover | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Potpourri Vase | Wedgwood Manufactory
England, founded 1759 | 1810/20 | Applied Arts of Europe | | false |
|---|
| Creamer | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Flower Holder | Wedgwood Manufactory
England, founded 1759 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Inkstand | Wedgwood Manufactory
England, founded 1759 | 1810/20 | Applied Arts of Europe | | false |
|---|
| Tureen | Creil Pottery
French, 1801-1840 | 1810/20 | Applied Arts of Europe | | false |
|---|
| Jug | Spode Pottery & Porcelain Factory
English, founded 1767 | 1810/20 | Applied Arts of Europe | | false |
|---|
| Vase | Swansea Potteries & Porcelain Factory
Welsh, c.1767-1870 | c. 1815 | Applied Arts of Europe | | false |
|---|
| Bust of a Man | England, Staffordshire | 1810/20 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | England | c. 1815 | Textiles | | false |
|---|
| The Elements (Furnishing Fabric) | Designed by Marie Bonaventure Lebert (French, 1759–1836)
Manufactured by Hartmann et Fils (French, founded 1776)
France, Munster | c. 1810 | Textiles | | false |
|---|
| L'Historie de Psyche (The Story of Psyche) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Pierre-Paul Prud'hon (French, 1758–1823) and others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1810 | Textiles | | false |
|---|
| L'Amour et Psyche (Cupid and Psyche) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1810 | Textiles | | false |
|---|
| Panel | France, Lyon | Empire period, 1810/13 | Textiles | | false |
|---|
| Eight Fables of La Fontaine (Furnishing Fabric) | After Jean Baptiste Oudry (French, 1686–1755)
Manufactured by Hartmann et Fils (French, founded 1776)
France, Munster | c. 1810 | Textiles | | false |
|---|
| La Trève de Dieu (God's Truce) (Furnishing Fabric) | Philippe Wyngaert (Flemish, active c. 1820)
France | c. 1820 | Textiles | | false |
|---|
| Beaker | Austria, Vienna
Anton Kothgasser (Austrian, 1769-1851) | c. 1815/20 | Applied Arts of Europe | | false |
|---|
| Flower Pot | England, Staffordshire | 1810-20 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Dagoty Porcelain Factory (French, 1800–1820)
Paris | 1810–15 | Applied Arts of Europe | | false |
|---|
| Allegorie à l'Amour (Homage to Love) (Furnishing Fabric) | Possibly after Angelica Kauffman (Swiss, 1740–1807)
Manufactured by Favre-Petitpierre & Cie. (French, 1802-1818)
France, Nantes | c. 1815 | Textiles | | false |
|---|
| Presentation Flintlock Fowling Piece in the Eastern Fashhion | Gunsmith: Jean Le Clerc (French)
Barrel smith: Fatou (French)
Paris | 1810 | Applied Arts of Europe | | false |
|---|
| Double-Barreled Flintlock Shotgun | French, Paris
Jean Arlot, active 1764-1818 | c. 1810 | Applied Arts of Europe | | false |
|---|
| Flintlock Powder Tester | Gunsmith: Guillaume Berleur (Flemish)
Liège
early 19th century | 1810/20 | Applied Arts of Europe | | false |
|---|
| Double-Barreled Flintlock Fowling Piece | Joseph Manton
English, London, 1766-1835 | c. 1820 | Applied Arts of Europe | | false |
|---|
| Glass Cooler, from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
Probably after designs by Charles Percier (born France, 1764–1838) and Pierre François Léonard Fontaine (born France, 1762–1853)
Paris | 1809–19 | Applied Arts of Europe | | true |
|---|
| Pair of Circular Platters, from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Paris | 1809–19 | Applied Arts of Europe | | false |
|---|
| Family Record | Harriot Augusta Raymond (American, 1808-1887)
Boston, Massachusetts, United States | about 1819 | Textiles | | false |
|---|
| Condiment Set | Rebecca Emes
English, active c. 1808, d. 1828
Edward Barnard
English, 1785-1861 | 1809 | Applied Arts of Europe | | false |
|---|
| Cased Pair of Percussion Pistols with Accessories | Gunsmith: Jean Le Page (French, 1746-1834)
Paris | 1814 | Applied Arts of Europe | | false |
|---|
| Cover | France | Empire period, 1808/14 | Textiles | | false |
|---|
| Darning Sampler | Possibly Maria de Bruÿn (Dutch, active early 19th century)
Netherlands | 1808 | Textiles | | false |
|---|
| Panel Formerly Part of the Wall Covering in the Deuxième Salon des Grands Appartements of the Palais de Meudon (Château Neuf) (Empire style) | Woven by Lacostat et Trollier
France, Lyon | 1808 | Textiles | | false |
|---|
| Sampler | Stitched by Nancy Laird (American, 1793–1884)
United States | 1808 | Textiles | | false |
|---|
| Sofa | Designed by James Wyatt
English, 1746-1813
Made by John Russell
active 1773-1822
England | 1807 | Applied Arts of Europe | | false |
|---|
| Sauce Tureen and Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1807/08 | Applied Arts of Europe | | false |
|---|
| Sauce Tureen and Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1807/08 | Applied Arts of Europe | | false |
|---|
| Sauce Tureen and Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1807/08 | Applied Arts of Europe | | false |
|---|
| Sauce Tureen and Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1807/08 | Applied Arts of Europe | | false |
|---|
| “Birds and Squirrels” Furnishing Fabric | Designed by Jean Baptiste Huet (French, 1745–1811)
France, Jouy-en-Josas | 1806 | Textiles | | false |
|---|
| Entree Dish with Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1806/07 | Applied Arts of Europe | | false |
|---|
| Entree Dish with Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1806/07 | Applied Arts of Europe | | false |
|---|
| Entree Dish with Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1806/07 | Applied Arts of Europe | | false |
|---|
| Entree Dish with Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1806/07 | Applied Arts of Europe | | false |
|---|
| Soup Tureen with Cover from the Hood Service | Paul Storr
English, 1771-1844
London, England | 1806/07 | Applied Arts of Europe | | false |
|---|
| Sword of Service and Scabbard | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
After designs by Charles Percier (born France, 1764–1838)
Paris | c. 1810 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1805 | Textiles | | false |
|---|
| “Classical Medallions” Furnishing Fabric | Designed by Jean Baptiste Huet (French, 1745–1811)
France | c. 1805/10 | Textiles | | false |
|---|
| Pedestal Table | After a Design Published by Thomas Hope
English, born Netherlands, 1769–1831
England | c. 1810 | Applied Arts of Europe | | false |
|---|
| Skirt from a Court Gown | France | 1805-15 | Textiles | | false |
|---|
| Epergne | Possibly Pierre-Philippe Thomire (French, 1751-1843)
Paris, France | c. 1810/20 | Applied Arts of Europe | | false |
|---|
| Mourning Sampler | Made by members of the Smith and Humphreys families at Miss Field’s School
Boston, Massachusetts, United States | About 1815 | Textiles | | false |
|---|
| Fall-Front Desk | Vienna, Austria | c. 1810 | Applied Arts of Europe | | false |
|---|
| Panel | France, Lyon | Empire period, c. 1810 | Textiles | | false |
|---|
| Panel | France, Lyon | 1805/10 | Textiles | | false |
|---|
| Panel | France, Lyon | Empire period, c. 1810 | Textiles | | false |
|---|
| Le Mariage (Furnishing Fabric) | Engraved by Alexis Nicolas Nöel (French, 1792–1871) after a design by Jean Baptiste Mallett (French, 1759–1835)
France, Bolbec | c. 1810 | Textiles | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1810 | Applied Arts of Europe | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1810 | Applied Arts of Europe | | false |
|---|
| Vase | England, Staffordshire | c. 1810 | Applied Arts of Europe | | false |
|---|
| Vinaigrette | Possibly William Kingdon or William Eley
London, England | c. 1810/11 | Applied Arts of Europe | | false |
|---|
| Vase | Neppel Porcelain Factory
French, 1800-1818 | c. 1810 | Applied Arts of Europe | | false |
|---|
| Venus and Minerva (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1805 | Textiles | | false |
|---|
| Les Monuments de Chine (The Monuments of China) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) or Hippolyte Lebas (French, 1782–1867)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, French | 1805/10 | Textiles | | false |
|---|
| Covered Urn | England | 1810/30 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Printed at Bannister Hall Print Works (English, active 1799-1840)
Preston, Lancashire, England | c. 1815 | Textiles | | false |
|---|
| Panel | After designs by Charles Percier (French, 1764–1838) and Pierre François Leonard Fontaine (French, 1762–1853)
France | 1804/15 or 1852/70 | Textiles | | false |
|---|
| "Costume Parisien" Fashion Plates from Journal des Dames et Des Modes and Costume Parisien (The Journal of Ladies and Fashion) | Paris, France | 1804 and 1806 | Textiles | | false |
|---|
| Panel | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Panel | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Border | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Coffee Cup and Saucer | Worcester Porcelain Factory (Barr, Flight & Barr Period, 1804–1813)
Worcester, England, founded 1751 | 1804–1813 | Applied Arts of Europe | | false |
|---|
| Ice Cream Cooler | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | 1804 | Applied Arts of Europe | | false |
|---|
| Ice Cream Cooler | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | 1804 | Applied Arts of Europe | | false |
|---|
| Border | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Border | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Border | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Border | France | Empire period, 1804/14 | Textiles | | false |
|---|
| Table Frontal | China | Qing dynasty (1644–1911), 1804 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Coffee Cup and Saucer | Worcester Porcelain Factory (Barr, Flight & Barr Period, 1804–1813)
Worcester, England, founded 1751 | 1804–1813 | Applied Arts of Europe | | false |
|---|
| L'Amour Vainquerur (Love Triumphant) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) or Hippolyte Lebas (French, 1782–1867)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c.1804 | Textiles | | false |
|---|
| Nutmeg Grater | Thomas Matthews
England | 1803 | Applied Arts of Europe | | false |
|---|
| Scenic Wallpaper: Jardin Anglais | Printed by Joseph Dufour et Cie (French, founded 1797)
Designed by Pierre Antoine Mongin (French, 1761/62-1827)
Mâcon, France | c. 1802-03 | Applied Arts of Europe | | true |
|---|
| Chair | Thomas Hope (born Netherlands, active England, 1769–1831)
London | 1802–10 | Applied Arts of Europe | | true |
|---|
| Fragment (Towel End) | Republic of Türkiye | 19th century | Textiles | | true |
|---|
| Cover | Republic of Türkiye | 1801‒25 | Textiles | | true |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | true |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | true |
|---|
| Woman's Overskirt | Bushong, Kuba
Mushenge, Democratic Republic of the Congo | 19th century | Textiles | | false |
|---|
| Woman's Overskirt | Kuba, Shoowa
Democratic Republic of the Congo, Mushenge | 19th century | Textiles | | false |
|---|
| Robe | Possibly Syria | Ottoman period, 19th century | Textiles | | true |
|---|
| Ceremonial Hanging (Palepai) | Paminggir people
Lampung area, South Sumatra, Indonesia | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel | England or France | 19th century | Textiles | | false |
|---|
| Ceremonial Headdress | Ainu
Hokkaidō, Japan | Edo period (1615–1868), first half of the 19th century or earlier | Textiles | | false |
|---|
| Woman's Overskirt | Kuba, Bushong
Democratic Republic of the Congo, Mushenge | 19th century | Textiles | | false |
|---|
| Shoulder or Head Cloth (selendang) | Minangkabau people
Indonesia, West Sumatra, Tanjung Sungayang area | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Blanket or Rug | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | Late 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Painted by Saeki Ganryô (Japanese, active c. 1901/25)
Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Woman's Ceremonial Skirt (tapis) | Paminggir people
Indonesia, South Sumatra, Lampung | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Child's Tunic | India | 19th century | Textiles | | false |
|---|
| Funerary Hanging (Kosa Sin) | T'ai Lue
Laos | 19th century | Textiles | | false |
|---|
| Furisode | Japan | late Edo period (1789–1868), 1801/1868 | Textiles | | false |
|---|
| Nuihaku (Noh Costume) | Japan | 18th century , Edo period (1615–1868)
(additional patterning added early 19th century) | Textiles | | false |
|---|
| Atsuita karaori (Noh Costume) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Nuihaku (Noh Costume) | Japan | Late Edo period (1789–1868), 1801-25 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ceremonial Waist Sash (ikak pinggang) | Minangkabau people
Indonesia, West Sumatra, Solok village | 19th century | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Woman's Ceremonial Skirt (tapis) | Paminggir
Indonesia, Sumatra, Lampung | 19th century | Textiles | - silk
- cotton_linen
- metal
- glass
- paper
| false |
|---|
| Ceremonial Skirt (tapis) | Abung people
Indonesia, South Sumatra, northern Lampung area, Monggala | Early 19th century | Textiles | - silk
- wool
- cotton_linen
- metal
- glass
- paper
| false |
|---|
| Vestment (For a Second-degree Taoist Priest) | Han-Chinese
China | Qing dynasty (1644–1911), 1801/50 | Textiles | | false |
|---|
| Sleeve band | Han-Chinese
China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Design for a Woven Dress Border | France | Early 19th century | Textiles | | false |
|---|
| Ceremonial Hanging (Palepai) | Paminggir people
Lampung area, South Sumatra, Indonesia | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woman's Ceremonial Cloth (Tapis) | Paminggir
Indonesia, Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Sleeve band | Han-Chinese
China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Sleeve band | Han-Chinese
China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | 1801-25 | Textiles | | false |
|---|
| Ceremonial Waist Sash (ikak pinggang) | Minangkabau people
Indonesia, West Sumatra, Solok village | 19th century | Textiles | | false |
|---|
| Ceremonial Waist Sash (ikak pinggang) | Minangkabau people
Indonesia, West Sumatra, Solok village | 19th century | Textiles | - silk
- wool
- cotton_linen
- metal
| false |
|---|
| Ceremonial Waist Sashes (ikak pinggang) | Minangkabau people
Indonesia, West Sumatra, Solok village | 19th century | Textiles | | false |
|---|
| Woman's Ceremonial Skirt (tapis) | Paminggir
Indonesia, Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Ritual Cloth with Prancing Horses (Tampan) | Paminggir
Indonesia, Sumatra, Lampung, Semangka Bay | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woman's Ceremonial Skirt (Tapis) | Abung
Indonesia, South Sumatra, Lampung | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Ceremonial Cloth (Pua sungkit) | Iban
Indonesia, Borneo, Sarawak | 19th century | Textiles | | false |
|---|
| Kesa | Japan | Early 19th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Futon Cover (Futonji) | Japan | Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Suzani (large embroidered hanging or cover) | Uzbekistan, possibly Shakhrisabz or Shafirkhan | 19th century | Textiles | | false |
|---|
| Scarf | Morocco, Rabat | 19th century | Textiles | | false |
|---|
| Bedcover | Sarah Stewart (American, 1823–1905)
United States | 1830/1905 | Textiles | | false |
|---|
| Furisode | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Coverlet | W. Coller (American, active c. 1850s)
United States, Pennsylvania, Perry County, Landisburg | 1850s | Textiles | | false |
|---|
| Chapan or Khalat (Man's Outer Robe) | Probably Central Asia, possibly Turkmenistan, Turkoman | 19th century | Textiles | | false |
|---|
| Tobari (Formerly Katabira) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868), early 19th century | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868), early 19th century | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868), early 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Furisode | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fragment (From a Temple Hanging) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Man's Boots | China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Woman's Shoes | China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- wood
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fragment (From a Temple Hanging) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Child's Tunic | India | 19th century | Textiles | | false |
|---|
| Sash | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Fragment | China | Qing dynasty(1644–1911), early 19th century | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1801/25 | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1801/25 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Ball | Korea | Choson dynasty (1392–1910), 19th century | Textiles | | false |
|---|
| Wrapping Cloth (pojagi) | Korea | Choson dynasty (1392–1910), 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1801/50 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| "Jacobs Ladder" Quilt | United States | 19th century | Textiles | | false |
|---|
| Woman's Shoes | China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Kesa | Japan | Early 19th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Man's Haori | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Uchishiki (Altar Cloth) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Ceremonial Cloth with Pattern of Elephants and Tigers | India, Gujarat | 19th century | Textiles | | false |
|---|
| Saddle Cover | Caucasus, Karabagh District | 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Cut Out Motif (Needlework) | China | Qing dynasty (1644–1911), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fan | France | Empire period, 19th century | Textiles | | false |
|---|
| Obi (Belt) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Sash | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Hangiri (Noh Costume) | Japan | 1801/25, late Edo period (1789–1868) | Textiles | | false |
|---|
| Uchikake (Over Kimono) | Japan | late Edo (1789–1868)/Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Panel (Intended for a Kimono) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Wrapping Cloth, Pojagi | Korea | 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Unusual Ôsodemone-Style Garment | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Ceremonial Shoulder Cloth | Indonesia, Bali | 19th century (?) | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Ceremonial Textiles | Indonesia, Bali, Buleleng | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Sarong (sarong limar) | Indonesia, Bangka | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Woman's Skirt (Sarong) | Indonesia, Lembata, Ili Ape | 19th century | Textiles | | false |
|---|
| Kesa | Japan | First half of the 19th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1801/44 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1801/44 | Textiles | | false |
|---|
| Ceremonial Textile | Indonesia, Bali, Buleleng | 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Sample book of swatches | Mulhouse, France | 19th c. | Textiles | | false |
|---|
| Hanging Scroll (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1801/50 | Textiles | | false |
|---|
| Atsuita Karaori (Noh Costume) | Japan | late Edo period (1789–1868), Early 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Panel | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Head Scarf | Northern India | 19th century | Textiles | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Kosode | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | New England Glass Company
Cambridge, Massachusetts, 1818-1888 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 1845/46 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | c. 1848–60 | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Panel | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 20th century | Textiles | | false |
|---|
| Cushion Cover | China | Qing dynasty (1644–1911), c. 1900 | Textiles | | false |
|---|
| Sash | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Sash | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Clichy Glassworks (Cristalleries de Clichy)
Clichy, France, 1837-1885 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Darning Sampler | Germany or Netherlands | 1801 | Textiles | | false |
|---|
| Commemmorative Ribbon "Compliments of the Season" | Woven by Thomas Stevens (English, 1828–88)
Coventry and London, England | 19th century | Textiles | | false |
|---|
| Commemorative Ribbon "Glory to God in the Highest" | Woven by Thomas Stevens (English, 1828–88)
Coventry, England | 19th century | Textiles | | false |
|---|
| Commemorative Bookmark "A Tribute of Affection" | Woven by Thomas Stevens (English, 1828–88)
Coventry, England | 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Table Cover | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Tampan (Ceremonial Cloth) | Paminggir
Indonesia, South Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Tobacco Pouch | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Woman's Ceremonial Skirt (Kain pantang) | Indonesia, Sumatra, Palembang | 19th century | Textiles | | false |
|---|
| Woman's Shoulder Cloth (Selendang limar) | Indonesia, Sumatra, Palembang | 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1801/40 | Textiles | | false |
|---|
| Cermonial Textile | Indonesia, Bali, Buleleng | 19th century | Textiles | | false |
|---|
| Ceremonial Textile | Indonesia, Bali, Buleleng | 19th century | Textiles | | false |
|---|
| Sampler | Mexico | 19th century | Textiles | | false |
|---|
| Sampler | Mexico | 19th century | Textiles | | false |
|---|
| Screen (Four-Fold) | China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Probably a Temple Hanging (Altered) | Japan | late Edo period (1789–1868), 1801/33 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), early 19th century | Textiles | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Paperweight | Saint-Louis Glassworks (Cristalleries de Saint-Louis)
Lorraine, France, founded 1586 | 19th century | Applied Arts of Europe | | false |
|---|
| Tapis (Woman's Sarong) | Indonesian, Sumatra, Lampong region | 19th century | Textiles | | false |
|---|
| Probably napkin (yağlık) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover (Furnishing Fabric) | Iran (Persia, Isfahan) | 19th century | Textiles | | false |
|---|
| Panel | France or England | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover (?) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin (Altered) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin (Altered ?) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Fragment (Towel or Napkin Ends) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Sash | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin (Altered) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover or Handkerchief | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover or Handkerchief | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Fragment (Towel End) | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover or Handkerchief | Republic of Türkiye | 1800‒1850 | Textiles | | false |
|---|
| Tobari or Mizuhiki (Temple Banner) | Japan | Meiji period (1868–1912), 1801/33 | Textiles | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Panel | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Sampler | Meliza Thornal (American, active c. 19th century)
United States | 19th century | Textiles | | false |
|---|
| Sampler | Ann Morris (American, active c. 19th century)
United States | 19th century | Textiles | | false |
|---|
| Tampan (Ceremonial Cloth) | Paminggir
Indonesia, South Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Prayer Carpet | India, possibly Kashmir | 19th century | Textiles | | false |
|---|
| Sampler | Mexico | 1840 | Textiles | | false |
|---|
| Sampler | Mexico | 19th century | Textiles | | false |
|---|
| Panel | China | Qing dynasty (1644–1911), 19th century | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Possibly designed by Adam Buck (Irish, 1759–1834)
England | 1801/25 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1801/25 | Textiles | | false |
|---|
| Shakespeare's Seven Ages (of Man) (Furnishing Fabric) | Engraved by John Slack (English, active 1794-1828) and others after paintings by Robert Smirke's (English, 1752–1845)
Salford, Lancashire, England | c. 1805 | Textiles | | false |
|---|
| Fragment (Sari) | India | 19th century | Textiles | | false |
|---|
| Cope with Hood | Italy | 19th century (adaptation of a 17th century textile design) | Textiles | | false |
|---|
| Portrait of Joseph Marie Jacquard (1752–1834) | After a painting and engraving by Jean-Claude Bonnefond (French, 1796–1860)
Woven by Carquillat (French, 1803–1884)
Produced by Didier Petit et Cie.
France, Lyon | 19th century | Textiles | | false |
|---|
| Tampan (Ceremonial Cloth) | Paminggir
Indonesia, South Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Tampan (Ceremonial Cloth) | Paminggir
Indonesia, South Sumatra, Lampung | 19th century | Textiles | | false |
|---|
| Standing Dish and Cover, from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
Probably after designs by Charles Percier (born France, 1764–1838) and Pierre François Léonard Fontaine (born France, 1762–1853)
Paris | 1800–25 | Applied Arts of Europe | | true |
|---|
| “Paul and Virginie” Furnishing Fabric | Based on the story by Bernardin de Saint-Pierre (French, 1737-1814) | c. 1800-10 | Textiles | | false |
|---|
| Les Monuments d'Egypte (The Monuments of Egypt) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after engravings by Pagelet (French) and others after paintings by Louis François Cassas (French, 1756–1827)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1800 | Textiles | | false |
|---|
| Medallions Antiques (Antique Medallions) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Rapheal (Italian, 1483-1520)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1800 | Textiles | | false |
|---|
| Pair of Platters | Jean Baptiste Claude Odiot
French, 1753-1850
Paris, France | 1800–12 | Applied Arts of Europe | | false |
|---|
| Robe | Ainu
Japan, Hokkaido Island | 19th century | Textiles | | false |
|---|
| Mourning Sampler | Made at Mary Balch's School
Providence, Rhode Island, United States | About 1810 | Textiles | | false |
|---|
| "Germantown Eye-Dazzler" Rug | Navajo (Diné)
Arizona, New Mexico, and Utah, United States | c. 1800/90 | Textiles | | false |
|---|
| Gorget | European | 19th century in 16th century style | Applied Arts of Europe | | true |
|---|
| Curb Bit | European, probably Italian | 1560/70 | Applied Arts of Europe | | true |
|---|
| Pair of Stirrups | German | 19th century in early 16th century German style | Applied Arts of Europe | | true |
|---|
| Woman's Ao (Short Robe) | Han-Chinese
China | Qing dynasty (1644–1911), 1800/50 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1801/25 | Textiles | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740 | Early 19th century | Applied Arts of Europe | | false |
|---|
| Design for a Woven, Printed, or Embroidered Dress or Skirt Border | Probably France | First half of the 19th century | Textiles | | false |
|---|
| Coverlet | United States, New York, Albany County, Potter's Hollow | 1800 | Textiles | | false |
|---|
| “Paul and Virginie” Furnishing Fabric | Engraved by Charles Melchior Descourtis (French, 1750-1820) after Jean Michel Moreau, the Younger (French, 1741-1814)
Based on the story by Bernardin de Saint-Pierre (French, 1737-1814)
France, Nantes | 1800/10 | Textiles | | false |
|---|
| “Paul and Virginie” Furnishing Fabric | Designed by Jean Baptiste Huet (French, 1745–1811) after engraving by Abraham Girardet (Swiss, 1764-1823) after drawing by Jean-Michel Moreau the Younger (French, 1741-1841)
Based on the story by Bernardin de Saint-Pierre (French, 1737-1814)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1802 | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1800/25 | Textiles | | false |
|---|
| Pair of Compotiers | Possibly Jean Baptiste Claude Odiot
French, 1753-1850
Paris, France | 1800-50 | Applied Arts of Europe | | false |
|---|
| Woman's Vest | Manchu
China | Qing dynasty (1644–1911), 1800/25 | Textiles | | false |
|---|
| Man's Sarape (Wearing Blanket) | Saltillo, Coahuila, Mexico | 1800–50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty(1644–1911), 1800/50 | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Chair Cover | England or France | Empire period, c. 1810 | Textiles | | false |
|---|
| Kilim with Six Double-Niches | Central Anatolia, Republic of Türkiye | early 19th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Manchu
China | Qing dynasty (1644–1911), 1800/25 | Textiles | | false |
|---|
| Sampler | Stitched by Emma Riches (American, c. 1801–1825)
United States | 1800/50 | Textiles | | false |
|---|
| Chair Cover | England or France | Empire period, c. 1810 | Textiles | | false |
|---|
| Pair of Compotiers | Possibly Jean Baptiste Claude Odiot
French, 1753-1850
Paris, France | 1800/50 | Applied Arts of Europe | | false |
|---|
| Pair of Platters | Jean Baptiste Claude Odiot
French, 1753-1850
Paris, France | 1800–12 | Applied Arts of Europe | | false |
|---|
| Border with Rosettes and Oak Leaves | French | c. 1800-1805 | Textiles | | false |
|---|
| Set of Dinner Knives (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Chair Cover | France | 1800/25 | Textiles | | false |
|---|
| Chair Cover | France | 1800/25 | Textiles | | false |
|---|
| Birth of Venus (Furnishing Fabric) | Engraved by Jean Baptiste Masse (French, 1687-1767) and others after Charles Joseph Natoire (French, 1700-1777)
England | 1800/05 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | late Edo (1789–1868)/early Meiji period (1868–1912), 1800/83 | Textiles | | false |
|---|
| Plate | Creil Pottery
French, 1801-1840 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Plate | Creil Pottery
French, 1801-1840 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Plate | Creil Pottery
French, 1801-1840 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Cameo with Mythological Figure | Wedgwood Manufactory
England, founded 1759 | 1800 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Medallion with Arethusa | Wedgwood Manufactory
England, founded 1759 | Early 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Knight | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chair Cover | China | Qing Dynasty (1644–1911), 1800/25 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/early Meiji period (1868–1912), 1800/96 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868)/Meiji period (1868–1912), 1800/90 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Kangxi Period, Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Chair Cover | China | Qing dynasty (1644–1911), 1800/25 | Textiles | | false |
|---|
| Plaque: Portrait of William Pitt | Wedgwood Manufactory
England, founded 1759 | c. 1805 | Applied Arts of Europe | | false |
|---|
| Chess Piece: Rook | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Rook | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Bishop | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Bishop | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Plaque with Marriage Feast of Perseus and Andromeda | Wedgwood Manufactory
England, founded 1759 | 1800 | Applied Arts of Europe | | false |
|---|
| Chess Piece: Pawn | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Shrine Surround | China | Qing dynasty (1644–1911), 1800-50 | Textiles | | false |
|---|
| Medallion with Portrait of Carolus Linnaeus | Wedgwood Manufactory
England, founded 1759 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Medallion | Wedgwood Manufactory
England, founded 1759
Designed by Tassie, James
Scottish, 1735-1799 | Early 19th century | Applied Arts of Europe | | false |
|---|
| Plaque with Bacchantes and Satyr | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Chasuble | Probably England or France | 1800/50 | Textiles | | false |
|---|
| Apron | Switzerland | 1800/25 | Textiles | | false |
|---|
| Plate | Creil Pottery
French, 1801-1840 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Plate | Creil Pottery
French, 1801-1840 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Plate | Montereau Pottery
French, 1774-1840 | 1800/25 | Applied Arts of Europe | | false |
|---|
| Three cloths (For a Ceremonial Tea Set) | Japanese | late Edo period (1789–1868)/ Meiji period (1868–1912), 1800/1900 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/50 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Panel piece | China | Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Panel piece | China | Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Plate | Coalport and Coalbrookdale Porcelain Factory
English, founded 1796
Painted by William Locke of Norbury
English, 1767-1847 | c. 1805 | Applied Arts of Europe | | false |
|---|
| Plate | Coalport and Coalbrookdale Porcelain Factory
English, founded 1796
Painted by William Locke of Norbury
English, 1767-1847 | c. 1805 | Applied Arts of Europe | | false |
|---|
| Wall Pocket | Wedgwood Manufactory
England, founded 1759 | c. 1805 | Applied Arts of Europe | | false |
|---|
| Panel piece | China | Qing dynasty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Vase with Sacrifice Scene | Ferdinand Barbedienne
French, 1810-1892
After Claude Michel Clodion
French, 1738-1814
Paris, France | Early to mid 19th century | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/44 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Kesa | Japan | Early or mid–19th century, Edo period (1789–1868) | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/50 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Early or mid–19th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/50 | Textiles | | false |
|---|
| Zagu (Seating Mat) | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Wall Pocket | Wedgwood Manufactory
England, founded 1759 | c. 1805 | Applied Arts of Europe | | false |
|---|
| Surcoat or Vest | Japan | Late Edo Period (1603–1867)/Early Meiji Period (1868–1912), 19th century | Textiles | | false |
|---|
| Les Monuments de Grèce (Furnishing Fabric) | Probably manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Probably Jouy-en-Josas, France | 1800/10 | Textiles | | false |
|---|
| Panel | France | 1800/50 | Textiles | | false |
|---|
| Candlestick (one of a pair) | P. J. Joiris
Belgian, 19th century
Belgium | 19th century | Applied Arts of Europe | | false |
|---|
| Wine Cooler | Jean Baptiste Claude Odiot
French, 1763-c. 1850 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | Early 19th century | Applied Arts of Europe | | false |
|---|
| Wine Cooler | Jean Baptiste Claude Odiot
French, 1763-c. 1850 | 1800/50 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868), 1800/25 | Textiles | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868), 1800/25 | Textiles | | false |
|---|
| Kesa | Japan | Early or mid–19th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1800/68 | Textiles | | false |
|---|
| Tureen | Johann Wilhelm Stucker
German, 18th century
Schlaggenwald, Germany | 19th century | Applied Arts of Europe | | false |
|---|
| K'ang Cover | China | Qing dyansty (1644–1911), 1800/50 | Textiles | | false |
|---|
| Snuff Box | Jacob Frisard
Austrian, 1753-1812
T. F. Heil
Austrian, Unknown | Early 19th century | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1805/10 | Applied Arts of Europe | | false |
|---|
| Fragment (Furnishing Fabric) | Designed by J.J. Pearman (English, active c. 1900-1925)
Manufactured by Bannister Hall Print Works (English, 1798-1893)
England | c. 1806 | Textiles | | false |
|---|
| Paperweight | Baccarat Glassworks (Cristalleries de Baccarat)
Lorraine, France, founded 1764 | 19th century | Applied Arts of Europe | | false |
|---|
| Border | France, probably Lyon | Empire period, c. 1810 | Textiles | | false |
|---|
| Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1810 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1800–1850 | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 1800‒1850 | Textiles | | false |
|---|
| Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Oudry (French, 1686–1755)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1806 | Textiles | | false |
|---|
| Field Stove and Canteen | German | 1650/1700 | Applied Arts of Europe | | false |
|---|
| Snaphance Gun | North African, Moroccan | 19th century | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1800/1900 | Textiles | | false |
|---|
| Candelabra | Wedgwood Manufactory
England, founded 1759 | 19th century | Applied Arts of Europe | | false |
|---|
| Wine Glass | J. & L. Lobmeyr
Austrian, founded 1822 | 19th century | Applied Arts of Europe | | false |
|---|
| Wine Glass | J. & L. Lobmeyr
Austrian, founded 1822 | 19th century | Applied Arts of Europe | | false |
|---|
| Champagne Flute | J. & L. Lobmeyr
Austrian, founded 1822 | 19th century | Applied Arts of Europe | | false |
|---|
| Champagne Flute | J. & L. Lobmeyr
Austrian, founded 1822 | 19th century | Applied Arts of Europe | | false |
|---|
| Flintlock Strike-A-Light | P. Bond
England, London | early 19th century | Applied Arts of Europe | | false |
|---|
| Percussion Fowling Piece | Attributed to Berthon-Perrin
French, Aix-en-Provence, recorded 1800-1820 | 1810/20 | Applied Arts of Europe | | false |
|---|
| Plaque | French (?) | 19th century | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868), 1800/25 | Textiles | | false |
|---|
| Fragment | Japan | late Edo period (1789–1868), 1800/25 | Textiles | | false |
|---|
| Two Panels (Joined) | Produced by Hartmann et Fils (Associates with Soehnee the Elder and Co.)
France, Alsace, Munster | 1799 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1799/1868 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1799 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Coffee Cup and Saucer | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1803 | Applied Arts of Europe | | false |
|---|
| Carpet known as a "Ryijy" or "Rya" | Finland, Nummi, Hyrsylä | 1798 | Textiles | | false |
|---|
| Sauceboat and Stand (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
Probably after designs by Charles Percier (born France, 1764–1838) and Pierre François Léonard Fontaine (born France, 1762–1853)
Paris | 1794–1819 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710
Decorated by Samuel Mohn
German, 1761-1815 | 1797 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710
Decorated by Samuel Mohn
German, 1761-1815 | 1797 | Applied Arts of Europe | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | late Edo period (1789–1868), 1797 | Textiles | | false |
|---|
| Vinaigrette | Samuel Pemberton
Birmingham, England | c. 1802/03 | Applied Arts of Europe | | false |
|---|
| Watch | James Simpson
English, late 18th century
London, England | 1797/98 | Applied Arts of Europe | | false |
|---|
| Beaker | Austria, Gutenbrunn
Decorated by Johann Joseph Mildner (Austrian, 1765-1808) | 1797 | Applied Arts of Europe | | false |
|---|
| Diane Chasseresse (Diana the Huntress) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
France, Nantes | c. 1800 | Textiles | | false |
|---|
| Woman's Day Dress | Made in France with cotton imported from India | c. 1800 | Textiles | | false |
|---|
| Woman's Spencer jacket | France | c. 1800 | Textiles | | false |
|---|
| Bed Rug | Hannah Johnson (American, 1770–1848)
Possibly Bozrah, New London County, Connecticut, United States | 1796 | Textiles | | false |
|---|
| Plate | Russian Imperial Porcelain Factory
Russian, founded 1744 | 1796/1801 | Applied Arts of Europe | | false |
|---|
| Perfume Flask | Worcester Porcelain Factory (Flight & Barr Period, 1792–1804)
Worcester, England, founded 1751 | c. 1801 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl with Cover | Artist unknown (Chinese for the European market)
China | c. 1800; gilding possibly added in Europe, c. 1820 | Applied Arts of Europe | | false |
|---|
| Pair of Gloves | Designed from prints by Willhelm König, active c. 1721
Based on the work of Jacques Callot, 1592-1635
Spain, Barcelona | c. 1800 | Textiles | | false |
|---|
| Le Sacrifice à l'Amour (Offrande à l'Amour) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1795 | Textiles | | false |
|---|
| Long Stole | French | 1795-1810 | Textiles | | false |
|---|
| Panel | France | Directoire period, 1795/99 | Textiles | | false |
|---|
| Panel | France | Directoire period, 1795/99 | Textiles | | false |
|---|
| Panel | France | c. 1800 | Textiles | | false |
|---|
| Platter | China | c. 1760–c. 1800 | Applied Arts of Europe | | false |
|---|
| Table | Germany, Berlin
After a design by Friedrich Gilly (German, born Prussia [present-day Poland], 1772–1800) | c. 1800 | Applied Arts of Europe | | false |
|---|
| Handkerchief | Printed by R.G. Anderston and Company (Scottish, 19th century)
Scotland, Printfield | c. 1805 | Textiles | | false |
|---|
| Handkerchief | Attributed to John Hewson (American, born England, 1744–1821) After Gilbert Stuart (American, 1755–1828)
United States, Pennsylvania, Probably Philadelphia | c. 1806 | Textiles | | false |
|---|
| Hot Water Pitcher | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Covered Dish and Plate | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory
Worcester, England, founded 1751 | c. 1800/25 | Applied Arts of Europe | | false |
|---|
| Vase with Sacrifice to Ceres | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Vase with Sacrifice to Hymen | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Teapot | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Teapot with Stand | Worcester Porcelain Factory (Flight & Barr Period, 1792–1804)
Worcester, England, founded 1751 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl with Cover | Worcester Porcelain Factory (Flight & Barr Period, 1792–1804)
Worcester, England, founded 1751 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Flight & Barr Period, 1792–1804)
Worcester, England, founded 1751 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Teacup and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Saucer | Nyon Porcelain Factory
Swiss, 1780-1860 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Coffee Can and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Vinaigrette | T. Phipps and E. Robinson
London, England | c. 1800/01 | Applied Arts of Europe | | false |
|---|
| Creamer | Worcester Porcelain Factory (Flight & Barr Period, 1792–1804)
Worcester, England, founded 1751 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Obelisk | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Vase | Fürstenberg Porcelain Factory
German, founded 1747 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Soup Plate | Pinxton Porcelain Factory
English, 1796-1813 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Plate | Spode Pottery & Porcelain Factory
English, founded 1767 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure of Columbia | Mintons Ltd.
English, founded 1793 | c. 1800 | Applied Arts of Europe | | false |
|---|
| George Washington | Mintons Ltd.
English, founded 1793 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Skirt panel? | France | Directoire period, 1795/99 | Textiles | | false |
|---|
| Skirt Panel? | France | Directoire period, 1795/99 | Textiles | | false |
|---|
| Hot Water Dish | Carpenter and Hamberger
English, active c. 1790-1810
England | c. 1800 | Applied Arts of Europe | | false |
|---|
| Panel | France | Empire period, c. 1805/15 | Textiles | | false |
|---|
| Cup | Nyon Porcelain Factory
Swiss, 1780-1860 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Engraved by Giovanni Volpato (Italian, 1733-1803) and others after Raphael Sanzio da Urbino (Italian, 1483-1520)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1795/99 | Textiles | | false |
|---|
| L'Abreuvoir (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Francois Boucher (French, 1703-1770) and others.
France, Jouy-en-Josas | 1795/99 | Textiles | | false |
|---|
| Jug | England, Staffordshire | c. 1800 | Applied Arts of Europe | | false |
|---|
| Teapot | Davenport Pottery and Porcelain Factories
English, c.1793-1887 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Dites Merci (Furnishing Fabric) | Manufactured by J.P. Meillier et Cie. (French, 1792-1826)
France | c. 1798 | Textiles | | false |
|---|
| Individual Coffee Pot | Johann Traugott Böhme
German, active 1793-1814
Germany | c. 1800 | Applied Arts of Europe | | false |
|---|
| Central Medallion Quilt with "Yankee Puzzle" or "Hour Glass" Borders | Mary Jones (American, active late 18th/early 19th century)
New England or mid-Atlantic, United States | Central medallion embroidered 1795; pieced and quilted about 1750-1810 | Textiles | - silk
- wool
- cotton_linen
- metal
| false |
|---|
| Candelabra (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764-1843)
Probably designed after Charles Percier (French, 1764-1838) and
Pierre François Léonard Fontaine (French, 1762-1853)
Paris, France | 1794–1819 | Applied Arts of Europe | | true |
|---|
| Warming Dish (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Probably designed after Charles Percier (French, 1764–1838) and
Pierre François Léonard Fontaine (French, 1762–1853)
Paris | 1794–1819 | Applied Arts of Europe | | true |
|---|
| Sauceboat and Stand (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764-1843)
Probably designed after Charles Percier (French, 1764-1838) and
Pierre François Léonard Fontaine (French, 1762-1853)
Paris | 1794–1819 | Applied Arts of Europe | | true |
|---|
| Candelabra (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
Probably after designs by Charles Percier (born France, 1764–1838) and Pierre François Léonard Fontaine (born France, 1762–1853)
Paris | 1794–1819 | Applied Arts of Europe | | false |
|---|
| Warming Dish (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Marked by Martin-Guillaume Biennais (born France, 1764–1843)
Probably after designs by Charles Percier (born France, 1764–1838) and Pierre François Léonard Fontaine (born France, 1762–1853)
Paris | 1794–1819 | Applied Arts of Europe | | false |
|---|
| Pair of Platters, from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764-1843)
Paris, France | c. 1794-1819 | Applied Arts of Europe | | false |
|---|
| Double Salt (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764-1843)
Probably designed after Charles Percier (French, 1764-1838) and
Pierre François Léonard Fontaine (French, 1762-1853)
Paris, France | c. 1794–1819 | Applied Arts of Europe | | false |
|---|
| The Pheasants from the "Verdures of the Vatican" Series | Designed by Jean Démosthène Dugourc (French, 1749–1825)
Manufactured by Camille Pernon & Cie
France, Lyon | c. 1799 | Textiles | | false |
|---|
| Handkerchief | Designed by William Hanson (English, active c. 1794)
Engraved by Slack
English, active c. 1794 | 1794 | Textiles | | false |
|---|
| Neptune or L'Empire de la Mer (Neptune or the Empire of the Sea) (Furnishing Fabric) | Possibly designed by Belorgé or Samuel Cholet (French, 1786-1874)
Manufactured by Petitpierre et Cie. (French, 1790-1804)
France, Nantes | c. 1795 | Textiles | | false |
|---|
| Plaque with Triumph of Cybele | Wedgwood Manufactory
England, founded 1759 | 1794 | Applied Arts of Europe | | false |
|---|
| Sampler | Rebekah Smith (born 1780/81)
United States | 1794 | Textiles | | false |
|---|
| Dish | Davenport Pottery and Porcelain Factories
English, c.1793-1887 | 1794 | Applied Arts of Europe | | false |
|---|
| Plate | Edgar, Curtis and Co.
English, 1793-1801
Bristol, England | 1793/1801 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Etienne Leguay (French, 1762-1846) | 1792 | Applied Arts of Europe | | false |
|---|
| Nutmeg Grater | T. Phipps and E. Robinson
London, England | c. 1798/99 | Applied Arts of Europe | | false |
|---|
| Sampler | Ann Sellers (American, 1783-1870)
United States, Pennsylvania, Philadelphia | 1793 | Textiles | | false |
|---|
| Bedcover | Attributed to Elizabeth Patterson Saltmarsh (American, 1740–1816), Abigail Patterson (American, 1743/44–1808), Lydia Patterson Pixley (American, 1745–1808), Martha Patterson Woodbridge (American, 1750–1801), Sarah Patterson Brown (American, 1753–1800), and Esther Patterson Marean (American, 1756–?)
Union Township, Broome County, New York, United States | 1793-1810 | Textiles | | false |
|---|
| Plate ordered by Mr. Sudell (England) | Sèvres Porcelain Manufactory (1756–present)
Painted by Etienne Evans (French, active 1752–86)
Gilded by Henri-Martin Prévost (French, active 1757–97)
Sèvres, France | 1792 | Applied Arts of Europe | | true |
|---|
| Plate ordered by William Beckford (England) | Sèvres Porcelain Manufactory (1756–present)
Painted by Jean-Baptiste Tandart (French, active 1754–1803) and Etienne-Henry Le Guay (French, active 1748–49, 1751–96)
Sèvres, France | 1792 | Applied Arts of Europe | | true |
|---|
| The Medley (Handkerchief) | William Gilpin (English, 1724-1804)
England | 1792/95 | Textiles | | false |
|---|
| Frederick I William Charles, Duke of Württemburg | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1797 | Applied Arts of Europe | | false |
|---|
| Coffee Urn | Peter and Ann Bateman
English, active 1792
London, England | 1792/93 | Applied Arts of Europe | | false |
|---|
| Box | Samuel Pemberton
Birmingham, England | c. 1797/98 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1792 | Textiles | | false |
|---|
| L'Abreuvoir (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1796/97 | Textiles | | false |
|---|
| Interling (From a Kesa) | Japan | late Edo period (1789–1868), 1792 | Textiles | | false |
|---|
| Sampler | Polly Bedford (American, born c. 1778/1779)
United States, Massachusetts, Marblehead | 1791 | Textiles | | false |
|---|
| Plate | China | 1791 | Applied Arts of Europe | | false |
|---|
| Figure of a Soldier | Modeled by Jean Rachette (French, 1744-1809)
Russian Imperial Porcelain Factory
Russian, founded 1744 | c. 1796/1801 | Applied Arts of Europe | | false |
|---|
| Sampler | Lucy Potter (American, active 1790s)
Mary Balch's School
Providence, Rhode Island, United States | 1791 | Textiles | | false |
|---|
| Portland Vase | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | 1790–96 | Applied Arts of Europe | | true |
|---|
| Woman's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1790-1820 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Empress' Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1790-1820 | Textiles | | false |
|---|
| Emperor's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1790-1820 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Border | France | Directoire period, 1790/99 | Textiles | | false |
|---|
| Border | France | Directoire period, 1790/99 | Textiles | | false |
|---|
| Panel | France | Empire period, c. 1800 | Textiles | | false |
|---|
| Pocket | Attributed to Sally Standish (American, c. 1799)
Massachusetts or Rhode Island, United States | c. 1799 | Textiles | | false |
|---|
| The Dance and The Departure Illustrations from The Deserted Village | After poem by Oliver Goldsmith (English, 1728- 1774) After Engraving by John Keyse Sherwin (English, c. 1751-1790)
England | 1790/1800 | Textiles | | false |
|---|
| Psyche et L'Armour (The Story of Cupid and Psyche) (Furnishing Fabric) | Manufactured by Gorgerat Frères et Cie (French, 1783-1815)
France, Nantes | c. 1790 | Textiles | | false |
|---|
| Armchair | Georges Jacob
French, 1739–1814
Paris, France | c. 1795 | Applied Arts of Europe | | false |
|---|
| Panel | France, probably Lyon | Empire period, c. 1800 | Textiles | | false |
|---|
| Napkin | Produced by David Dewar Son & Sons
Scotland, Dunfermline | c. 1800 | Textiles | | false |
|---|
| William Penn's Treaty with the Indians (Furnishing Fabric) | After an engraving by John Hall (English, 1739–1797), after a painting by Benjamin West (American, 1738–1826)
England | c. 1800 | Textiles | | false |
|---|
| Sample Plate | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Charles-Nicolas Buteux
French, active 1763-1801 | 1790 | Applied Arts of Europe | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1790/1820 | Textiles | | false |
|---|
| Teapot and Stand | William Vincent
English, active 1790
London, England | 1790 | Applied Arts of Europe | | false |
|---|
| Plaque with Arming of Achilles | Wedgwood Manufactory
England, founded 1759 | 1790 | Applied Arts of Europe | | false |
|---|
| Waistcoat honoring Leopold II, Archduke of Austria | Probably France | 1790-92 | Textiles | | false |
|---|
| Flower Pot with Lion | Staffordshire, England | 1790–1810 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | England | Late 18th early 19th century | Textiles | | false |
|---|
| Panel | France, Lyon | 1790s, Directoire period | Textiles | | false |
|---|
| Le Triomphe de l'Hyménée (Furnishing Fabric) | Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818)
France, Nantes | c. 1795 | Textiles | | false |
|---|
| Guild Plaque for a Beer Brewer | Bavaria, Germany | 1790 | Applied Arts of Europe | | false |
|---|
| Covered Goblet with Silhouette Bust of King Frederich the Great | Germany, Silesia, Warmbrunn
Decorated by Johann Sigismund Menzel (German, 1744-1810) | c. 1795 | Applied Arts of Europe | | false |
|---|
| Covered Goblet with Male and Female Silhouettes | Germany, Silesia, Warmbrunn
Decorated by Johann Sigismund Menzel (German, 1744-1810) | c. 1795 | Applied Arts of Europe | | false |
|---|
| La Foire du Caire (The Cairo Fair) (Furnishing Fabric) | Possibly designed by Boudry (French, active c. 1785–1800) or Courvoisier (French, active c. 1785–1800)
Manufactured by Petitpierre Frères & Cie. (French, 1790-1803)
France, Nantes | c. 1800 | Textiles | | false |
|---|
| Panel | Probably made by Meillier et Cie
France, probably Bordeaux | c. 1800 | Textiles | | false |
|---|
| Set of Tablespoons (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dinner Forks (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dessert Spoons (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
François-Dominique Naudin (French, 1778-1841)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dessert Forks (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
François-Dominique Naudin (French, 1778-1841)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dessert Knives (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Berry Spoons (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Salt Spoons (10), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Pietro Paola Spagna (Italian, 1793-1861)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Tablespoons (14), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France
Pietro Paola Spagna
Italian, 1793-1861 | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dinner Forks (14), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France
Pietro Paola Spagna
Italian, 1793-1861 | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dinner Knives (14), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais (French, 1764–1843)
Pierre-Benoît Lorillon (French, 1757–1816)
Paris | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dessert Spoons (2), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France
François-Dominique Naudin
French, 1778-1841 | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Dessert Fork, from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France
François-Dominique Naudin
French, 1778-1841 | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Dessert Knives (2), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Set of Berry Spoons (2), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese | Martin-Guillaume Biennais
French, 1764-1843
Pierre-Benoît Lorillon
French, 1757-1816
Paris, France | 1789–1820 | Applied Arts of Europe | | false |
|---|
| Plate from the Duke of Clarence Service | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | 1789 | Applied Arts of Europe | | false |
|---|
| Plaque with Portrait of George Nugent-Temple-Grenville, Marquis of Buckingham | Wedgwood Manufactory
England, founded 1759 | 1789 | Applied Arts of Europe | | false |
|---|
| Wine Cooler from the Duke of Clarence Service | Worcester Porcelain Factory (Flight Period, 1783–1792)
Worcester, England, founded 1751 | 1789–90 | Applied Arts of Europe | | false |
|---|
| Plaque with Sacrifice to Hymen | Wedgwood Manufactory
England, founded 1759 | 1789 | Applied Arts of Europe | | false |
|---|
| Communion Chalice | Stephen Maxwell & Co.
Scotland, active c. 1781-c. 1800
Glasgow, Scotland | c. 1794 | Applied Arts of Europe | | false |
|---|
| Wineglass Cooler | Sèvres Porcelain Manufactory
French, founded 1740 | 1789 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1789/1818 | Textiles | | false |
|---|
| Coffee Pot | Charles Hougham
English, 1748-1793
London, England | 1789/90 | Applied Arts of Europe | | false |
|---|
| Wineglass Cooler | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Jacques Fontaine
French, 1734/35-1807, active 1752-1800 | 1789 | Applied Arts of Europe | | false |
|---|
| Louis XVI Restaurateur de la Liberté (Louis XVI Restorer of Liberty) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1789/ 91 | Textiles | | false |
|---|
| Diane Chasseresse (Diana the Huntress) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Raphael (Italian, 1483-1520)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1797 | Textiles | | false |
|---|
| L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1790 | Textiles | | false |
|---|
| The Flowering Cornucopia (La Corne Fleurie) | Printed and produced by J. P. Meillier et Cie
France, Bordeaux, Beautiran | After 1789 | Textiles | | false |
|---|
| Wine Cooler from the Duke of Clarence Service | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | 1789/90 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Claude Camille Pierre Etienne Pernon (French, 1753–1808)
France, Lyon | 1788 | Textiles | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740
Painted by André-Vincent Vielliard
French, 1717-90, active 1752-90 | 1788 | Applied Arts of Europe | | false |
|---|
| Teapot | Sèvres Porcelain Manufactory
French, founded 1740
Painting attributed by Buteux (French, 18th century) | 1788 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painting attributed to Buteux (French, 18th century) | 1788 | Applied Arts of Europe | | false |
|---|
| Triomphe de Voltaire (Triumph of Voltaire) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French, 1760-1791)
France, Nantes | 1788/93 | Textiles | | false |
|---|
| Triomphe de Voltaire (Triumph of Voltaire) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French, c. 1760-1791)
France, Nantes | c. 1788/93 | Textiles | | false |
|---|
| Anti-Slavery Medallion | Wedgwood Manufactory (1759–present)
Probably modeled by William Hackwood (born England, about 1753–1836)
Etruria, Staffordshire, England | 1787 | Applied Arts of Europe | | true |
|---|
| Mercury Joining the Hands of Britain and France | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | 1787–90 | Applied Arts of Europe | | true |
|---|
| Bodice from a dress | Designed by William Kilburn (Irish, 1745-1818)
Textile made in India; block-printed in England | c. 1787-1790 | Textiles | | false |
|---|
| Soup Plate presented to the Conde d’Aranda, Spanish ambassador to the French court, by King Louis XVI of France | Sèvres Porcelain Manufactory (1756–present)
Painted by Henry-Germain Boileau fils (French, active 1781-93)
Sèvres, France | 1787 | Applied Arts of Europe | | false |
|---|
| “Paul and Virginie” Furnishing Fabric | Manufactured by Petitpierre et Cie. (French, c. 1790-1802)
Based on the story by Bernardin de Saint-Pierre (French, 1737-1814)
France, Nantes | c. 1795 | Textiles | | false |
|---|
| Skirt panel | Designed by William Kilburn (Irish, 1745-1818)
Textile made in India; block-printed in England | c. 1787-1790 | Textiles | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Bouillat | 1787 | Applied Arts of Europe | | false |
|---|
| Plate from the Duke of Clarence Service | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1792 | Applied Arts of Europe | | false |
|---|
| Soup Plate from the "Hope Service" Made for the Duke of Clarence | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1792 | Applied Arts of Europe | | false |
|---|
| Soup Plate from the "Hope Service" Made for the Duke of Clarence | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1792 | Applied Arts of Europe | | false |
|---|
| Plaque with Marriage of Cupid and Psyche | Wedgwood Manufactory
England, founded 1759 | 1787 | Applied Arts of Europe | | false |
|---|
| Brandy Saucepan | Hester Bateman
English, 1709-1794
London, England | 1787/88 | Applied Arts of Europe | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by J Bt Clere and Germain Frères
France, Lyon | 1787 | Textiles | | false |
|---|
| Beaker | Austria, Gutenbrunn
Johann Joseph Mildner (Austrian, 1765-1808) | 1787 | Applied Arts of Europe | | false |
|---|
| Beaker | Austria, Gutenbrunn
Johann Joseph Mildner (Austrian, 1765-1808) | 1787 | Applied Arts of Europe | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1787 | Textiles | | false |
|---|
| Soup Plate presented to the Conde d’Aranda, Spanish ambassador to the French court, by King Louis XVI of France | Sèvres Porcelain Manufactory (1756–present)
Painted by François-Marie Barrat (French, active 1769–91, 1795–96)
Gilded by Andre-Joseph La France (French, active 1776–1803, 1813–28)
Sèvres, France | 1786 | Applied Arts of Europe | | true |
|---|
| Coffee Pot and Stand | Hester Bateman
English, 1709-1794
London, England | 1786 | Applied Arts of Europe | | false |
|---|
| Cream Pot with Lid | Frankenthal Porcelain Factory
German, founded 1755 | 1786 | Applied Arts of Europe | | false |
|---|
| The Inauguration of The Port of Cherbourg by Louis XVI (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after cartoon by Pierre Ozanne (French, 1737-1815)
Manufactured by Petitpierre et Cie (French, 1760/70-1791)
Nantes, France | c. 1787 | Textiles | | false |
|---|
| Bulb Pot | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | c. 1790 | Applied Arts of Europe | | true |
|---|
| Plate ordered by King Louis XVI (from the Arabesque Service) | Sèvres Porcelain Manufactory (1756–present)
Designed by Louis Le Masson (French, 1743–1829)
Painted by Jacques Fontaine (French, active 1752–1800)
Gilded by Louis-Francois L'Ecot (French, active 1761–64, 1772–1800)
Sèvres, France | 1785 | Applied Arts of Europe | | true |
|---|
| Paint Box | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | 1785–90 | Applied Arts of Europe | | true |
|---|
| Outdoor Sports and Pastimes (Furnishing Fabric) | After paintings by Francis Hayman (English, 1708–1776)
Printed by Joseph Ware (English, 1760-1781)
England | c. 1790 | Textiles | | false |
|---|
| Dressing Table | Thomas Scott
English, active 1783-96
London, England | c. 1790 | Applied Arts of Europe | | false |
|---|
| Chef-de-piece (Furnishing Fabric) | Design in the Style of Jean Baptiste Pillement (French, 1728–1808)
France | 1850/75 | Textiles | | false |
|---|
| Barometer | Vulliamy London
English, 18th-19th century | c. 1790 | Applied Arts of Europe | | false |
|---|
| Panel | France, Lyon | Directoire period, c. 1790 | Textiles | | false |
|---|
| Platter | China | 1785/1800 | Applied Arts of Europe | | false |
|---|
| Armchair with Tablet: Putti Drawing | Attributed to John Gee
English, 1765-1824
London, England | c. 1790/1800 | Applied Arts of Europe | | false |
|---|
| Ewer | William Adams & Sons Ltd.
English, founded 1657 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Wine Ewer | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1785/90 | Applied Arts of Europe | | false |
|---|
| Buckle | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1785/90 | Applied Arts of Europe | | false |
|---|
| Teapot | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Flower Vase | Wedgwood Manufactory
England, founded 1759 | 1785/1800 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Dessert Dish | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Plaque with Priam and Achilles | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| George Washington | Wedgwood Manufactory
England, founded 1759
After a medal designed by François-Marie Arouet, known as Voltaire
French, 1694-1778
Etruria, Staffordshire, England | c. 1790 | Applied Arts of Europe | | false |
|---|
| Plaque with Portrait of George Augustus Frederick | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Cupid and Doves | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Bust of Homer | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Coffee Can and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Flower Holder | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Plaque with Sacrifice to Ceres | Wedgwood Manufactory
England, founded 1759 | Possibly mid–19th century | Applied Arts of Europe | | false |
|---|
| Plaque with Priam and Achilles | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Friendship Consoling Affliction | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1785/90 | Applied Arts of Europe | | false |
|---|
| Coffee Can and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Hot Water Jug | Hester Bateman
English, 1708-1794
London, England | 1785/86 | Applied Arts of Europe | | false |
|---|
| Figure of a Man with Grapes | Limbach Porcelain Factory
German, 1772-1944 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Figure of a Girl | Limbach Porcelain Factory
German, 1772-1944 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Man as Old Age | Possibly Ralph Wood
English, 1715-1772
and Enoch Wood
English, 1759-1840 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Frieze or Dado: La Constance | France
Jean Baptiste Réveillon (French, 1725-1811) | 1785/90 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | After Jean Baptiste Pillement (French, 1728-1808) engraved by Pierre Charles Canot (French, c. 1710-1777)
France, Jouy | 1785/1890 | Textiles | | false |
|---|
| Fragment | Produced by Manufacture Blanc
France, Sain Bel | c. 1790 | Textiles | | false |
|---|
| Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Engraved by Johann Elias Ridinger (Germany, 1698-1767)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c.1794 | Textiles | | false |
|---|
| Figure of Geoffrey Chaucer | Ralph Wood (the Younger)
English, 1748-95 | c. 1790 | Applied Arts of Europe | | false |
|---|
| Flower Holder | Derby Porcelain Manufactory
England, 1750-1848 | c. 1790 | Applied Arts of Europe | | false |
|---|
| La Caravane du Caire (The Caravan from Cairo) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French c. 1760-1791)
France, Nantes | 1785/89 | Textiles | | false |
|---|
| La Caravane du Caire (The Caravan from Cairo) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French c. 1760-1791)
France, Nantes | 1785/89 | Textiles | | false |
|---|
| Panurge dans l'île des lanternes (Panurge on the Isle of Lanterns) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French, 1760-1791)
France, Nantes | 1785/90 | Textiles | | false |
|---|
| Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric) | After works by Guido Reni (Italian, 1575–1642) and other artists
Manufactured by Petitpierre et Cie. (French, 1760-1791)
France, Nantes | 1785/89 | Textiles | | false |
|---|
| Le Mouton Chéri (Furnishing Fabric) | Engraved by Louis marin Bonnet (French, 1736-1793) after Francois Boucher (French, 1703-1770) and other artists
Manufactured by Petitpierre Freres & Cie. (French, 1760-1791)
France, Nantes | c. 1785 | Textiles | | false |
|---|
| L'Agréable leçon (The Pleasant Lesson) (Furnishing Fabric) | Engraved by Francois Anotoine Aveline (French, 1718-1787) and others after Francois Boucher (French, 1703-1770)
Manufactured by Petitpierre Freres & Cie. (French, 1760- 1791)
France | 1788 | Textiles | | false |
|---|
| Basin | Townsend and Compton
English, active 1784-1801
England | c. 1790 | Applied Arts of Europe | | false |
|---|
| La Caravane du Caire (The Caravan from Cairo) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French c. 1760-1791)
France, Nantes | 1785/89 | Textiles | | false |
|---|
| Le Mariage de Figaro (The Marriage of Figaro) | Designed by Jean Baptiste Huet (French, 1745–1811) after illustrations by Charles Naudet (French, c. 1773–1810)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | after 1785 | Textiles | | false |
|---|
| Wall Cistern with Spigot | Heinrich, II Hiller
Swiss, 1732-1797
Switzerland | c. 1790 | Applied Arts of Europe | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1785 | Textiles | | false |
|---|
| Plate ordered by Marie Antoinette, Queen of France | Sèvres Porcelain Manufactory (1756–present)
Painted by Charles-Nicolas Buteux (French, active 1763–1801)
Gilded by André-Joseph La France (French, active 1776–1801, 1813–28)
Sèvres, France | 1784 | Applied Arts of Europe | | true |
|---|
| Pair of Candelabra | In the manner of Pierre Gouthière
French, 1732-1813/14 | c. 1789 | Applied Arts of Europe | | false |
|---|
| Covered Bowl and Stand (Ecuelle de la toilette) | Sèvres Porcelain Manufactory
French, founded 1740
Gilded by Nicolas-Pierre Pithou
French, active 1757-1817 | 1784 | Applied Arts of Europe | | false |
|---|
| Shoe Buckle | Edward Fennel
English, active 1780-91
London, England | 1784/85 | Applied Arts of Europe | | false |
|---|
| Goblet | Hester Bateman
English, 1708-1794
London, England | 1784/85 | Applied Arts of Europe | | false |
|---|
| Plate from a service ordered by Marie-Antoinette | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Antoine-Toussaint Cornailles (French, active 1755-1800) | 1784 | Applied Arts of Europe | | false |
|---|
| Plaque with Portrait of William Eden, Lord Auckland | Wedgwood Manufactory
England, founded 1759 | c. 1789 | Applied Arts of Europe | | false |
|---|
| Plaque with Portrait of Mrs. William Eden, Lady Auckland | Wedgwood Manufactory
England, founded 1759 | c. 1789 | Applied Arts of Europe | | false |
|---|
| Plaque with Bacchus and Two Bacchantes | Wedgwood Manufactory
England, founded 1759 | c. 1789 | Applied Arts of Europe | | false |
|---|
| Cake Basket | Hester Bateman
English, 1709-1794
London, England | 1784/85 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1898), 1784 | Textiles | | false |
|---|
| La Liberté Americaine (American Liberty) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after medallions engraved by Augustin Dupré (French, 1748–1833) after others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783/89 | Textiles | | false |
|---|
| La Liberté Americaine (American Liberty) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Medallions engraved by Augustin Dupré (French, 1748–1833) after others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783/89 | Textiles | | false |
|---|
| Tureen with Cover | William Davie
Scottish, active after 1740
Edinburgh, Scotland | 1783/84 | Applied Arts of Europe | | false |
|---|
| Les Travaux de la Manufacture (The Activities of the Factory) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783-84 | Textiles | | false |
|---|
| Tureen with Cover | John Wakelin and William Taylor
English, in partnership 1776-c. 1792
London, England | 1783/84 | Applied Arts of Europe | | false |
|---|
| Kettle | Sèvres Porcelain Manufactory
French, founded 1740
Probably gilded by Charles-Eloi Asselin
French, 1743–1804
Mounts probably designed by Jean-Nicolas Bastin
French, died 1785 | 1783/84 | Applied Arts of Europe | | false |
|---|
| Le Parc du Chateau (Bedspread) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1783 | Textiles | | false |
|---|
| Le Parc du Chateau (Valance) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1783 | Textiles | | false |
|---|
| Les Travaux de la Manufacture (The Factory in Operation) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783/84 | Textiles | | false |
|---|
| Au Loup! (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jacques Stella (French, 1569-1657) and others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783/89 | Textiles | | false |
|---|
| Les Plaisirs des Quatre Saisons (Pleasures of the Four Seasons) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)) after Jacques Stella (French, 1596–1657) and Claudine Stella (French, 1636–1697)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1785 | Textiles | | false |
|---|
| La Liberté Americaine (American Liberty) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after medallion designed by Augustin Dupré (French, 1748–1833)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1783/89 | Textiles | | false |
|---|
| Library Ladder | William France (born England, 1759–1838)
London
Made for Badminton House, Badminton, Gloucestershire, England | 1782 | Applied Arts of Europe | | true |
|---|
| Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric) | After a painting by Robert Edge Pine (English, c. 1730–1788)
Engraved by Caroline Watson (English, 1760–1814)
England | c. 1790 | Textiles | | false |
|---|
| Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric) | After a painting by Robert Edge Pine (English, c. 1730–1788) Engraved by Caroline Watson (English, 1760–1814)
England | c. 1790 | Textiles | | false |
|---|
| Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric) | After a painting by Robert Edge Pine (English, c. 1730–1788)
Engraved by Caroline Watson (English, 1760–1814)
England | c. 1790 | Textiles | | false |
|---|
| Apotheosis of Franklin (Furnishing Fabric) | After mezzotint by Valentine Green (English, 1739-1813) and after portrait by John Turnbull (American, 1756-1843) after terracotta medallion by Jean-Baptiste Nini (Italian, 1717–1786)
England, made for the American market | c.1785 | Textiles | | false |
|---|
| The Irish Volunteers (Furnishing Fabric) | Probably designed by Gabriel Beranger (Irish, 1729–1817)
Printed by Thomas Harpur (Irish, active c. 1782)
Ireland, County Kildare, Leixlip | 1782 | Textiles | | false |
|---|
| La Motte-Piquet Sauve un Convoi (Motte-Piquet Saves a Convoy) (Furnishing Fabric) | Pierre Ozanne (French, 1737-1815)
Manufactured by Petitpierre et Cie. (France, 1790-1803)
France, Nantes | 1782 | Textiles | | false |
|---|
| Covered Communion Flagon with Spout | Stephen Maxwell
Scottish, active c. 1781-c. 1800
Glasgow, Scotland | c. 1787 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Philippe Castel (attributed to)
French, 1772-1796 | 1781 | Applied Arts of Europe | | false |
|---|
| Sauce Tureen, Liner and Stand | Vienna, Austria
Joseph Ignaz Würth (Austrian, active 1770-after 1803) | 1781/82 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), 1781/1801 | Textiles | | false |
|---|
| Water Ewer | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | 1780–85 | Applied Arts of Europe | | true |
|---|
| Wine Ewer | Wedgwood Manufactory (1759–present)
Etruria, Staffordshire, England | 1780–85 | Applied Arts of Europe | | true |
|---|
| Printed Fabric | Possibly manufactured by Oberkampf Manufactory (French, 1760–1843)
Jouy-en-Josas, France | 1780s | Textiles | | false |
|---|
| Two Candelabra | England | 1780–1800 | Applied Arts of Europe | | true |
|---|
| Embroidered Fabric for a Man's Waistcoat Front | France | 1780s | Textiles | | false |
|---|
| Design for an Embroidered Waistcoat Pocket | France, probably Lyon | 1780-90 | Textiles | | false |
|---|
| Man's Waistcoat | Possibly Lyon, France | Embroidered 1780s; altered 1795–1805 | Textiles | | false |
|---|
| Design for an Embroidered Waistcoat Pocket | France, probably Lyon | 1780-90 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Ollive and Talwin (English, 1763–1783)
Manufactured at Bromley Hall (English, 1694–1823)
England, Middlesex, Poplar | c. 1780 | Textiles | | false |
|---|
| Bedcover | Design in the Style of Jean Baptiste Pillement (French, 1728–1808)
France | c. 1790 | Textiles | | false |
|---|
| L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric) | Design attributed to Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric) | Design attributed to Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric) | Design attributed to Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Man's Coat | France, possibly Lyon | 1780s | Textiles | | false |
|---|
| Dalmatic | France | c. 1785 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | After Daniel Mytens, the elder (Dutch, c. 1590-1647)
Manufactured by Sir Robert Peel (English, founded c. 1770)
England | c. 1785 | Textiles | | false |
|---|
| La Chasse au cerf et au sanglier (Furnishing Fabric) | Engraved by Johann Elias Ridinger (German, 1698-1767) and others after Philip Wouverman (Dutch, 1619-1668)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Corner Cabinet | Jean Henri Riesener
French, born Germany, 1734–1806
Paris | c. 1785 | Applied Arts of Europe | | false |
|---|
| Punch Bowl | China | c. 1780/90 | Applied Arts of Europe | | false |
|---|
| Tankard | China | c. 1785 | Applied Arts of Europe | | false |
|---|
| Pair of Eight Light Candelabra | Possibly Pierre-François Feuchere (French, 1737-1823)
or Louis-Simon Boizot (French, 1743-1809)
Paris | c. 1785 or 19th century | Applied Arts of Europe | | false |
|---|
| Armchair (one of a pair) | Designed by Jean Avisse
French, 1723-1796
Paris | 1780/85 | Applied Arts of Europe | | false |
|---|
| Plate | Meissen Porcelain Manufactory
German, founded 1710 | 1780/1800 | Applied Arts of Europe | | false |
|---|
| Platter | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Flight Period, 1783-1792)
Worcester, England, founded 1751 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Candelabra | England | 1780/1800 | Applied Arts of Europe | | false |
|---|
| Candelabra | England | 1780/1800 | Applied Arts of Europe | | false |
|---|
| Woman as Old Age | Possibly Ralph Wood
English, 1715-1772
and Enoch Wood
English, 1759-1840 | c. 1787 | Applied Arts of Europe | | false |
|---|
| Prudence | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1780/90 | Applied Arts of Europe | | false |
|---|
| Plaque with Jupiter Battling Titans | Wedgwood Manufactory
England, founded 1759 | c. 1800 | Applied Arts of Europe | | false |
|---|
| Bulb Pot | Wedgwood Manufactory
England, founded 1759 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Pedestal | Wedgwood Manufactory
England, founded 1759 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Salesman's Sample (Waistcoat Pocket) | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Salesman's Sample (Waistcoat Pocket) | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Tureen | Wedgwood Manufactory
England, founded 1759 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl | Derby Porcelain Manufactory
England, 1750-1848 | 1780/95 | Applied Arts of Europe | | false |
|---|
| Salesman's Sample | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Salesman's Sample | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Pair of Shoes | Dixon Clement & Dixon (English, c, 1700s)
England | c.1790s | Textiles | | false |
|---|
| Cruet Set | Wedgwood Manufactory
England, founded 1759 | c. 1785 | Applied Arts of Europe | | false |
|---|
| Don Quichotte (Don Quixote) (Furnishing Fabric) | Possibly after design by Jean Jacques Lagrenèe le Jeune (French, 1739–1821) after engravings by Charles Nicolas Cochin l'Aîné (French, 1688–1754), Magdaleine Hortenels Cochin (French, 1683–1767), Jean Baptiste Haussard (French, 1679/80–1749), and Louis Silvestre l'Aîné (French, 1664–1740)
Based on paintings by Charles Antoine Coypel (French, 1694–1752)
France, Nantes | c. 1785 | Textiles | | false |
|---|
| Don Quichotte (Don Quixote) (Furnishing Fabric) | Possibly after design by Jean Jacques Lagrenèe le Jeune (French, 1739–1821) after engravings by Charles Nicolas Cochin l'Aîné (French, 1688–1754), Magdaleine Hortenels Cochin (French, 1683–1767), Jean Baptiste Haussard (French, 1679/80–1749), and Louis Silvestre l'Aîné (French, 1664–1740)
Based on paintings by Charles Antoine Coypel (French, 1694–1752)
France, Nantes | c. 1785 | Textiles | | false |
|---|
| Dish | Derby Porcelain Manufactory
England, 1750-1848 | 1780/95 | Applied Arts of Europe | | false |
|---|
| Salesman's Sample | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Salesman's Sample | Probably France, Lyon | 1780-1810 | Textiles | | false |
|---|
| Salesman's Sample | France, possibly Lyon | 1780/90 | Textiles | | false |
|---|
| La Péche et la Commerce Maritime (Fishing and Maritime Trade) (Furnishing Fabric) | Engraved by Jean Jacques Le Veau (French, 1729-1785) and others after Claude Joseph Vernet (French 1714-1789) and others
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Le Temple de L'Amour (The Temple of Love) (Furnishing Fabric) | Manufactured by Gorgerat Frères et Cie.
France, Nantes | c. 1785 | Textiles | | false |
|---|
| "Rodney's Sailor" Toby Jug | Ralph Wood
English, 1748-95
England, Burslem | 1780/90 | Applied Arts of Europe | | false |
|---|
| Chinoiseries (Furnishing Fabric) | Designed by Jean Baptiste Pillement (French, 1728–1808) after an engravings by Pierre Charles Canot (French, 1710–1777)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Les Vendages (Furnishing Fabric) | Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1785 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1785 | Textiles | | false |
|---|
| Les Quatre Éléments (The Four Elements) (Furnishing Fabric) | Probably after Jean Jacques Lagrenée le Jeune (French, 1739–1821) from engravings by Charles Dupuis (French, 1685–1742) and Louis Desplaces (French, 1682–1739) after Louis de Boullongne le Jeune (French, 1654–1733)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Creamer | Derby Porcelain Manufactory
England, 1750-1848 | 1780/95 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Derby Porcelain Manufactory
England, 1750-1848 | 1780/95 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Posssibly manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1785 | Textiles | | false |
|---|
| The Vicar and Moses | Ralph Wood
English, 1748-95 | 1780/90 | Applied Arts of Europe | | false |
|---|
| Le Petit Buveur (The Little Drinker) (Furnishing Fabric) | Engraved by Francois Antoine Aveline (French, 1718-1787) after Antoine Watteau (French, 1684-1721)
France, Jouy-en-Josas | 1765/70 | Textiles | | false |
|---|
| Tenian (Furnishing Fabric) | Engraved by Herman van Swanelvelt (Dutch, c. 1600-1655) and others after George Anson (English, 1697-1762)
Manufactured by Bromley Hall (English, 1694-1823)
England, Middlesex, Poplar | c. 1785 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | After 1780 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Designed and Engraved by D. Richards (English, active c. 1780)
England, Manchester | c. 1780 | Textiles | | false |
|---|
| Le Tombeau de Voltaire (Voltaire's Tomb) (Furnishing Fabric) | Manufactured by Pierre Dubern et Cie. (French, 1780-1813)
France, Nantes | c. 1785 | Textiles | | false |
|---|
| Shakespeare and Garrick (Furnishing Fabric) | Louis Francois Roubillac (France, c. 1702-1762)
England | c. 1790 | Textiles | | false |
|---|
| Le Port de Mer (The Seaport) (Furnishing Fabric) | Engraved by Jean jacques Le Veau (French, 1729-1785) after Claude Joseph Vernet (French, 1714-1789)
Manufactured by Petitpierre et Cie. (French, 1760-1791)
France, Nantes | c. 1780 | Textiles | | false |
|---|
| La Danseuse de Corde (The Tight Rope Walker) (Furnishing Fabric) | Manufactured by Petitpierre et Cie. (French, 1760-1791)
France, Nantes | 1785/90 | Textiles | | false |
|---|
| Horseracing at the Turf Inn (Furnishing Fabric) | Engraved by John Williams Edy (English, active 1780-1820) artist John Nost Sartorius (English, 1759-1828)
England | c. 1780 | Textiles | | false |
|---|
| Double-handled Footed Tray | Johann Friedrich Seybold
German, active c. 1760-1785
Germany | c. 1785 | Applied Arts of Europe | | false |
|---|
| Covered Bowl and Stand (Écuelle) | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Jean-Jacques Pierre (French, active 1763–1800)
Gilded by Henri-Martin Prévost III (French, active 1757–1797) | 1779 | Applied Arts of Europe | | true |
|---|
| L'Escarpolette (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) and others after Jean Honore Fragonard (French, 1732-1806)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1789 | Textiles | | false |
|---|
| Plaque with Robert Boyle | Wedgwood Manufactory
England, founded 1759 | 1779/80 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Engraved by Pierre- Charles Canot (French, c. 1710-1777) and others after Jean Baptiste Pillement (French, 1728–1808)
France, possibly Jouy-en-Josas | 1780 | Textiles | | false |
|---|
| Plate ordered by Empress Catherine II of Russia | Sèvres Porcelain Manufactory (1756–present)
Painted by Edmé-François Bouillat (French, 1758–1810), Pierre-Antoine Méreaud (French, active 1754–91), and Philippe Castel (French, active 1771–97)
Gilded by Etienne-Henry Le Guay (French, active 1748–49, 1751–96)
Sèvres, France | 1778 | Applied Arts of Europe | | true |
|---|
| The Cupid Seller | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1783 | Applied Arts of Europe | | false |
|---|
| Plaque with Marcus Aurelius Antoninus | Wedgwood Manufactory
England, founded 1759 | 1778/80 | Applied Arts of Europe | | false |
|---|
| Plaque with Nero | Wedgwood Manufactory
England, founded 1759 | 1778/80 | Applied Arts of Europe | | false |
|---|
| Tureen | Gotha Porcelain Factory
German, 1757-19th century | c. 1783/1805 | Applied Arts of Europe | | false |
|---|
| Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1785 | Textiles | | false |
|---|
| Le Tombeau de Jean Jacques Rousseau (The Tomb of Jean Jacques Rousseau) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Michel Moreau, the Younger (French, 1741–1814)
Manufactured by Gorgerat Frères et Cie (French, 1783, 1815)
France, Nantes | after 1778 | Textiles | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Guillaume Noël (French, 1734/5-1804, active 1755-1800) | 1777 | Applied Arts of Europe | | false |
|---|
| Fish Server | William Plummer
English, active 1755-91
London, England | 1777 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Pillement (French, 1728-1808)
Jouy-en-Josas or Nantes, France | c. 1786 | Textiles | | false |
|---|
| Plaque with Marcus Antonius | Wedgwood Manufactory
England, founded 1759 | 1776/80 | Applied Arts of Europe | | false |
|---|
| Urn | Frankenthal Porcelain Factory
German, founded 1755 | 1776/77 | Applied Arts of Europe | | false |
|---|
| Urn | Frankenthal Porcelain Factory
German, founded 1755 | 1776/77 | Applied Arts of Europe | | false |
|---|
| Urn | Frankenthal Porcelain Factory
German, founded 1755 | 1776/77 | Applied Arts of Europe | | false |
|---|
| Panel (Dress Fabric) | Made in China for the European/American market | Qing dynasty (1644–1911), 1776/1800 | Textiles | | false |
|---|
| The Arrival of Telemachus on Calypso's Island from The Story of Telemachus | After a design by an unknown artist based on an engraving after François Boucher (1703–1770), The Arrival of Telemachus on Calypso’s Island (L’arrivée de Télémaque dans l’île de Calypso)
Possibly woven at the workshop of Gabriel Babonneix (born 1756?) at the Manufacture Royale d’Aubusson
France, Aubusson | after 1776 | Textiles | | false |
|---|
| Fragment (Border from Wide Towel) | Republic of Türkiye | 1775‒1900 | Textiles | | true |
|---|
| Smallsword and Scabbard | Cutler: Thomas Prosser (English, 1774-1795) | c. 1785 | Applied Arts of Europe | | true |
|---|
| Fan | Painted by Benjamin West (American, 1728–1836)
England | 1775/1800 | Textiles | | false |
|---|
| Length of Dress Fabric | Possibly manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Possibly Jouy-en-Josas, France | c. 1785 | Textiles | | false |
|---|
| Panel | Manchu
China | Qing dynasty (1644–1911), 1775/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Man's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), c. 1780s-1790s | Textiles | | false |
|---|
| Basket-Hilted Broadsword (Schiavona) | Italian; Venice | 1775/1800 | Applied Arts of Europe | | true |
|---|
| Military Smallsword and Scabbard of a Member of the British Royal Family | Cutlers: John Highlord Bland (English, died 1791)
and Robert Foster (English, 1758-1798), London | 1787/91 | Applied Arts of Europe | | true |
|---|
| Punch Bowl | Berlin Porcelain Manufactory (Königliche Porzellan-Manufaktur im Berlin)
Germany, 1763-1918 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Buzi (Court Rank Badge) | Manchu
China | Qing dynasty (1644–1911), 1775/1800 | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1775/1800 | Textiles | | false |
|---|
| Woman's Aigi (Inner Robe) | Japan | Edo period (1789–1868), late 1700s | Textiles | | false |
|---|
| Le Couronnement de la Rosière (The Crowning of the Rose Maiden) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Greuze (French, 1725-1805)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1780 | Textiles | | false |
|---|
| Vestment (For a First-degree Taoist Priest) | Han-Chinese
China | Qing dynasty (1644–1911), 1775/1850 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Hanging Portière or Panel for a Bed | Possibily Designed by Gobelins Factory or René Beauvais
France | 1775/1825 | Textiles | | false |
|---|
| Man's Angarkha (Outer Robe) | India | Late 18th or early 19th century | Textiles | | false |
|---|
| Pole Screen with Venus and Cupid | England | Late 18th century | Applied Arts of Europe | | false |
|---|
| Panel | France
Auvergne (?) | 1775/1799 | Textiles | | false |
|---|
| Panel | Designed by Philippe de LaSalle (French, 1723–1803/5)
France, Lyon | c. 1780 | Textiles | | false |
|---|
| Fragment | After a design by Philippe de LaSalle (French, 1723–1803/5)
France | 1775/80 | Textiles | | false |
|---|
| Fragment | France | Louis XVI period, 1774–1792, late 18th century | Textiles | | false |
|---|
| America Presenting at the Altar of Liberty Medallions of her Illustrious Sons (Furnishing Fabric) | After etchings by Pierre Eugène du Simitière (American, born Switzerland, c. 1736-1784) after John Trumbull (American, 1756- 1843)
England | c. 1785 | Textiles | | false |
|---|
| Panel | Spain | 1775/1800 | Textiles | | false |
|---|
| Panel | France | 1775/1800 | Textiles | | false |
|---|
| Moon Shawl (Chand-Dar) | Kashmir, India | Mughal period (1526–1858), late 18th century | Textiles | | false |
|---|
| Panel | France, Lyon | Directoire period, c. 1785 | Textiles | | false |
|---|
| Soup Plate | China | c. 1780 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1780 | Applied Arts of Europe | | false |
|---|
| Candlestick | China | 1775/1800 | Applied Arts of Europe | | false |
|---|
| A Panel from a Porticoes Series | After designs by Jean-Baptiste Oudry (1686–1755), Jean Baptiste Huet (French, 1745–1811), or artists in their circle
Woven at an unknown workshop at the Manufacture Royale du Beauvais or the Manufacture Royale d’Aubusson
France, Beauvais or Aubusson | 1775/1800 | Textiles | | false |
|---|
| Fragment | France | Louis XVI period, 1774–1792, late 18th century | Textiles | | false |
|---|
| Panel | France, Lyon | Directoire Period, c. 1785 | Textiles | | false |
|---|
| Tea Bowl and Saucer | China | c. 1780 | Applied Arts of Europe | | false |
|---|
| William Penn's Treaty with the Indians (Furnishing Fabric) | After an engraving by John Hall (English, 1739–1797), after a painting by Benjamin West (American, 1738–1826)
England | c. 1785 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Fragment Entitled "William Penn's Treaty with the Indians" | Adapted from an engraving by John Hall (English, 1739–1797)
Published by John Boydell (English, 1719–1804), London, 1775
After a painting by Benjamin West (American, 1738–1826) dating from 1771
England | c. 1785 | Textiles | | false |
|---|
| Kosode | Japan | Edo period (1615–1868), 1775/1825 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | Appliqued fabric: Edo period (1615–1868), late 18th century
Mounting fabric: Meiji period (1868–1912), 1868/83 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kosode | Japan | Edo period (1615–1868), 1775/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Venus and Cupid | Wedgwood Manufactory
England, founded 1759 | 1775/1800 | Applied Arts of Europe | | false |
|---|
| Chatelaine | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo Locket | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo Locket | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo Locket | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), Late 18th century | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Edo period (1615–1868), late 18th century | Textiles | - silk
- wool
- cotton_linen
- metal
- paper
| false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Buckle | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Buckle with Hebe and Eagle | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Buckle Medallion (part of buckle) | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Buckle | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Buckle | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Sugar Bowl | Wedgwood Manufactory
England, founded 1759 | 1775/1800 | Applied Arts of Europe | | false |
|---|
| Cameo with Classical Figures | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Hercules | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cup and Saucer with Portrait of Benjamin Franklin | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Etienne-Charles Le Guay (French, 1762-1846) | c. 1780 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1775/80 | Applied Arts of Europe | | false |
|---|
| Fragment (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1775/1850 | Textiles | | false |
|---|
| Cameo | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Double Cameo with Cupids and Mercury | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | Wedgwood Manufactory
England, founded 1759 | 1775/1800 | Applied Arts of Europe | | false |
|---|
| Kosode (Robe) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kosode | Japan | Edo period (1615–1868), 1775/1825 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Uchikake | Japan | Edo period (1615–1868), 1775/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Zagu (Seating Mat) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Karaori (Nô Costume) | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Coffee Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1775/80 | Applied Arts of Europe | | false |
|---|
| Cameo with Mourning Nymph | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Vestal and Boy | Wedgwood Manufactory
England, founded 1759 | 1775/1800 | Applied Arts of Europe | | false |
|---|
| Teapot | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1775/80 | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Woman | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Minerva | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Duke of Marlborough | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Prince Charles Edward Stuart | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Diana and the Moon | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of John Wesley | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Maria I of Portugal | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Benjamin Franklin | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Duke of Gloucester | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Three Graces | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Woman | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of William III of England | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Sacrifice of a Bull | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Sacrifice of a Lamb | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Hercules and Bull | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Apollo | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | 1775/80 | Applied Arts of Europe | | false |
|---|
| Cameo | James Tassie
Scottish, 1735-1799 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Hercules | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | James Tassie
Scottish, 1735-1799 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | James Tassie
Scottish, 1735-1799 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | James Tassie
Scottish, 1735-1799 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Portrait of Oliver Cromwell | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cameo with Sacrifice | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Cup with Cover and Saucer | Wedgwood Manufactory
England, founded 1759 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Sacrifice of a Bull | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Cupid and Swan | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Sash | France | Late 18th/early 19th century | Textiles | | false |
|---|
| Karaori (Noh Costume) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Atsuita karaori (Noh Costume) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Fukusa (Gift Cover) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fukusa (Gift Cover) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Medusa | Wedgwood Manufactory
England, founded 1759
Modeled by John Flaxman, Jr.
English, 1755-1826
Etruria, Staffordshire, England | 1775/80 | Applied Arts of Europe | | false |
|---|
| Plaque with Alexander the Great | Wedgwood Manufactory
England, founded 1759 | 1775 | Applied Arts of Europe | | false |
|---|
| Ear Drops | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: King | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: King | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Queen | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Chess Piece: Queen | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Peace | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Portrait of Comte de Mirabou | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Zephyrus | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Roman Emperor | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Intaglio with Medici Faun | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Portrait of Charles Maurice de Talleyrand | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Plaque with Sacrifice | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Sacrifice | Wedgwood Manufactory
England, founded 1759 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Plaque with Cupid and Lion | Wedgwood Manufactory
England, founded 1759 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Intaglio with Figure of Justice | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Intaglio with Head of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Intaglio with Crest of Prince of Wales | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Intaglio with Bust of a Man | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Plato | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Vespasian | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Petronia | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Augustus | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Aristippus | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Cupid and Swan | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Choice of Hercules | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with "Health is Restored" | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Sacrifice to Hygieia | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Coriulanus | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Cupid Singing | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Women and Urn | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Offering of Victory | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Woman and Dog | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Cupid Lighting His Wick | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Signs of the Zodiac | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Sacrifice to Hymen | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Button with Signs of the Zodiac | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Classical Figure | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Warrior and Priestess | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Plaque with Portrait of Prince Edward, Duke of Kent | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Sacrifice to Hygieia | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Spring | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Bust of Shakespeare | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Three Graces | James Tassie
Scottish, 1735-1799 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Plaque with Selene and Endymion in Shadow Box | Wedgwood Manufactory
England, founded 1759 | Late 18th/19th century | Applied Arts of Europe | | false |
|---|
| Plaque with Triton and Nereids | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Skirt | France | c. 1785 | Textiles | | false |
|---|
| Palampore | Eastern India | 1775-1825 | Textiles | | false |
|---|
| Tile | England, Liverpool | 1775/80 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Inkstand | Sèvres Porcelain Manufactory
French, founded 1740 | Late 18th / Early 19th century | Applied Arts of Europe | | false |
|---|
| Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1775/80 | Applied Arts of Europe | | false |
|---|
| Tile | England, Liverpool | 1775/80 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Jacket | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Rhyton Cup in the form of a Fox | England, Staffordshire | Early 18th century | Applied Arts of Europe | | false |
|---|
| America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons (Furnishing Fabric) | After etchings by Pierre Eugène du Simitière (Swiss, died 1784)
England | c. 1785 | Textiles | | false |
|---|
| Bowl | Frankenthal Porcelain Factory
German, founded 1755 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Cameo with Alexander the Great | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Box with Fortress of Sonnenstein | Johann Heinrich Stobwasser
German, 1740-1829 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Surihaku (Noh Costume) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Panel | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Pair of Shoe Buckles | England | Late 18th to early 19th century | Applied Arts of Europe | | false |
|---|
| Feeding Mug | Lowestoft Porcelain Factory
English, 1757-1802 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Rhyton Cup in the Form of a Hare | England, Staffordshire | c. 1780 | Applied Arts of Europe | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Panel | France | 1775/1800 | Textiles | | false |
|---|
| Man's Coat | Iran | 1775–1825 | Textiles | | false |
|---|
| Oval Tray | Meissen Porcelain Manufactory
German, founded 1710 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Book Cover | Designed in the style of Jean Baptiste Huet (French, 1745–1811)
France | late 18th century | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Fragment | China | Edo period (1615–1868), 1775/1800 | Textiles | | false |
|---|
| Cup and Saucer | Nyon Porcelain Factory
Swiss, 1780-1860 | c. 1780 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Scenes Flamandes (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Cornelis Pietersz. Bega (Dutch, 1620-1653)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1775/1800 | Textiles | | false |
|---|
| Les Plaisirs des Quatre Saisons (Pleasures of the Four Seasons) (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after Jacques Stella (French, 1596–1657) and Claudine Stella (French, 1636–1697)
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1785 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| Urn | England or France | 1775/1800 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Commode Pot | Birch and Villers (John Birch and William Villers)
England, active c. 1775-1820
Birmingham, England | c. 1780 | Applied Arts of Europe | | false |
|---|
| Scènes Flamandes (Furnishing Fabric) | Designed by Jean Baptiste Huet (French, 1745–1811) after various artists
Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1775 | Textiles | | false |
|---|
| Fragment | France | 1775/1800 | Textiles | | false |
|---|
| Medallion with Apollo and Marsyas | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Medallion with Marriage of Cupid and Psyche | Wedgwood Manufactory
England, founded 1759 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Towel or Napkin (Altered) | Republic of Türkiye | 1775‒1825 | Textiles | | false |
|---|
| Cover or Handkerchief | Republic of Türkiye | 1775‒1900 | Textiles | | false |
|---|
| Cover | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Fragment | France | Louis XVI period, 1775/1800 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868), late 18th/early 19th century | Textiles | | false |
|---|
| The Temple of Diana (Furnishing Fabric) | Manufactured by Bromley Hall (English, 1694-1823)
England, Middlesex, Poplar | 1775/85 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | D. Richards (English, active 1780)
England, Manchester | c. 1780 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1775/1800 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1775/1800 | Textiles | | false |
|---|
| Panel | Possibly designed by Jean Baptiste Pillement
French, 1728–1808
France | 1775/1825 | Textiles | | false |
|---|
| Basin | Thomas Compton
English, active 1775-1817
England | c. 1780 | Applied Arts of Europe | | false |
|---|
| Fragment | France | 1775-1800 | Textiles | | false |
|---|
| Ôhi (Stole) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Kesa | Japan | late Edo period (1789–1868)/ Meiji period (1868–1912), late 18th/ early 19th century | Textiles | | false |
|---|
| Watch | Jean Baptiste Daniel
French, 1849-1899
Amsterdam, Netherlands | Late 18th to early 19th century | Applied Arts of Europe | | false |
|---|
| Ôhi (Stole) | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Coffee Pot | Lorentz Lindegren
Swedish, active 1775-1803
Sweden | c. 1780 | Applied Arts of Europe | | false |
|---|
| Rug | United States | 1775-1825 | Textiles | | false |
|---|
| Flintlock Belt Pistol | Scottish, Leigh
Thomas Murdoch, active 1775-1790 | 1775 | Applied Arts of Europe | | false |
|---|
| Flintlock Belt Pistol | Gunsmith: John Murdoch (Scottish)
Doune | c. 1780 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1775/1825 | Textiles | | false |
|---|
| Plate from the Charlotte Louise Service | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Jean-Louis Morin (French, active 1754-87) and Joyau (French, active 1766-76) | 1774 | Applied Arts of Europe | | false |
|---|
| Medallion with Head of Medusa | Wedgwood Manufactory
England, founded 1759 | 1774/80 | Applied Arts of Europe | | false |
|---|
| Figure of Fisherman | Modeled by Jean Rachette (French, 1744-1809)
Russian Imperial Porcelain Factory
Russian, founded 1744 | c. 1779/96 | Applied Arts of Europe | | false |
|---|
| Ice Cream Peddler | Modeleled by Jean Rachette (French, 1744-1809)
Russian Imperial Porcelain Factory
Russian, founded 1744 | c. 1779/96 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Frankenthal Porcelain Factory
German, founded 1755 | c. 1779 | Applied Arts of Europe | | false |
|---|
| Panel | After a design by Philippe de LaSalle (French, 1723–1803/5)
Woven and produced by Camille Pernon & Cie
France, Lyon | c. 1775 | Textiles | | false |
|---|
| Saladier Bowl | Sèvres Porcelain Manufactory
French, founded 1740 | 1773 | Applied Arts of Europe | | false |
|---|
| Teapot | Johann Köpping
Russian, d. 1783
Saint Petersburg, Russia | 1773 | Applied Arts of Europe | | false |
|---|
| Medallion with Judgment of Hercules | Wedgwood Manufactory
England, founded 1759 | c. 1778 | Applied Arts of Europe | | false |
|---|
| Tureen and Stand | Marked as by Jean-Françoise Dapcher
French, 1721–1780
Attributed to François-Thomas Germain
French, 1726–1791 | 1773/74 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Françoise Joseph Aloncle (French, fl. c. 1758-1781) | 1772 | Applied Arts of Europe | | false |
|---|
| Plate | Joseph Heilingotter IV
Czech, c. 1777
Czechoslovakia | c. 1777 | Applied Arts of Europe | | false |
|---|
| Plate ordered by Louis-René-Édouard, Prince de Rohan | Sèvres Porcelain Manufactory (1756–present)
Sèvres, France | 1771–72 | Applied Arts of Europe | | true |
|---|
| Soup Plate from a service for Madame du Barry | Sèvres Porcelain Manufactory (1756–present)
Painted by Nicolas Bulidon (French, active 1763–92)
Sèvres, France | 1771 | Applied Arts of Europe | | true |
|---|
| Settee | Attributed to Joseph Walter, active c. 1768-1793
England | 1771/72 | Applied Arts of Europe | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Edme François Bouillat père
French,1739/40–1810 | 1771 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Francis Crump
English, active 1741-73
London, England | 1771/72 | Applied Arts of Europe | | false |
|---|
| Neues Bild-und Musterbuch (New Picture and Sample Book) | Johann Michael Kirschbaum (German, active c. 1771)
Germany | 1771 | Textiles | | false |
|---|
| Bureau Secretary | David Roentgen (born Hesse-Darmstadt [now Germany], 1743–1807)
Neuwied, County of Wied-Neuwied (now Germany) | c. 1775 | Applied Arts of Europe | | true |
|---|
| Chest of Drawers (Commode) | Jean Henri Riesener (born Cologne [now Germany], active France, 1734–1806)
Paris | 1770–80 | Applied Arts of Europe | | true |
|---|
| Clock | Pierre Martin Merra
Franco-Flemish, active 1761
Paris, France | c. 1775 | Applied Arts of Europe | | false |
|---|
| Shield (Targone) for the Gioco del Ponte | Italian; Pisa | 1776 | Applied Arts of Europe | | true |
|---|
| Smallsword and Scabbard | Hilt and scabbard fittings; northern Indian
Blade: probaby English | 1770/80 | Applied Arts of Europe | | true |
|---|
| Pocket Designs for Men's Embroidered Waistcoats | Probably Lyon, France | 1770–1810 | Textiles | | false |
|---|
| Allegorical Figure of Africa | Derby Porcelain Manufactory
England, 1750-1848 | 1770/80 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure of America | Derby Porcelain Manufactory
England, 1750-1848 | 1770/80 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure of Asia | Derby Porcelain Manufactory
England, 1750-1848 | 1770/80 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure of Europe | Derby Porcelain Manufactory
England, 1750-1848 | 1770/80 | Applied Arts of Europe | | false |
|---|
| Design for a Waistcoat Pocket | France, probably Lyon | 1770-1810 | Textiles | | false |
|---|
| Circular Chair Seat | Designed by Philippe de LaSalle (French, 1723–1803/5)
France, Lyon | c. 1780 | Textiles | | false |
|---|
| Branche de Corail | Designed by Philippe de LaSalle (French, 1723–1803/05)
France | c. 1780/85 | Textiles | | false |
|---|
| Armchair | Attributed to Thomas Chippendale
English, 1718-1779
London, England | 1770/75 | Applied Arts of Europe | | false |
|---|
| Tray (from a tea service) | Sèvres Porcelain Manufactory
French, founded 1740
Figures after François Boucher (French, 1703-1770)
Painted by Jacques Fontaine (French, 1734/35-1807, active 1752-1800) | 1770 | Applied Arts of Europe | | false |
|---|
| Teapot (from a tea service) | Sèvres Porcelain Manufactory
French, founded 1740
Figures after François Boucher (French, 1703-1770
Painted by Jacques Fontaine (French, 1734/35-1807, active 1752-1800) | 1770 | Applied Arts of Europe | | false |
|---|
| Milk Jug (from a tea service) | Sèvres Porcelain Manufactory
French, founded 1740
Figures after François Boucher (French, 1703-1770)
Painted by Jacques Fontaine (French, 1734/35-1807, active 1752-1800) | 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer (from a tea service) | Sèvres Porcelain Manufactory
French, founded 1740
François Boucher (French, 1703-1770)
Painted by Jacques Fontaine (French, 1734/35-1807, active 1752-1800) | 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770/75 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl (from a tea service) | Sèvres Porcelain Manufactory
French, founded 1740
Figures after François Boucher (French, 1703-1770)
Painted by Jacques Fontaine (French, 1734/35-1807, active 1752-1800) | 1770 | Applied Arts of Europe | | false |
|---|
| Butter Dish and Stand | Aprey Pottery Factory
French, founded 1744 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Plate | Wedgwood Manufactory
England, founded 1759 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Plaque with Head of a Satyr | Wedgwood Manufactory
England, founded 1759 | 1770 | Applied Arts of Europe | | false |
|---|
| Pierced Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1770/75 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Seneca | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1775 | Applied Arts of Europe | | false |
|---|
| Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Medallion with Portrait of Thomas Bentley | Wedgwood Manufactory
England, founded 1759 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Medallion with Portrait of Josiah Wedgwood | Wedgwood Manufactory
England, founded 1759 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Bacchus and Two Fawns | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1775 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Covered Dish with Attached Stand | Frankenthal Porcelain Factory
German, founded 1755 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Singer | Modeler: Franz Anton Bustelli
German, born Switzerland, 1723-1763 | c. 1775/85 | Applied Arts of Europe | | false |
|---|
| The Welcome Cupid | Höchst Factory
German, founded 1746
Modeler: Melchior, Johann Peter
German, 1742-1825 | 1770/75 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea-Derby Porcelain Manufactory
England, c. 1769-1784 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Figure of Bravery (Herzhaftigkeit) | Berlin Porcelain Manufactory (Königliche Porzellan-Manufaktur im Berlin)
Germany, 1763-1918 | c. 1775/80 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Doccia Porcelain Factory
Italian, founded 1737 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | England | c. 1770/80 | Textiles | | false |
|---|
| Basket | Spode Pottery & Porcelain Factory
English, founded 1767 | 1770/97 | Applied Arts of Europe | | false |
|---|
| Scent Bottle: Huntsman | Ludwigsburg Porcelain Factory
German, 1756-1824 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Scent Bottle: Huntswoman | Ludwigsburg Porcelain Factory
German, 1756-1824 | c. 1775 | Applied Arts of Europe | | false |
|---|
| Stand | Spode Pottery & Porcelain Factory
English, founded 1767 | 1770/97 | Applied Arts of Europe | | false |
|---|
| Gold Box | Pierre François Drais
French, active 1763-88 | 1770 | Applied Arts of Europe | | false |
|---|
| Snuff Box: Portrait of Saxon Prince | Johann Christian Neuber
German, 1735-1808
Dresden, Germany | c. 1775/80 | Applied Arts of Europe | | false |
|---|
| Pair of Vases (Vases à Pied de Globe) | Sèvres Porcelain Manufactory (French, founded 1740)
Designed by Charles Nicolas Dodin (French, 1734–1803) | 1769 | Applied Arts of Europe | | true |
|---|
| Plaque with Boys Playing | Wedgwood Manufactory
England, founded 1759 | 1769/80 | Applied Arts of Europe | | false |
|---|
| Plaque with Bacchus, Fauns, and Silenus | Wedgwood Manufactory
England, founded 1759 | 1769/80 | Applied Arts of Europe | | false |
|---|
| Plaque with Bacchus | Wedgwood Manufactory
England, founded 1759 | 1769/80 | Applied Arts of Europe | | false |
|---|
| Plaque with Bacchanalian Figure | Wedgwood Manufactory
England, founded 1759 | 1769/80 | Applied Arts of Europe | | false |
|---|
| Dish from the Charlotte Louise Service | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Charles Buteux (French, active 1756-1782) | c. 1774 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Manufactured by Robert Jones & Co.
England, Old Ford, Middlesex | 1769 | Textiles | | false |
|---|
| Canister for Cinnamon | Martin Boeckmann
German, active 18th century
Tübingen, Germany | c. 1774 | Applied Arts of Europe | | false |
|---|
| Valance (Furnishing Fabric) | Designed by John Munns (English, active 1768–1784)
England, Kent, Crayford | 1770s | Textiles | | false |
|---|
| Table Centerpiece | Signed D. R. Gastecloux (possibly Denis René Gastecloux [active England, mid-1700s])
Possibly London | 1768 | Applied Arts of Europe | | true |
|---|
| Armchair | Thomas Chippendale
English, 1718-1779
London, England | 1768 | Applied Arts of Europe | | false |
|---|
| Panel | In the style of L. Galy Gallien et Compe, 1761–1770
France | 1768/70 | Textiles | | false |
|---|
| Tray for a Tea Service | Sèvres Porcelain Manufactory
French, founded 1740 | 1768 | Applied Arts of Europe | | false |
|---|
| Dish Cross | Richard Mills
English, active 1755-68
London, English | 1768 | Applied Arts of Europe | | false |
|---|
| Bowl | Sèvres Porcelain Manufactory
French, founded 1740 | 1767/1833 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1772 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868)/ Meiji period (1868–1912), late 18th/early 19th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Oval Serving Platter | John Ingram
English, active 1767-1799
Birmingham, England | 1767/78 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Fürstenberg Porcelain Factory
German, founded 1747 | Late 18th century | Applied Arts of Europe | | false |
|---|
| Sampler | Elizabeth Nicholls (American, 1779-?)
United States, Massachusetts or New Hampshire | c. 1785 | Textiles | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painted by André-Vincent Vielliard (French, 1717-1790, active 1752-1790) | 1766 | Applied Arts of Europe | | false |
|---|
| Ewer and Basin | Jean Bellon
French, died 1776
Montpellier, France | 1766 | Applied Arts of Europe | | false |
|---|
| Bust of Louis, Dauphin of France | Sèvres Porcelain Manufactory
French, founded 1740
Designer: Jean-Baptiste Lemoyne, II (probably)
Modeler: Florent-Nicolas Perrotin or Leclerc | 1766 | Applied Arts of Europe | | false |
|---|
| Bowl | Robert Pottery Factory
French, late 18th century | 1766 | Applied Arts of Europe | | false |
|---|
| Prayer Bench (Prie-Dieu) | Possibly Giovanni Battista Galletti (born Savoy [now Italy], 1735–1819)
Turin, Duchy of Savoy (now Italy) | c. 1770–75 | Applied Arts of Europe | | true |
|---|
| Smallsword | Aubry Le Jeune (French, active 1767-1785)
Paris | 1770/80 | Applied Arts of Europe | | true |
|---|
| Vase with Cover (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| French Military Side Drum and Drumsticks | French | 1772 | Applied Arts of Europe | | true |
|---|
| Basin | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| The Continents | Plymouth Porcelain Factory
English, 1768-1770 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Oval Dish | China | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tall-Case Clock | Movement by George Stevens
Hindon, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Candlestick | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Candlestick | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Candlestick | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Candlestick | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Vase with Cover (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Vase | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Pair of Vases | Wedgwood Manufactory
England, founded 1759
Etruria, Staffordshire, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770/75 | Applied Arts of Europe | | false |
|---|
| Punch Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Vase | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Covered Vase | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Candlestick | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Soup Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Platter | Joseph Hannong Manufactory
French, 1760-1781 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | France, Strasbourg
Joseph Hannong Period, c. 1760-1881 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Covered Vase | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Rouen Potteries
French, 1526-1847 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Veuve Perrin Manufactory
French, 1748-1803 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Niderviller Pottery Factory
French, founded 1754 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1765/75 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teacup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Toilet Pot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Mug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1765/75 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Milk Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| "Carte Gloria" Frame | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Sampler | Charlotte Guerin (French-Canadian, born 1755/56)
Probably Canada | 1765/66 | Textiles | | false |
|---|
| Plate | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Guillaume Nöel (French, active 1755-1800) | 1765 | Applied Arts of Europe | | false |
|---|
| Cross with Corpus | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| "Carta Gloria" Frame | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Covered Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| "Carta Gloria" Frame | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Junket Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dessert Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tureen and Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Saint Peter | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Saint Paul | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Saint Andrew | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Saint John | Italy, Rome
Leandro Gagliardi (Italian, 1729-1798) | 1765/66 | Applied Arts of Europe | | false |
|---|
| Rosewater Bottle | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Bowl | Attributed to Wedgwood Manufactory
England, founded 1759 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Vase (part of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tureen and Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760/70 | Applied Arts of Europe | | false |
|---|
| Teapot | Fürstenberg Porcelain Factory
German, founded 1747 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Juglet | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Dish | Plymouth Porcelain Factory
English, 1768-1770 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Ansbach Pottery and Porcelain Factory, decorated in the Hague
German, c. 1708-1839 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Nécessaire | South Staffordshire, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Figural Group | Pierre François Lejeune
Flemish, 1721-1790
Ludwigsburg Porcelain Manufactory
Germany, 1758–1824 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Shepherd Girl Holding Sheep | Frankenthal Porcelain Factory
German, founded 1755
Modeler: Lück, Johann Fredrich
German, d. 1797 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tray (part of a Coffee Service) | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Coffee Pot (part of a Coffee Service) | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Milk Jug (part of a Coffee Service) | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer (part of a Coffee Service) | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Candelabrum | Made by Matthew Boulton
English, 1728-1809
and John Fothergill
English, 1728-1782
Probably designed by Sir William Chambers
English, born Sweden, 1723-1796
Birmingham, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Mug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1765/75 | Applied Arts of Europe | | false |
|---|
| Mug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1765/75 | Applied Arts of Europe | | false |
|---|
| Coffee Service | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Weesp Porcelain Factory
Netherlands, 1757-1814 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Plymouth Porcelain Factory
English, 1768-1770 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Boy Playing Flute | Tournai Porcelain Manufactory
Belgian, c. 1750-1798 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Coach Watch | Johann Eusebius Loderer
German, 1770-1776
Augsburg, Germany | c. 1770/76 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Attributed to Wedgwood Manufactory
England, founded 1759 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Ludwigsburg Porcelain Factory
German, 1756-1824 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Juglet | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Derby Porcelain Manufactory
England, 1750-1848 | 1765/70 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Höchst Factory
German, founded 1746 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Manufactured by Bromley Hall (English, 1694-1823)
England, Middlesex, Poplar | 1765/75 | Textiles | | false |
|---|
| Inhaling Mug | Joseph Henry
English, active 1750-1780
London, England | c. 1770 | Applied Arts of Europe | | false |
|---|
| Etui | Fürstenberg Porcelain Factory
Germany, founded 1747 | c. 1770 | Applied Arts of Europe | | false |
|---|
| Pair of Firedogs Representing Venus and Mars | Designed by Quentin-Claude Pitoin
French, 1742-1777
Model by Etienne-Maurice Falconnet
French, 1716-1791
Paris, France | c. 1769 | Applied Arts of Europe | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by L. Galy Gallien et Compe (1761–1770)
France | 1764 | Textiles | | false |
|---|
| Jug (Pot à l'eau tourné) | Sèvres Porcelain Manufactory (1756–present)
Painted by Louis-Jean Thévenet (born France, c. 1707–after 1778)
Sèvres, France | 1763 | Applied Arts of Europe | | true |
|---|
| Basin (Jatte ovale de pot à l'eau) | Sèvres Porcelain Manufactory (1756–present)
Painted by Louis-Jean Thévenet (born France, about 1707–after 1778)
Sèvres, France | 1763 | Applied Arts of Europe | | true |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1763 | Textiles | | false |
|---|
| Plate with Applied Flowers | Meissen Porcelain Manufactory
German, founded 1710 | 1763/74 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | 1763/74 | Applied Arts of Europe | | false |
|---|
| Basket | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1768 | Applied Arts of Europe | | false |
|---|
| Soup Plate | Meissen Porcelain Manufactory
German, founded 1710 | 1763/74 | Applied Arts of Europe | | false |
|---|
| Monstrance | Marked by Joseph Moser (born Bohemia [now Czech Republic], active Austria, 1715–1801)
Vienna | 1762 | Applied Arts of Europe | | true |
|---|
| Length of Woven Silk | France | Mid-1760s | Textiles | | false |
|---|
| Candlestick | Probably Ebenezer Coker
English, 1738-1783
London, England | 1762/63 | Applied Arts of Europe | | false |
|---|
| Candlestick | Probably Ebenezer Coker
English, 1738-1783
London, England | 1762/63 | Applied Arts of Europe | | false |
|---|
| Candlestick | Probably Ebenezer Coker
English, 1738-1783
London, England | 1762/63 | Applied Arts of Europe | | false |
|---|
| Candlestick | Probably Ebenezer Coker
English, 1738-1783
London, England | 1762/63 | Applied Arts of Europe | | false |
|---|
| Soup Plate | Russian Imperial Porcelain Factory
Russian, founded 1744 | 1762/66 | Applied Arts of Europe | | false |
|---|
| Cruet Set | John Delmester
English, active 1755-c. 1763
London, England | 1762/63 | Applied Arts of Europe | | false |
|---|
| Salt Cellar | Johann Fredrich Lück
German, d. 1797 | 1762–1770 | Applied Arts of Europe | | false |
|---|
| Chess Piece: Knight | Höchst Factory
German, founded 1746 | 1762/96 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740
Painted by: Louis-Jean Thévenet
French, active 1741/45-1777 | 1761 | Applied Arts of Europe | | false |
|---|
| Coffee Cup, Saucer, and Tray | Sèvres Porcelain Manufactory
French, founded 1740 | 1761 | Applied Arts of Europe | | false |
|---|
| Knife | Sèvres Porcelain Manufactory
French, founded 1740 | 1761 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Louis-Jean Thévenet
French, active 1741/45-1777 | 1761 | Applied Arts of Europe | | false |
|---|
| Teapot | Weesp Porcelain Factory
Dutch 1757-1814 | 1761/64 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | After etchings by Nicolaes Berchem (Dutch, 1620–1683), after an engraving by Josephus Sympson (English, 1710–1750), after a painting by Marmaduke Craduck (English, 1660–1717), after a drawing by Francis Barlow (English, 1626–1702)
Manufactured by Robert Jones and Company
Old Ford, Middlesex, England | 1761 | Textiles | | false |
|---|
| Bassoon Player for the Monkey Band | Meissen Porcelain Manufactory,
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Singer for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Drummer for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Violinist for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Singer for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Drum Beater for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Drum Bearer for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Flute Player for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Hurdy-Gurdy Player for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Clarinet Player for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Cellist for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Bagpiper for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Trumpeter for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Guitarist for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710
After a model of Kändler or Reinicke | c. 1765 | Applied Arts of Europe | | true |
|---|
| Conductor for the Monkey Band | Germany, Meissen
Modeled by Johann Joachim Kändler (German, 1706–1775) and Peter Reinicke (German, active mid-18th century)
Meissen Porcelain Manufactory (German, founded 1710) | c. 1765 | Applied Arts of Europe | | true |
|---|
| Lovers and Jester | Derby Porcelain Manufactory
England, 1750-1848 | c. 1765 | Applied Arts of Europe | | true |
|---|
| Punch Bowl | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1765 | Applied Arts of Europe | | true |
|---|
| Music Stand for the Monkey Band | Meissen Porcelain Manufactory
German, founded 1710 | c. 1765 | Applied Arts of Europe | | true |
|---|
| Hunting Couple | Ludwigsburg Porcelain Factory (German, 1758–1824)
Probably modeled by Johann Christoph Haselmeyer (German, active c. 1756–1804) | c. 1765 | Applied Arts of Europe | | true |
|---|
| Dish | Tournai Porcelain Manufactory
Belgian, 1751–c. 1850 | c. 1765 | Applied Arts of Europe | | true |
|---|
| Mise-en-Carte (Point-Paper) | Designed for Nicolas Guerin et Ce. (French, active 1760s–70s)
Lyon, France | 1760s | Textiles | | false |
|---|
| Mise-en-Carte (Point-Paper) | Designed for Germain Frères (French, active 1760s–70s)
Lyon, France | 1760s | Textiles | | false |
|---|
| Potpourri Vase with Shepherd | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1760/65 | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | Design in the Style of Jean Baptiste Pillement (French, 1728–1808)
Probably France | 1760s | Textiles | | false |
|---|
| Pair of Flintlock Turn-Off Pistols | English; London | 1760/70 | Applied Arts of Europe | | true |
|---|
| Four Lengths of Woven Silk | France | 1760s | Textiles | | false |
|---|
| Pair of Waistcoat Front Panels | India, for the European Market | 1760s | Textiles | | false |
|---|
| Apron | England | 1760s | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Designed by Jean Baptiste Pillement (French, 1728–1808)
Manufactured by Bromley Hall (English, 1694–1823)
Middlesex, England | 1760/70 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Probably Manufactured by Bromley Hall Print Works (English, 1694-1823)
England, Middlesex | c. 1760/70 | Textiles | | false |
|---|
| Potpourri Vase with Shepherdess | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1760/65 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Philippe de LaSalle (French, 1723–1803/5)
France, Lyon | c. 1770 | Textiles | | false |
|---|
| Waistcoat Front Panel | India, for the European Market | 1760s | Textiles | | false |
|---|
| Waistcoat Front Panel | India, for the European Market | 1760s | Textiles | | false |
|---|
| Plate | China | 1760/70 | Applied Arts of Europe | | false |
|---|
| Plate | China | 1760/70 | Applied Arts of Europe | | false |
|---|
| Plate | China | 1760/70 | Applied Arts of Europe | | false |
|---|
| Soup Bowl | China | c. 1765 | Applied Arts of Europe | | false |
|---|
| Punch Bowl | China | c. 1765 | Applied Arts of Europe | | false |
|---|
| Dish | China | 1760/70 | Applied Arts of Europe | | false |
|---|
| Dish | China | c. 1765 | Applied Arts of Europe | | false |
|---|
| Armchair | England | c. 1765 | Applied Arts of Europe | | false |
|---|
| Spaniel | China | c. 1760 | Applied Arts of Europe | | false |
|---|
| Pair of Shoes | Probably France or Netherlands | c.1770s | Textiles | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Tea Bowl, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Coffee Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Plate | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765/70 | Applied Arts of Europe | | false |
|---|
| Tea Bowl, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Françoise Joseph Aloncle (French, fl. c. 1758-1781) | 1760 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765/70 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Ladle | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Gardener | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1760/70 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Bowl | England, Staffordshire | 1760/69 | Applied Arts of Europe | | false |
|---|
| Plate | Buen Retiro Porcelain Factory
Spanish, 1759-1808 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Cream Boat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Farm Group of Three Figures | Meissen Porcelain Manufactory
German, founded 1710 | 1760/70 | Applied Arts of Europe | | false |
|---|
| Plate | Ansbach Pottery and Porcelain Factory
German, c. 1708-1839 | 1760/1804 | Applied Arts of Europe | | false |
|---|
| Mug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760/70 | Applied Arts of Europe | | false |
|---|
| Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Bowl | Vauxhall Porcelain Factory
English, 1751-1764
England, London | 1760/64 | Applied Arts of Europe | | false |
|---|
| Potpourri Vase | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Plate | Bow Porcelain Factory
London, England, 1744-1775 | 1760/70 | Applied Arts of Europe | | false |
|---|
| Watch | Jean Baptiste Baillon
French, active 1751-70
Paris, France | 1760 | Applied Arts of Europe | | false |
|---|
| Potpourri Vase | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Figure of a Butcher | Attributed to Jean-Jacques Louis
French, 1703-1772 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Figure of a Woman Reading | Franz Anton Bustelli
German, 1723-1763, b. Switzerland | c. 1765 | Applied Arts of Europe | | false |
|---|
| Mezzetino | Modeler: Bustelli, Franz Anton
German, 1723-1763, b. Switzerland | c. 1765 | Applied Arts of Europe | | false |
|---|
| Figure of Africa | Bow Porcelain Factory
London, England, 1744-1775 | c. 1766 | Applied Arts of Europe | | false |
|---|
| Figure of Asia | Bow Porcelain Factory
London, England, 1744-1775 | c. 1766 | Applied Arts of Europe | | false |
|---|
| Street Seller | Derby Porcelain Manufactory
England, 1750-1848 | c. 1765 | Applied Arts of Europe | | false |
|---|
| Figure of Europe | Bow Porcelain Factory
London, England, 1744-1775 | c. 1766 | Applied Arts of Europe | | false |
|---|
| Figure of America | Bow Porcelain Factory
London, England, 1744-1775 | c. 1766 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Derby Porcelain Manufactory
England, 1750-1848 | 1760/70 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1760/70 | Applied Arts of Europe | | false |
|---|
| La Danse des Noirs (Furnishing Fabric) | Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | c. 1760 | Textiles | | false |
|---|
| Bonbonnière in the Shape of a Gold Finch | South Staffordshire, England | 1760/80 | Applied Arts of Europe | | false |
|---|
| Panel Entitled "Blue Ribbon" | Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843)
Jouy-en-Josas, France | 1760/64 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by J Bte Clere and Germain Frères
France | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by J Bt Clere and Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | Designed by Germain Frères
France, Lyon | 1760/90 | Textiles | | false |
|---|
| Mise-en-carte (Point-paper) | France, Lyon | 1760/90 | Textiles | | false |
|---|
| Flower Vase | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Charles Buteux
French, active 1756-1782 | 1759 | Applied Arts of Europe | | false |
|---|
| Flower Vase | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Charles Buteux
French, active 1756-1782 | 1759 | Applied Arts of Europe | | false |
|---|
| Plate decorated à Rubans Vert | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Pierre-Antoine Méreaud
French, active 1754-1791 | 1758-59 | Applied Arts of Europe | | false |
|---|
| Mug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Wineglass Cooler | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Pierre-Antoine Méreaud
French, active 1754-91 | 1758 | Applied Arts of Europe | | false |
|---|
| Wineglass Cooler | Sèvres Porcelain Manufactory
French, founded 1740
Painter: Pierre-Antoine Méreaud
French, active 1754-91 | 1758 | Applied Arts of Europe | | false |
|---|
| Wineglass Cooler | Sèvres Porcelain Manufactory
French, founded 1740
Painted by Antoine-Toussaint Cornailles
French, active 1755-1800 | 1758 | Applied Arts of Europe | | false |
|---|
| Elephant Candelabrum Vase (Vase à Tête d'Eléphant) | Sèvres Porcelain Manufactory (French, founded 1740)
Design attributed to Jean-Claude Duplessis (French, c. 1695–1774)
Painted by Pierre-Louis-Philippe Armand (French, active 1758–1781) | 1757–58 | Applied Arts of Europe | | true |
|---|
| Salver presented to the Archduchess Maria Theresa of Austria by King Louis XV of France, 1757 | Sèvres Porcelain Manufactory (1756–present)
Sèvres, France | 1757 | Applied Arts of Europe | | true |
|---|
| Pair of Candelabra | England, London
James Paltro (English, active 1739-c. 1758) | 1757/58 | Applied Arts of Europe | | false |
|---|
| Covered Cup | England, London
Richard Gurney and Thomas Cook (English, active 1727-1773) | 1757/58 | Applied Arts of Europe | | false |
|---|
| Jug | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1757–1760 | Applied Arts of Europe | | false |
|---|
| Mustard Pot | Sèvres Porcelain Manufactory
French, founded 1740 | 1757 | Applied Arts of Europe | | false |
|---|
| Mustard Pot | Sèvres Porcelain Manufactory
French, founded 1740 | 1757 | Applied Arts of Europe | | false |
|---|
| Ewer and Basin (Pot a l'Eau et jatte Feuille d'Eau) | Sèvres Porcelain Manufactory (French, founded 1740)
Probably designed by Jean-Claude Duplessis (French, c. 1695–1774) | c. 1756–1760 | Applied Arts of Europe | | true |
|---|
| Mourning Madonna | Nymphenburg Porcelain Manufactory (1747–present)
Designed by Franz Anton Bustelli (born Switzerland, active Bavaria [now Germany], 1723–1763)
Munich | 1756–58 | Applied Arts of Europe | | true |
|---|
| Psyche's Entrance into Cupid's Palace [right fragment] from the Story of Psyche | After a cartoon by François Boucher (1703–1770)
Woven at the Manufacture Royale de Beauvais (French, founded 1664) under the direction of André Charlemagne Charron (French, director 1754–80)
France, Beauvais | 1756/63 | Textiles | | false |
|---|
| Bracket Clock | Thomas Monkhouse
English, active 18th century | 1756 | Applied Arts of Europe | | false |
|---|
| Tea Bowl, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Garniture of Three Flower Vases (Vases Hollandois) | Sèvres Porcelain Manufactory
French, founded 1740
Painted by André-Vincent Vielliard
(French, 1717-90, active 1752-90) | c. 1761 | Applied Arts of Europe | | false |
|---|
| Cabinet on Stand | Attributed to William Vile (born England, about 1700–1767)
London | c. 1760 | Applied Arts of Europe | | true |
|---|
| Bureau | Probably Fratelli Valentini Workshop (about 1760–70)
Milan, Duchy of Milan (now Italy) | c. 1760–65 | Applied Arts of Europe | | true |
|---|
| Vase with Cover (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | true |
|---|
| Tureen in the form of a Rabbit | Chelsea Porcelain Factory (c. 1744–84)
London | 1755–56 | Applied Arts of Europe | | true |
|---|
| Flower Vase | Sèvres Porcelain Manufactory (1756–present)
Probably designed by Jean-Claude Duplessis (French, c. 1695–1774)
Sèvres, France | c. 1760 | Applied Arts of Europe | | true |
|---|
| Vase (Cuvette Mahon) | Sèvres Porcelain Manufactory (French, founded 1740)
Probably designed by Jean-Claude Duplessis (French, c. 1695–1774)
Painting attributed to Charles Nicolas Dodin (French, 1734–1803) | c. 1760 | Applied Arts of Europe | | true |
|---|
| Vase with Cover (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | true |
|---|
| Platter | Bow Porcelain Factory
London, England, 1744–1775 | 1755–65 | Applied Arts of Europe | | true |
|---|
| Juglet | Bow Porcelain Factory
London, England, 1744–1775 | 1755–65 | Applied Arts of Europe | | true |
|---|
| Owl | Bow Porcelain Factory
London, England, 1744-1775 | c. 1760 | Applied Arts of Europe | | true |
|---|
| Casket Containing a Sugar Box and Two Tea Caddies | Birmingham, England | c. 1760 | Applied Arts of Europe | | true |
|---|
| Hunting Cleaver (Waidpraxe) of Ernst August II Konstantin, Duke of Saxe-Weimar-Eisenach | German | 1755/58 | Applied Arts of Europe | | true |
|---|
| Smallsword | Probably German | c. 1760 | Applied Arts of Europe | | true |
|---|
| Turkish Figure, Sweetmeat Dish | Bow Porcelain Factory
London, England, 1744-1775 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Turkish Figure, Sweetmeat Dish | Bow Porcelain Factory
London, England, 1744-1775 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tea Bowl, Coffee Cup, and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory (French, founded 1740)
Probably designed by Jean-Claude Duplessis (French, c. 1695-1774) | c. 1760 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tobacco Leaf Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tobacco Leaf Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Platter | Joseph Hannong
French, 1734-c. 1800 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tureen | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Milk Jug (Pot à lait Hébert) | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756) | 1755 | Applied Arts of Europe | | false |
|---|
| Woman Washing Clothes | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1755-60 | Applied Arts of Europe | | false |
|---|
| Fork | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Meissen Porcelain Manufactory
German, founded 1710 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Cruet Set | Thomas Williamson
Irish, active 1750-70
Dublin, Ireland | c. 1760 | Applied Arts of Europe | | false |
|---|
| Chestnut Basket and Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Knife | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Plate in the Three Chinese Houses Pattern | Dublin, Ireland | 1760/70 | Applied Arts of Europe | | false |
|---|
| Plate in the Three Chinese Houses Pattern | Dublin, Ireland | 1760/70 | Applied Arts of Europe | | false |
|---|
| Wall Pocket (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1756–1758 | Applied Arts of Europe | | false |
|---|
| Plate | Bow Porcelain Factory
London, England, 1744-1775 | 1755/65 | Applied Arts of Europe | | false |
|---|
| Sugar Bowl and Lid | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Slop Bowl | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tea Set | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Vase | Bristol Porcelain Factories
England, 1770-1781/82 | c. 1760/65 | Applied Arts of Europe | | false |
|---|
| Terracotta after a Vase | France | c. 1760 | Applied Arts of Europe | | false |
|---|
| Ewer | Italy, Florence
Doccia Porcelain Manufactory (Italian, founded 1737) | 1755/65 | Applied Arts of Europe | | false |
|---|
| Epergne | Eliza Godfrey
English, active 1731-1758
London, England | 1755/56 | Applied Arts of Europe | | false |
|---|
| Ladle | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Tray | William Preston
English, active 1745-60
London, England | 1755/56 | Applied Arts of Europe | | false |
|---|
| Hurdy-Gurdy Player | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1760/70 | Applied Arts of Europe | | false |
|---|
| Trumpet Player | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1760/70 | Applied Arts of Europe | | false |
|---|
| Teacup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Coffee Cup and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Butter Tub | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1760 or probably later copy | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Teapot | England, Staffordshire | c. 1760 | Applied Arts of Europe | | false |
|---|
| Box | Höchst Factory
German, founded 1746 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Bow Porcelain Factory
London, England, 1744-1775 | 1755/65 | Applied Arts of Europe | | false |
|---|
| Boy with Dog | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Goblet | St Petersburg Glass Factory
Russian, 1738-1917 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Physician's Tray | Alcora Pottery
Spanish, 1727-1895 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Food Warmer (Réchaud) | Nymphenburg Porcelain Manufactory
German, founded 1747 | c. 1760 | Applied Arts of Europe | | false |
|---|
| Wine Can | Johann Georg Teufel
German, active 1756-1782
Germany | c. 1760 | Applied Arts of Europe | | false |
|---|
| Pair of Vases (Pots Pourris à Bobèches) | Sèvres Porcelain Manufactory (French, founded 1740)
Designed by Jean-Claude Duplessis (French, c. 1695–1774)
Painting attributed to by André-Vincent Vieillard (French, 1717–90, active 1752–90) | c. 1759 | Applied Arts of Europe | | true |
|---|
| Lovers in an Arbour | Johann Fredrich Lück
German, died 1797 | c. 1759 | Applied Arts of Europe | | true |
|---|
| Mustard Pot with Stand | France, Strasbourg | 1754/1760 | Applied Arts of Europe | | false |
|---|
| Panel | Designed by Anna Maria Garthwaite
English, 1690–1763
England, Spitalfields | 1754 | Textiles | | false |
|---|
| Sauce Tureen and Stand | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1753/54 | Applied Arts of Europe | | false |
|---|
| Covered Goblet with the Goddess Diana Bathing | Engraved by Jacob Sang (born Netherlands, about 1720–1786)
Amsterdam | 1752 | Applied Arts of Europe | | true |
|---|
| Cup and Saucer | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756)
Painted by Yvernel (attributed to) (French, active 1750-58) | 1752/53 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1757 | Applied Arts of Europe | | false |
|---|
| The Peep Show, or the Magic Lantern (La Curiosité ou La Lanterne Magique) | Sèvres Porcelain Manufactory
French, founded 1740
Modeled by Etienne-Maurice Falconet (French, 1716-1791) | c. 1757 | Applied Arts of Europe | | false |
|---|
| The Girl Offers Her Coin in Payment | Sèvres Porcelain Manufactory
French, founded 1740
Modeled by Etienne-Maurice Falconet
French, 1716-1791
After an engraving of a painting by François Boucher
French, 1703-1770 | c. 1757 | Applied Arts of Europe | | false |
|---|
| Ewe and Lamb | Bow Porcelain Factory
London, England, 1744-1775 | 1752/54 | Applied Arts of Europe | | false |
|---|
| Vase (Vase à oreilles) | Sèvres Porcelain Manufactory (French, founded 1740)
Probably designed by Jean-Claude Duplessis (French, c. 1695-1774)
Painting attributed to by André-Vincent Vielliard (French, 1717-1790, active 1752-1790) | c. 1756 | Applied Arts of Europe | | false |
|---|
| Stand for a Mustard Pot | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756)
Painted by André-Vincent Vielliard (French, 1717-90, active 1752-90) | 1751/52 | Applied Arts of Europe | | false |
|---|
| Candle Snuffer with Tray | Joachim Martin
French, 1681-c. 1760
France | 1751 | Applied Arts of Europe | | false |
|---|
| Pair of Salt Dishes | David Hennell
English, 1712–1785
London, England | 1751 | Applied Arts of Europe | | false |
|---|
| Wall Pocket (one of a pair) | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1756–1758 | Applied Arts of Europe | | false |
|---|
| Botanical Plate | Chelsea Porcelain Factory (c. 1744–84)
London | c. 1755 | Applied Arts of Europe | | true |
|---|
| Botanical Plate | Chelsea Porcelain Factory (c. 1744–84)
London | c. 1755 | Applied Arts of Europe | | true |
|---|
| Goblet with Maternity Scene | Engraving attributed to Jacob Sang (born Netherlands, about 1720–1786)
Amsterdam | 1750–70 | Applied Arts of Europe | | true |
|---|
| Busts of a Man and Woman in Costume | Bow Porcelain Factory (c. 1744–76)
London | 1750–54 | Applied Arts of Europe | | true |
|---|
| Tureen in the form of a Fighting Cock | Chelsea Porcelain Factory (c. 1744–84)
London | c. 1755 | Applied Arts of Europe | | true |
|---|
| Cauliflower Tureen | Chelsea Porcelain Factory (c. 1744–84)
London | c. 1755 | Applied Arts of Europe | | true |
|---|
| Banners (Set of Four) | Manchu
China | Qing dynasty (1644–1911), 1750/75 | Textiles | | false |
|---|
| Panel | Designed by Philippe de LaSalle (French, 1723–1803/5)
France, Lyon | Louis XVI period, 1750/75 | Textiles | | false |
|---|
| Panel | Designed by Philippe de LaSalle (French, 1723–1803/5)
France, Lyon | Louis XVI period, 1750/75 | Textiles | | false |
|---|
| Man's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1750/75 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| St. Veronica | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Woman with a Garland of Flowers | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Man Holding a Garland | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Boy with a Basket | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Man with Staff | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Man with a Black Fez | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Actor in Star-Shaped Hat | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Woman in a Wide Skirt | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Lace Border Fragement | Bohemia (now Czech Republic) | 1750-1825 | Textiles | | true |
|---|
| Wall Fountain and Basin | Sceaux Faience Manufactory (1748–1810)
Sceaux, France | c. 1755 | Applied Arts of Europe | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Manchu
China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Tureen and Stand | Pont-aux-Choux Manufactory
French, founded 1743
France, Paris | c. 1750 | Applied Arts of Europe | | false |
|---|
| Painted Silk | Made in China for the European or American market | Qing dynasty (1644–1911), 1750–75 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1750/1850 | Textiles | | false |
|---|
| Fichu or Scarf | Indian, for export to Europe | 1750-1800 | Textiles | | false |
|---|
| Panel (Dress Fabric) | Manchu
China | Qing dynasty (1644–1911), 1750/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Towel | Republic of Türkiye | 1750–1850 | Textiles | | false |
|---|
| Border (Fragment) | Belgium, Flanders, probably Antwerp | 1750/1800 | Textiles | | false |
|---|
| Bed Curtain | Hannah Hinman Twitchell Pierce (American, 1721/22–1770)
United States, Connecticut, Southbury | c. 1760 | Textiles | | false |
|---|
| Valance | Hannah Hinman Twitchell Pierce (American, 1721/22–1770)
United States, Connecticut, Southbury | c. 1760 | Textiles | | false |
|---|
| Bed Curtain | Hannah Hinman Twitchell Pierce (American, 1721/22–1770)
United States, Connecticut, Southbury | c. 1760 | Textiles | | false |
|---|
| Fragment | France | Louis XVI period, 1774–1792, late 18th century | Textiles | | false |
|---|
| Soup Bowl | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Platter | China | 1750/60 | Applied Arts of Europe | | false |
|---|
| Tankard | China | 1750/75 | Applied Arts of Europe | | false |
|---|
| Armchair (Bergère à la Reine) | Jacques Chenevat (French, 1736-1772)
Paris | 1750–65 | Applied Arts of Europe | | false |
|---|
| Sauceboat | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Two-Handled Sauceboat | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Fukusa (Gift Cover) | Japan | Edo period (1615–1868), 1750/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | 1750/60 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Vase | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Vase | Sèvres Porcelain Manufactory
French, founded 1740 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Tobacco Box | Germany, Neuwied
Abraham Roentgen (German, 1711-1793) | 1750/60 | Applied Arts of Europe | | false |
|---|
| Plate | Strasbourg Pottery Factory
French, 1721-1781 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Teapot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Butter Tub | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Creamer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Spoon Tray | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Sugar Sifter Spoon | Sèvres Porcelain Manufactory
French, founded 1740 | 1750/65 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | 1750/1800, Edo period (1615–1868) | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1750/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Winter | Meissen Porcelain Manufactory
German, founded 1710
Model by: Meyer, Friedrich Elias
German, 1723-1785 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Fragment (From a Chasuble) | France | c. 1760 | Textiles | | false |
|---|
| Sauceboat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Dish | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Autumn | Meissen Porcelain Manufactory
German, founded 1710 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), late 18th century | Textiles | | false |
|---|
| Tureen | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Porringer | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Plate | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Soup Plate | Bow Porcelain Factory
London, England, 1744-1775 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Plate | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Second half of the 18th century, Late Edo period (1789–1868) | Textiles | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | late Edo period (1789–1868), 1750/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Vase | Bow Porcelain Factory
London, England, 1744-1775 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Potpourri Urn | Meissen Porcelain Manufactory
German, founded 1710 | 1750/55 | Applied Arts of Europe | | false |
|---|
| Platter | Bow Porcelain Factory
London, England, 1744-1775 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Pigeon Tureen | Strasbourg Pottery Manufactory (French, 1721–1781)
Design attributed to Johann Wilhelm Lanz (German, mid-18th century) | c. 1755 | Applied Arts of Europe | | false |
|---|
| Pigeon Tureen | Strasbourg Pottery Manufactory (French, 1721-1781)
Design attributed to Johann Wilhelm Lanz (German, mid-18th century) | c. 1755 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Wedgwood Manufactory
England, founded 1759 | 1750/60 | Applied Arts of Europe | | false |
|---|
| Covered Bowl | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/60 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Fuller White
English, active 1742-73
London, England | 1750/51 | Applied Arts of Europe | | false |
|---|
| Milk Jug | Mennecy Factory
Mennecy, France, 1750-73 | 1750–60 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/60 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Worcester Porcelain Factory (Warmstry House Period, 1751–1783)
Worcester, England, founded 1751 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Chelsea Porcelain Manufactory
London, England, c. 1745-1784
Painted by Jefferyes Hamett O'Neale
English, 1734-1801 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Sarape | Mexico, possibly Saltillo | 1750/1800 | Textiles | | false |
|---|
| Sweetmeat Dish | Bow Porcelain Factory
London, England, 1744-1775 | 1750/60 | Applied Arts of Europe | | false |
|---|
| Sash | Republic of Türkiye | 1750‒1800 | Textiles | | false |
|---|
| Tea Caddy | Battersea, England | c. 1755 | Applied Arts of Europe | | false |
|---|
| Bedcover | China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Shrine Surround | China | Qing dynasty(1644–1911), 1750/1800 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Banner | China | Qing dynasty (1644–1911), 1750/1850 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1750–1800 | Textiles | | false |
|---|
| Valance | Hannah Hinman Twitchell Pierce (American, 1721/22–1770)
United States, Connecticut, Southbury | c. 1760 | Textiles | | false |
|---|
| Valance | Hannah Hinman Twitchell Pierce (American, 1721/22–1770)
United States, Connecticut, Southbury | c. 1760 | Textiles | | false |
|---|
| Two Monkeys | Bow Porcelain Factory
London, England, 1744-1775 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Banner | China | Qing dynasty (1644–1911), 1750/1850 | Textiles | | false |
|---|
| Cauliflower Tureen | Chelsea Porcelain Factory (c. 1744–84)
London | c. 1755 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Seal | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/70 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), 1750/75 | Textiles | | false |
|---|
| Fragment (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1750/1800 | Textiles | | false |
|---|
| Panel | France | 1750/1800 | Textiles | | false |
|---|
| Jar | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1750/52 | Applied Arts of Europe | | false |
|---|
| Coffee Pot | Bow Porcelain Factory
London, England, 1744-1775 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Sauceboat | Vauxhall Porcelain Factory
English, 1751-1764 | c. 1755 | Applied Arts of Europe | | false |
|---|
| Plate | England, Staffordshire | 1750/65 | Applied Arts of Europe | | false |
|---|
| Pap Boat | England, Staffordshire | 1750/59 | Applied Arts of Europe | | false |
|---|
| Saddle | Turkish(?) | late 18th century, possibly 19th century(?) | Applied Arts of Europe | | false |
|---|
| Covered Flagon with Spout | Possibly Andreas Wirz
Zurich, Switzerland | 1750/1800 | Applied Arts of Europe | | false |
|---|
| Panel (Dress Fabric) | Made in China for the European/American market | Qing dynasty (1644–1911), 1750/75 | Textiles | | false |
|---|
| Fragment | France | Late 18th century | Textiles | | false |
|---|
| Fountain | Europe | Mid to late 18th century | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Scottish, Doune | 1750/75 | Applied Arts of Europe | | false |
|---|
| Stargazer | Designed and executed by Philippe de LaSalle
French, 1723–1803/5
France, Lyon | 1750/1800 | Textiles | | false |
|---|
| Vase | Designed by Jean-Claude Duplessis (French, c. 1695–1774)
Vincennes Porcelain Manufactory (French, 1740–1756, after became Sèvres Porcelain Manufactory) | c. 1749–52 | Applied Arts of Europe | | true |
|---|
| Vase | Designed by Jean-Claude Duplessis (French, c. 1695–1774)
Vincennes Porcelain Manufactory (French, 1740–1756, after became Sèvres Porcelain Manufactory) | c. 1749–52 | Applied Arts of Europe | | true |
|---|
| Wine Glass with Flowers and Insects | Engraved by Frans Greenwood (born England, active Netherlands, 1680–1763)
Dordrecht, Netherlands | 1749 | Applied Arts of Europe | | true |
|---|
| Ganymede and the Eagle | St. James's Factory (English, c. 1749-60)
London | c. 1749-60 | Applied Arts of Europe | | true |
|---|
| Skirt Panel for a Woman's Sack Gown | Designed by Anna Maria Garthwaite (English, 1690–1763)
Woven by Daniel Vautier (English, active 1741–51)
Spitalfields, England | Design March 1, 1749 | Textiles | | false |
|---|
| Vase (Vase à Oreilles) | Designed by Jean-Claude Duplessis (French, c. 1695-1774)
Vincennes Porcelain Manufactory (French, 1740-1756, after became Sèvres Porcelain Manufactory) | c. 1754 | Applied Arts of Europe | | false |
|---|
| Columbine | Fürstenberg Porcelain Factory
German, founded 1747
after Simon Feilner, active 1733-1770 | c. 1754 | Applied Arts of Europe | | false |
|---|
| Mezzetino | Fürstenberg Porcelain Factory
German, founded 1747
Modeler: Simon Feilner
German, active 1733-1770 | c. 1754 | Applied Arts of Europe | | false |
|---|
| Pair of Recumbent Lions | Meissen Porcelain Manufactory (German, founded 1710)
Modeled by Johann Joachim Kändler (German, 1706–1775)
Mounts attributed to Jean-Joseph de Saint-Germain (French, 1719-1791)
Meissen, Germany; Paris, France | 1748-50; mounts c. 1770-90 | Applied Arts of Europe | | true |
|---|
| Christening Cover | Possibly for Mary Philipse Morris (1730–1825)
New York, United States | c. 1758 or earlier | Textiles | | false |
|---|
| Sugar Bowl and Stand | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756) | c. 1753 | Applied Arts of Europe | | false |
|---|
| Figure of a River God (Fleuve) | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sevres from 1756)
Model by: Louis Antoine Fournier (possibly)
French, active c. 1746-52 | 1747–50 | Applied Arts of Europe | | true |
|---|
| Plate | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756) | c. 1752 | Applied Arts of Europe | | false |
|---|
| Plate | Vincennes Porcelain Manufactory
French, founded 1740 (known as Sèvres from 1756) | c. 1752 | Applied Arts of Europe | | false |
|---|
| Confectionary Box | Meissen Porcelain Manufactory (1710–present)
Modeled by Johann Friedrich Eberlein (born Saxony [now Germany], 1696–1749)
Meissen, Electorate of Saxony (now Germany) | 1746 | Applied Arts of Europe | | true |
|---|
| Allegorical Figure Representing Africa | Meissen Porcelain Factory
Germany, founded 1710
Modeled by Johann Joachim Kändler
German, 1706-1775 | 1746 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure Representing America | Meissen Porcelain Factory
Germany, founded 1710
Modeled by Johann Joachim Kändler
German, 1706-1775 | 1746 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure Representing Europe | Meissen Porcelain Factory
Germany, founded 1710
Modeled by Johann Joachim Kändler
German, 1706-1775 | 1746 | Applied Arts of Europe | | false |
|---|
| Allegorical Figure Representing Asia | Meissen Porcelain Factory
Germany, founded 1710
Modeled by Johann Joachim Kändler
German, 1706-1775 | 1746 | Applied Arts of Europe | | false |
|---|
| Wine Can | Wilhelm I. Breitenger I or II
Swiss
Zürich, Switzerland | 1746 | Applied Arts of Europe | | false |
|---|
| Writing Desk | Jacques Dubois (born France, 1694–1763)
Paris | c. 1745–49 | Applied Arts of Europe | | true |
|---|
| Hunting Hanger with Scabbard Locket | Grip made by Meissen Porcelain Manufactory (German, founded 1710)
Probably Dresden, Germany | c. 1750 | Applied Arts of Europe | | true |
|---|
| Flintlock Fowling Piece Given by the Empress Catherine II of Russia to the French Ambassador | Russian, Tula | 1745 and 1763 | Applied Arts of Europe | | true |
|---|
| Covered Bowl and Stand | Mennecy Factory (France, 1750-73) | c. 1750 | Applied Arts of Europe | | false |
|---|
| Chandelier | Attributed to Colebron Hancock (active England, mid-1700s)
London | c. 1750 | Applied Arts of Europe | | true |
|---|
| Ewer and Basin | Lisbon | c. 1750 | Applied Arts of Europe | | true |
|---|
| Vase with European Figures | Jingdezhen, China | c. 1750–70 | Applied Arts of Europe | | true |
|---|
| Sauceboat | Peter Archambo I
English, 1680-1768
London, England | 1745/46 | Applied Arts of Europe | | false |
|---|
| Panel (From a Settee) | Probably England | 1745/55 | Textiles | | false |
|---|
| Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Platter | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Soup Bowl | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Soup Plate | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Soup Bowl | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Tea Bowl | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | China | c. 1750 | Applied Arts of Europe | | false |
|---|
| Wall Clock | England | c. 1750 | Applied Arts of Europe | | false |
|---|
| Vase | Meissen Porcelain Manufactory
German, founded 1710 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Vase | Meissen Porcelain Manufactory
German, founded 1710 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Teapot | Meissen Porcelain Manufactory
German, founded 1710 | 1745/50 | Applied Arts of Europe | | false |
|---|
| Tureen with Cover | Peter Archambo I
English, 1680-1768
London, England | 1745/46 | Applied Arts of Europe | | false |
|---|
| Box in the Form of a Pug's Head | Meissen Porcelain Manufactory
German, founded 1710
Dresden, Germany | c. 1750 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Dish | Bow Porcelain Factory
London, England, 1744-1775 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | Bow Porcelain Factory
London, England, 1744-1775 | 1745/55 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Table Centerpiece | Italy, Turin | c. 1750 | Applied Arts of Europe | | false |
|---|
| Horse | Vincennes Porcelain Manufactory
French, 1740-1756 (known as Sèvres from 1756) | c. 1750 | Applied Arts of Europe | | false |
|---|
| Plate | England, Lambeth | c. 1750 | Applied Arts of Europe | | false |
|---|
| Teapot | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | 1747/49 | Applied Arts of Europe | | false |
|---|
| Dish | Chelsea Porcelain Manufactory
London, England, c. 1745-1784 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Door | Venice, Italy | c. 1750 | Applied Arts of Europe | | false |
|---|
| Patch Box | Mennecy Factory
Mennecy, France, 1750-73 | c. 1750 | Applied Arts of Europe | | false |
|---|
| Spouted Wine Flagon | Abraham Ganting
Swiss, active 1743-1770
Bern, Switzerland | c. 1750 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Doccia Porcelain Factory
Italian, founded 1737 | c. 1750/1800 | Applied Arts of Europe | | false |
|---|
| Goblet with Cover | Silesia
Attributed to Christopher Gottfried Schneider (German, early 18th century) | c. 1750 | Applied Arts of Europe | | false |
|---|
| Goblet with Cover | Germany, Brunswick
Probably engraved by Johann Heinrich Balthasar (German, active 18th century) | c. 1750 | Applied Arts of Europe | | false |
|---|
| Flagon | Caron à Lille
French, active 19th century
Lille, France | Mid 19th century | Applied Arts of Europe | | false |
|---|
| Covered Flagon with Chain | Pierre Main
Swiss, active 1716- c. 1750
Switzerland | c. 1750 | Applied Arts of Europe | | false |
|---|
| Sauceboat from the St. Andrew Service | Meissen Porcelain Manufactory
German, founded 1710 | 1744–55 | Applied Arts of Europe | | true |
|---|
| Pair of Tea Caddies | Eliza Godfrey
English, active 1731-58
London, England | 1744/45 | Applied Arts of Europe | | false |
|---|
| Tea Kettle with Tripod and Spirit Lamp | Paul de Lamerie
English, born Netherlands, 1688-1751
London, England | 1743-44 | Applied Arts of Europe | | false |
|---|
| Thanka (Religious Picture) | Manchu
China | Qing dynasty (1644–1911), 1743/44 | Textiles | | false |
|---|
| Partridge Tureen | Meissen Porcelain Manufactory
German, founded 1710 | c. 1748 | Applied Arts of Europe | | false |
|---|
| Panel from a Skirt | Possibly designed by Anna Maria Garthwaite (English, 1720–1756)
England, Spitalfields | 1741/42 | Textiles | | false |
|---|
| Ewer and Basin | Capodimonte Porcelain Manufactory (1743–59)
Modeled by Giuseppe Gricci (born Tuscany [now Italy], about 1700–1770)
Naples, Kingdom of Naples (now Italy) | c. 1745 | Applied Arts of Europe | | true |
|---|
| Pair of Vases | Mounts attributed to Jean-Claude Duplessis (born Savoy [now Italy], active France, about 1695–1774)
Vases: China (probably Jingdezhen); mounts: Paris | c. 1750 | Applied Arts of Europe | | true |
|---|
| The Abduction of Orithyia by Boreas | Doccia Porcelain Manufactory
Italy, founded 1737
Gaspero Bruschi (Attributed to)
Italian, 1701-1778
Giovanni Battista Foggini (After)
Italian, 1652-1725
Vincenzo Foggini (After)
Italian, late 17th century-c. 1755 | c. 1745 | Applied Arts of Europe | | true |
|---|
| Basket-Hilted Broadsword | Walter Allan (Scottish, active 1732-1761)
Stirling | about 1750 | Applied Arts of Europe | | true |
|---|
| Potpourri Vase | Chantilly Factory (France, 1730-92) | c. 1745 | Applied Arts of Europe | | false |
|---|
| Side Chair | Netherlands | c. 1745/55 | Applied Arts of Europe | | false |
|---|
| Hunting Hanger with Scabbard | French | 1740/60 | Applied Arts of Europe | | true |
|---|
| Length of Painted Silk | Chinese, for the European or American market | Qing dynasty (1644–1911), 1740-60 | Textiles | | false |
|---|
| Goat and Bee Cream Jug | Chelsea Porcelain Manufactory
London, England, c. 1745–1784 | c. 1745 | Applied Arts of Europe | | false |
|---|
| Soup Bowl | China | c. 1745 | Applied Arts of Europe | | false |
|---|
| Panel of Wool Furnishing Damask | England, Norwich or Spitalfields | 1740-80 | Textiles | | false |
|---|
| Fragments (Dress Fabric) | China | Qing dynasty (1644–1911), (exported to Japan, c. 1750/89), c. 1750 | Textiles | | false |
|---|
| Plate | Meissen Porcelain Manufactory
German, founded 1710
Modeled by J. F. Eberlein
German, 1696-1749 | c. 1745 | Applied Arts of Europe | | false |
|---|
| Jinbaori (Surcoat) | Japan | Edo period (1615–1868), c. 1750 | Textiles | | false |
|---|
| Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1745 | Applied Arts of Europe | | false |
|---|
| Wounded Leopard | Meissen Porcelain Manufactory
German, founded 1710
Model by: Kändler, Johann J.
German, 1706-1775 | c. 1745 | Applied Arts of Europe | | false |
|---|
| Pantaloon | Meissen Porcelain Manufactory
German, founded 1710 | 1740/45 | Applied Arts of Europe | | false |
|---|
| Teapot | England, Staffordshire | c. 1745 | Applied Arts of Europe | | false |
|---|
| Chasuble | Italy, Piemonte | 1740/50 | Textiles | | false |
|---|
| Plate | Anton Singer
Austrian, active c. 1745
Austria | c. 1745 | Applied Arts of Europe | | false |
|---|
| Figure of a Cook | Meissen Porcelain Manufactory
German, founded 1710 | 1740/55 | Applied Arts of Europe | | false |
|---|
| Plate | A. Carter
English, active 1740-1770
England | 1740/70 | Applied Arts of Europe | | false |
|---|
| Plate | Anton Singer
Austrian, active c. 1745
Austria | c. 1745 | Applied Arts of Europe | | false |
|---|
| Goblet | Germany
Attributed to Christopher Gottfried Schneider (German, early 18th century) | c. 1745 (glass)
1850 (mount) | Applied Arts of Europe | | false |
|---|
| Wine Ewer | Marked by Charles Frederick Kandler (born Saxony [now Germany], active England 1735–78)
London | 1739–40 | Applied Arts of Europe | | true |
|---|
| Two-Handled Cup | Marked by Paul de Lamerie (born Netherlands, active England, 1688–1751)
London | 1739–40 | Applied Arts of Europe | | true |
|---|
| Equestrian Figure | Probably Imperial Porcelain Manufactory (Austrian, 1744–1864)
Vienna, Austria | c. 1744–49 | Applied Arts of Europe | | true |
|---|
| Plate | France, Moustiers | 1739/49 | Applied Arts of Europe | | false |
|---|
| Cup | Vienna State Porcelain Manufactory
Austrian, 1744-1864 | c. 1744/50 | Applied Arts of Europe | | false |
|---|
| Dish from the Swan Service | Meissen Porcelain Manufactory
German, founded 1710
Modeled by Johann J. Kändler (German, 1706-1775) and J. F. Eberlein (German, active 1735-49) | 1738 | Applied Arts of Europe | | true |
|---|
| The Brand Cabinet | Designed by Horace Walpole (born England, 1717–1797)
Probably made by William Hallett (born England, c. 1707–1781)
Cabinet: London; ivories: probably Italy | c. 1743 | Applied Arts of Europe | | true |
|---|
| Waiter | Edward Feline
English, active 1720-53
London, England | 1738/39 | Applied Arts of Europe | | false |
|---|
| Waiter | Edward Feline
English, active 1720-53
London, England | 1738/39 | Applied Arts of Europe | | false |
|---|
| Waiter | Edward Feline
English, active 1720-53
London, England | 1738/39 | Applied Arts of Europe | | false |
|---|
| Waiter | Edward Feline
English, active 1720-53
London, England | 1738/39 | Applied Arts of Europe | | false |
|---|
| Pair of Stirrups | Mexican
Master Morales | 1738 | Applied Arts of Europe | | false |
|---|
| Centerpiece and Stand with Pair of Sugar Casters | Meissen Porcelain Manufactory (1710–present)
Model by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775)
Meissen, Electorate of Saxony (now Germany) | 1737 | Applied Arts of Europe | | true |
|---|
| Chafing Dish or Plate Warmer | Meissen Porcelain Manufactory
German, founded 1710 | 1737/40 | Applied Arts of Europe | | false |
|---|
| Pendents (For Bed Curtains) | Manchu
China | Qing dynasty (1644–1911), 1736/95 | Textiles | | false |
|---|
| Pendents (For Bed Curtains) | Manchu
China | Qing dynasty (1644–1911), 1736/95 | Textiles | | false |
|---|
| Wall Clock | Case by Jean-Pierre Latz (born Cologne [now Germany], active France, 1691–1754)
Clockwork by Francis Bayley (active Austrian Netherlands [now Belgium], mid-1700s)
Case: Paris; clock: Ghent, Flanders, Austrian Netherlands (now Belgium) | c. 1735–40 | Applied Arts of Europe | | true |
|---|
| Pair of Wine Ewers | Marked by David Bomes (active Ireland, 1731–c. 1766)
Dublin | c. 1740 | Applied Arts of Europe | | true |
|---|
| Sauceboat from the Sulkowsky Service | Meissen Porcelain Manufactory
German, founded 1710 | 1735–38 | Applied Arts of Europe | | true |
|---|
| Covered Tureen and Stand (One of a Pair) | Meissen Porcelain Manufactory
Germany, founded 1710 | c. 1740 | Applied Arts of Europe | | true |
|---|
| Length of Woven Silk | Design in the Style of Jean Baptiste Pillement (French, 1728–1808)
France, probably Lyon | 1735-45 | Textiles | | false |
|---|
| Pair of Flintlock Holster Pistols | Joseph Etienne Brion (French, active 1740-1747)
Paris | about 1740 | Applied Arts of Europe | | true |
|---|
| Length of Woven Silk | France | 1735/38 | Textiles | | false |
|---|
| Panel | Possibly after a design by Anna Marie Garthwaite (English, 1690–1763)
England, Spitalfields | c. 1745 | Textiles | | false |
|---|
| Side Chair | Giles Grendey (English, 1693–1780)
London, England | c. 1740 | Applied Arts of Europe | | false |
|---|
| Plate | Meissen Porcelain Manufactory
German, founded 1710
Decoration in the style of Ferner or Meyer von Priesnitz | c. 1740 | Applied Arts of Europe | | false |
|---|
| Plate | Olérys and Laugier Manufactory
French, founded in 17th century | c. 1740/50 | Applied Arts of Europe | | false |
|---|
| Harlequin with Bagpipes | Meissen Porcelain Manufactory
German, founded 1710
Model by: Kändler, Johann J.
German, 1706-1775 | c. 1740 | Applied Arts of Europe | | false |
|---|
| Harlequin Family Clock | Meissen Porcelain Manufactory
German, founded 1710
Model by: Kändler, Johann J.
German, 1706-1775 | c. 1740 | Applied Arts of Europe | | false |
|---|
| Seated Figure and Potpourri Vase | Chantilly Factory
France, 1730-92 | c. 1740 | Applied Arts of Europe | | false |
|---|
| Snuff Box | Possibly the workshop of Pierre Fromery (Prussian, born France, 1644-1738) | c. 1740 | Applied Arts of Europe | | false |
|---|
| Glass Cooler | Olérys-Laugier Manufactory
France, founded in 17th century | c. 1740/50 | Applied Arts of Europe | | false |
|---|
| Tea Caddy | Meissen Porcelain Manufactory
German, founded 1710 | c. 1740 | Applied Arts of Europe | | false |
|---|
| Egg-Type Watch | Nicklaus Rugend
German, 1585-1658
Augsburg, Germany | c. 1740 | Applied Arts of Europe | | false |
|---|
| Herring Dish | Dirk van den Bergh
Netherlands, 18th century | c. 1740 | Applied Arts of Europe | | false |
|---|
| Goblet | Germany
Attributed to Christopher Gottfried Schneider (German, early 18th century) | c. 1740 | Applied Arts of Europe | | false |
|---|
| King Vulture | Meissen Porcelain Manufactory (1710–present)
Modeled by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775)
Meissen, Electorate of Saxony (now Germany) | 1734 | Applied Arts of Europe | | true |
|---|
| Smallsword and Scabbard | Silversmith: John Berthellot (English)
Cutler: Matthew Feesey (English, 1703-1769), London | 1744/45 | Applied Arts of Europe | | true |
|---|
| Panel | Possibly after Anna Maria Garthwaite (English, 1690–1763)
England | c. 1744 | Textiles | | false |
|---|
| Dress Sword | Hilt: Portuguese or Spanish; blade: probably German | 1743 | Applied Arts of Europe | | true |
|---|
| Panel | Possibly after Anna Maria Garthwaite (English, 1690–1763)
England, Spitalfields | c. 1738 | Textiles | | false |
|---|
| Panel | In the style of Jean Revel (French, 1684–1751)
France | 1733/35 | Textiles | | false |
|---|
| Oil or Vinegar Cruet | Meissen Porcelain Manufactory (1710–present)
Model by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775)
Meissen, Electorate of Saxony (now Germany) | c. 1737 | Applied Arts of Europe | | true |
|---|
| Secretary Cabinet | John Kirkhoffer (active Ireland, 1732–83)
Dublin | 1732 | Applied Arts of Europe | | true |
|---|
| Sugar Caster with Cover (one of a pair) | Meissen Porcelain Factory
German, founded 1710
Modeled by Johann J. Kandler (German, 1706-1775) | c. 1737 | Applied Arts of Europe | | true |
|---|
| Sugar Caster with Cover (one of a pair) | Meissen Porcelain Manufactory
German, founded 1710
Modeled by Johann J. Kandler (German, 1706-1775) | c. 1737 | Applied Arts of Europe | | true |
|---|
| Panel | Design in the style of Courtois (French, active c. 1732–1733)
France | 1732/33 | Textiles | | false |
|---|
| Pair of Casters | Paul de Lamerie
English, born Netherlands, 1688-1751
London, England | 1732/43 | Applied Arts of Europe | | false |
|---|
| Panel | Design in the style of Courtois (French, active c. 1732–1733)
France | 1732/33 | Textiles | | false |
|---|
| Panel | Design in the style of Jean Revel (French, 1684–1751)
France | c. 1736 | Textiles | | false |
|---|
| Pepper Caster | William Fordham
English, active 1725
London, England | 1731/32 | Applied Arts of Europe | | false |
|---|
| Tray | John Tuite
English, active 1710-20
London, England | 1731/32 | Applied Arts of Europe | | false |
|---|
| Pascal Candlestick | Paris, France | 1731 | Applied Arts of Europe | | false |
|---|
| Gaming Set, Probably Made for the Russian Court | Du Paquier Porcelain Manufactory (1719–44)
Vienna | c. 1735 | Applied Arts of Europe | | true |
|---|
| Chair | Attributed to Giles Grendey (born England, 1693–1780)
London | c. 1735 | Applied Arts of Europe | | true |
|---|
| Plate | Du Paquier Porcelain Manufactory
Austrian, 1718–1744 | 1730–35 | Applied Arts of Europe | | true |
|---|
| Covered Bowl | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1735 | Applied Arts of Europe | | true |
|---|
| Plate | Du Paquier Porcelain Manufactory
Austria, 1718-1744 | c. 1735 | Applied Arts of Europe | | true |
|---|
| Gaming Pieces | Du Paquier Porcelain Manufactory (1719–44)
Vienna | c. 1735 | Applied Arts of Europe | | true |
|---|
| Oval Tureen | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | 1730–35 | Applied Arts of Europe | | true |
|---|
| Bureau Secretary | Attributed to Giles Grendey (born England, 1693–1780)
London | c. 1735 | Applied Arts of Europe | | true |
|---|
| Length of Woven Silk | Netherlands | 1730s | Textiles | | false |
|---|
| Console Table | Attributed to François Roumier
French, 1701-1748
Paris, France | c. 1735 | Applied Arts of Europe | | false |
|---|
| Smallsword | French | 1740/50 | Applied Arts of Europe | | true |
|---|
| Crossbow | German | 1730/50 | Applied Arts of Europe | | true |
|---|
| Petticoat Panel | England | 1730-50 | Textiles | | false |
|---|
| Panel of Chintz for a Woman's Skirt | Made in India possibly for the Dutch or Latin American market | 1730-50 | Textiles | | false |
|---|
| Cravat End | Flanders, Brussels | 1730-50 | Textiles | | false |
|---|
| Panel | Possibly from a design by Jean Revel (French, 1664–1751)
France, Lyon | 1730/35 | Textiles | | false |
|---|
| Panel | Design in the style of Jean Revel (French, 1664–1751)
France | 1730/33 | Textiles | | false |
|---|
| Chair | Attributed to Giles Grendey (born England, 1693–1780)
London | c. 1735 | Applied Arts of Europe | | false |
|---|
| Slab or Side Table | England
Design attributed to William Kent (English, 1685-1748) | c. 1735 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | 1730/35 | Applied Arts of Europe | | false |
|---|
| Two-handled Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1735 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | c. 1735 | Applied Arts of Europe | | false |
|---|
| Plate | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1735 | Applied Arts of Europe | | false |
|---|
| Covered Bowl and Stand | Chantilly Factory
France, 1730-92 | c. 1735 | Applied Arts of Europe | | false |
|---|
| Salt Cellar | Meissen Porcelain Manufactory
German, founded 1710 | 1730/35 | Applied Arts of Europe | | false |
|---|
| Two-Handled Sauceboat | Edward Feline
English, active 1730/35
England | 1730/31 | Applied Arts of Europe | | false |
|---|
| Salt Cellar | Meissen Porcelain Manufactory
German, founded 1710 | 1730/35 | Applied Arts of Europe | | false |
|---|
| Incomplete Carpet | China | Qing dynasty (1644–1911), 1730s | Textiles | | false |
|---|
| Platter | Thomas Bacon
English, active 1730-1760
England | 1730/60 | Applied Arts of Europe | | false |
|---|
| Panel | France | 1730s | Textiles | | false |
|---|
| Flintlock Belt Pistol | Gunsmith: Thomas Caddell (Scottish)
Doune | c. 1735 | Applied Arts of Europe | | false |
|---|
| Dish | China | c. 1733 | Applied Arts of Europe | | false |
|---|
| Clock | Meissen Porcelain Manufactory
German, founded 1710
Modeled by George Fritzsche (German, 1681-1709)
Painted in the manner of Johann Gregor Höroldt (German, active 1720-56; 1763-65) | 1727–30 | Applied Arts of Europe | | true |
|---|
| Bowl | Meissen Porcelain Manufactory
German, founded 1710 | c. 1732 | Applied Arts of Europe | | false |
|---|
| Plate | De Metaale Pot (The Metal Pot) Factory
Delft, the Netherlands, 1670-1775 | 1727 | Applied Arts of Europe | | false |
|---|
| Trencher Salt | Edward Wood
English, active 1722-40
London, England | 1726/27 | Applied Arts of Europe | | false |
|---|
| Trencher Salt | Edward Wood
English, active 1722-40
London, England | 1726/27 | Applied Arts of Europe | | false |
|---|
| Vase | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1730 | Applied Arts of Europe | | true |
|---|
| Dish | Du Paquier Porcelain Manufactory
Austrian, 1718–1744 | 1725–30 | Applied Arts of Europe | | true |
|---|
| Coffer | Peruvian
Probably Lima | c. 1750 | Applied Arts of Europe | | false |
|---|
| Bottle | Probably Miotti Glasshouse (c. 1730–47)
Republic of Venice (now Italy) | c. 1730 | Applied Arts of Europe | | true |
|---|
| Panel | Design in the style of Jean Revel (French, 1684–1751)
France, Lyon | c. 1735 | Textiles | | false |
|---|
| Hercules | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Pair of Sleeve Ruffles | France or Germany | Mid-18th century | Textiles | | false |
|---|
| Sleeve Ruffle | France or Germany | Mid-18th century | Textiles | | false |
|---|
| Chair (one of a pair) | Canton (now Guangzhou), China | c. 1730 | Applied Arts of Europe | | true |
|---|
| Beaker | Republic of Venice (now Italy) | c. 1730 | Applied Arts of Europe | | true |
|---|
| Goblet with Cover | Bohemia (now Czech Republic) | c. 1730 | Applied Arts of Europe | | true |
|---|
| Covered Beaker with Coat of Arms and Hunting Scene in Gold | Bohemia (now Czech Republic) | c. 1730 | Applied Arts of Europe | | true |
|---|
| Hunting Sword combined with Flintlock Pistol | English | 1725 | Applied Arts of Europe | | true |
|---|
| Crossbow | German, Dresden
Master I.G.H. (Johann Gottfried Hänisch the Elder) | 1732 | Applied Arts of Europe | | true |
|---|
| Chasuble | Possibly based on a design by Jean Revel
French, 1684–1751 | mid–18th century | Textiles | | false |
|---|
| Man's Informal Robe | Made in Coromandel Coast, India, probably for the Indonesian market | Mid-18th century | Textiles | | false |
|---|
| Lace Borders | France, Valenciennes | Mid-18th century | Textiles | | false |
|---|
| Handkerchief (The Oxford Almanack For the Year of Our Lord MDCCXXXV) | After an engraving by George Vertue (English, 1684–1756)
England | c. 1735 | Textiles | | false |
|---|
| Sleeve Ruffle | France or Germany | Mid-18th century | Textiles | | false |
|---|
| Fan (Vernis Martin Type) | France | Louis XV period (1715–1774), 1725–1774 | Textiles | | false |
|---|
| Panel | Design in the Style of Jean Baptiste Pillement (French, 1728–1808)
France | 1725/75 | Textiles | | false |
|---|
| Teapot with Cover | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1730 | Applied Arts of Europe | | false |
|---|
| Seated Figure | Saint-Cloud Porcelain Manufactory
France, c. 1693-1766 | 1725/30 | Applied Arts of Europe | | false |
|---|
| Cope with Hood and Orphrey Band | France or Italy | 1725/75 | Textiles | | false |
|---|
| Tray | France, Rouen | 1725/30 | Applied Arts of Europe | | false |
|---|
| Panel (Dress Fabric) | China | Qing dynasty (1644–1911), Mid–18th century | Textiles | | false |
|---|
| Firedog: Venus | France | Mid 18th century | Applied Arts of Europe | | false |
|---|
| Firedog: Vulcan | France | Mid 18th century | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1730 | Applied Arts of Europe | | false |
|---|
| Tea Bowl and Saucer | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1730 | Applied Arts of Europe | | false |
|---|
| Watch | James Shearwood
English, 18th century
London, England | Mid 18th century | Applied Arts of Europe | | false |
|---|
| Panel (Dress Fabric) | China | Qing dynasty (1644–1911), 1725/50 | Textiles | | false |
|---|
| Cup and Saucer | Saint-Cloud Porcelain Manufactory
France, c. 1693-1766 | c. 1730 | Applied Arts of Europe | | false |
|---|
| La Pêche (Fishing) | Variation of design by Francois Boucher
France, Aubusson | 1725/1775 | Textiles | | false |
|---|
| Panel | France | 1725/50 | Textiles | | false |
|---|
| Panel | Design in the style of Jean Revel (French, 1684–1751)
France, Lyon | c. 1734/36 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | Style of Jean Revel (French, 1684-1751)
France | c. 1734/35 | Textiles | | false |
|---|
| Cup | Staffordshire, England | 1724 | Applied Arts of Europe | | false |
|---|
| Bedcover | England | c. 1734/40 | Textiles | | false |
|---|
| Winepot | Meissen Porcelain Manufactory (German, founded 1710)
Meissen, Saxony, Germany | c. 1728 | Applied Arts of Europe | | true |
|---|
| Vase | Meissen Porcelain Manufactory
German, founded 1710 | 1723–25 | Applied Arts of Europe | | true |
|---|
| Plate | China | c. 1723/40 | Applied Arts of Europe | | false |
|---|
| Teapot | Meissen Porcelain Manufactory (German, founded 1710)
Painted in the style of Johann Gregorius Höroldt (German, 1696–1775)
Germany, Meissen | 1723/24 | Applied Arts of Europe | | false |
|---|
| Waiter | Isaac Liger
English, active 1720
London, England | 1723/24 | Applied Arts of Europe | | false |
|---|
| Waiter | Isaac Liger
English, active 1720
London, England | 1723/24 | Applied Arts of Europe | | false |
|---|
| Pair of Taper Holders | Matthew Cooper
English, active c. 1700
London, England | 1723/24 | Applied Arts of Europe | | false |
|---|
| Goblet | Georg Friedrich Killinger (German, fl. 1696-1726)
Germany, Nuremberg | 1723 | Applied Arts of Europe | | false |
|---|
| Plate | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Jacob van der Kool
Dutch, active 1722-1733
Cornelia van Willigen
Dutch, active 1733-1757 | 1722-57 | Applied Arts of Europe | | false |
|---|
| Tureen | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1725 | Applied Arts of Europe | | true |
|---|
| Square-Sectioned Bottle | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1725 | Applied Arts of Europe | | true |
|---|
| Double-Barrel Revolving Flintlock Holster Pistol (One of a Pair) | Gunsmith: T. (Thomas) Thiermay (Flemish, active about 1720-50)
Barrelsmith: Daniel Thiermay (Flemish, active about 1700-40)
Liège | 1720/30 | Applied Arts of Europe | | true |
|---|
| Dish | China | c. 1725, Qing Dynasty (1644–1911), Yongzhen period (1723–1735) | Applied Arts of Europe | | true |
|---|
| Pair of Flintlock Pistols | German; Suhl, Thuringia | c. 1730 | Applied Arts of Europe | | true |
|---|
| Man's Jifu (Semiformal Court Robe) | Manchu
China | Qing dynasty (1644–1911), 1720/40 | Textiles | | false |
|---|
| Cap Crown and a Pair of Lappets | Flanders, Brussels (modern day Belgium) | 1720s | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1720/50 | Textiles | | false |
|---|
| Border | Belgium, Flanders | 1720/40 | Textiles | | false |
|---|
| Length of Woven Silk | England or Netherlands | 1720s | Textiles | | false |
|---|
| Two Joined Panels of Brocaded Yellow Furnishing Wool | England, Probably Norwich | c. 1720s | Textiles | | false |
|---|
| Panel | France, Lyon | 1720s | Textiles | | false |
|---|
| Waistcoat Front Panel | England or Germany | 1720-40 | Textiles | | false |
|---|
| Cup and Saucer | Du Paquier Porcelain Manufactory (Austrian, 1718–1744)
Austria, Vienna | c. 1725 | Applied Arts of Europe | | false |
|---|
| Two-handled Cup and Saucer | Meissen Porcelain Manufactory
German, founded 1710 | 1720/25 | Applied Arts of Europe | | false |
|---|
| Tureen | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1725 | Applied Arts of Europe | | false |
|---|
| Sash | Republic of Türkiye | 1720–1800 | Textiles | | false |
|---|
| Cruet Stand | Rouen, France | c. 1725 | Applied Arts of Europe | | false |
|---|
| Lace Flounce | Brussels, Flanders (present-day Belgium) | 1720–40 | Textiles | | false |
|---|
| Wine Bottle Cooler | Saint-Cloud Porcelain Manufactory
France, c. 1693-1766 | 1720/40 | Applied Arts of Europe | | false |
|---|
| Cup and Saucer | Du Paquier Porcelain Manufactory
Austrian, 1718-1744 | c. 1725 | Applied Arts of Europe | | false |
|---|
| Panel | France, provincial, Nimes, Avignon, etc. | About 1730 | Textiles | | false |
|---|
| Carriage Clock | Johann Gottlieb Graupner
German, 18th century
Dresden, Germany | c. 1725 | Applied Arts of Europe | | false |
|---|
| Flintlock Holster Pistol (One of a pair) | Johann Jacob Behr (Flemish, active 1690-1745)
Liège | 1720/30 | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Barrels: Johann Jacob Behr
Locks: Johann Jacob Behr
Flemish, Liège, active 1690s-about 1745 | c. 1725 | Applied Arts of Europe | | false |
|---|
| Ladle | William Looker
English, active 1719
London, England | 1719 | Applied Arts of Europe | | false |
|---|
| Mug | Possibly made by Adam Schuster
German, active 18th century | 1719 | Applied Arts of Europe | | false |
|---|
| Chancellerie | Woven at an unknown workshop at the Manufacture Royale des Gobelins
France, presumably Paris | 1718-21 | Textiles | | false |
|---|
| Chancellerie | Woven at an unknown workshop at the Manufacture Royale des Gobelins
France, presumably Paris | 1718-21 | Textiles | | false |
|---|
| Plate | Ary van Rijsselberg, painter
Dutch, active 1703-35
De Grieksche A (The Greek A) Factory, maker
Delft, Netherlands, 1658-1811 | 1718-35 | Applied Arts of Europe | | false |
|---|
| The Month of July/The Sign of Leo, from The Grotesque Months | After a design by Claude III Audran (1658–1734), 1708–09
Woven at the Manufacture Royale des Gobelins
France, Paris | c. 1726 | Textiles | | false |
|---|
| The Emperor Sailing from The Story of the Emperor of China | After a design by Guy-Louis Vernansal (French, 1648–1729) and others
Woven at the Manufacture Royale de Beauvais under the direction of Pierre and Etienne Filleul (codirectors, 1711–22)
France, Beauvais | 1716/22 | Textiles | | false |
|---|
| The Month of June/The Sign of Cancer, from The Grotesque Months | After a design by Claude III Audran (1658–1734), 1708–09
Woven at the Manufacture Royale des Gobelins
France, Paris | c. 1726 | Textiles | | false |
|---|
| Plate | China | c. 1721/25 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1721/25 | Applied Arts of Europe | | false |
|---|
| Pair of Hall Chairs | Back and seat panels: Canton (now Guangzhou), China; frame: England | c. 1720-30 | Applied Arts of Europe | | true |
|---|
| Ewer and Basin | Marked by Johann Erhard Heuglin II (born Augsburg [now Germany], 1687–1757)
Augsburg (now Germany) | c. 1720 | Applied Arts of Europe | | true |
|---|
| Vase and Cover (one of a pair) | Meissen Porcelain Manufactory (1710–present)
Decorated by Ignaz Preissler (born Bohemia [now Czech Republic], 1676–1741)
Meissen, Electorate of Saxony (now Germany) | c. 1720–25 | Applied Arts of Europe | | true |
|---|
| Vase and Cover (one of a pair) | Meissen Porcelain Manufactory (1710–present)
Decorated by Ignaz Preissler (born Bohemia [now Czech Republic], 1676–1741)
Meissen, Electorate of Saxony (now Germany) | c. 1720–25 | Applied Arts of Europe | | true |
|---|
| Teapot | Du Paquier Porcelain Manufactory (1719–44)
Vienna | c. 1720 | Applied Arts of Europe | | true |
|---|
| Wheellock Rifle | Gunsmith: Johan Carl Öfner
(Austrian, 1717-1724)
Stock Decorator: Josef Haller of Eger (Cheb)
Austrian, Innsbruck
Austrian, 18th century | c. 1720 | Applied Arts of Europe | | true |
|---|
| Slant-Front Desk | Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724)
Germany, Mainz | c. 1720 | Applied Arts of Europe | | false |
|---|
| Soup Bowl | China | c. 1720 | Applied Arts of Europe | | false |
|---|
| Plate | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Pieter Adriaensz. Kocks
Dutch, active 1701-1722 | c. 1710-20 | Applied Arts of Europe | | false |
|---|
| Teabowl and Saucer | Saint-Cloud Porcelain Manufactory
France, c. 1693-1766 | c. 1720 | Applied Arts of Europe | | false |
|---|
| Goblet | Germany
Georg Ernst Kunckel (German, 1692-1750) | c. 1720 | Applied Arts of Europe | | false |
|---|
| Goblet | Germany, Kassel
Attributed to Franz Gonderlach (German, c. 1663-1726) | c. 1720 | Applied Arts of Europe | | false |
|---|
| Dish Depicting King George I of England | Lambeth, England | c. 1714–27 | Applied Arts of Europe | | true |
|---|
| Panel | Italy, possibly Florence | 1714 | Textiles | | false |
|---|
| Coffeepot | Meissen Porcelain Manufactory (German, founded 1710)
Meissen, Saxony, Germany | c. 1710–20, decorated c. 1729–30 | Applied Arts of Europe | | true |
|---|
| Figure of Guanyin | Meissen Porcelain Manufactory (German, founded 1710)
Meissen, Saxony, Germany | c. 1713-19 | Applied Arts of Europe | | true |
|---|
| Teapot | Joseph Ward
English, active 1689-1726
London | 1713 | Applied Arts of Europe | | false |
|---|
| Panel (Dress Fabric) | France | c. 1718/19 | Textiles | | false |
|---|
| Chair Seat | Abigail Davenport Williams (American, 1696–1766)
Probably Stamford, Connecticut, United States | c. 1717 | Textiles | | false |
|---|
| Chair Seat | Abigail Davenport Williams (American, 1696–1766)
Probably Stamford, Connecticut, United States | c. 1717 | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), 1711/81 | Textiles | | false |
|---|
| Vase | Meissen Porcelain Manufactory (German, founded 1710)
Model probably by Johann Jakob Irminger (1635–1724, born Switzerland, active Saxony)
Meissen, Saxony, Germany | c. 1710-20, decorated c. 1725 | Applied Arts of Europe | | true |
|---|
| Halberd for the Bodyguard of Ludwig Rudolph, Duke of Brunswick Lüneburg | German | 1717 | Applied Arts of Europe | | true |
|---|
| Figure of Guanyin | Meissen Porcelain Manufactory (German, founded 1710)
Meissen, Saxony, Germany | c. 1710-13 | Applied Arts of Europe | | true |
|---|
| Bottle (Kendi) | Meissen Porcelain Manufactory (1710–present)
Meissen, Electorate of Saxony (now Germany) | c. 1710–13 | Applied Arts of Europe | | true |
|---|
| Coffeepot | Meissen Porcelain Manufactory (1710–present)
Decoration attributed to Martin Schnell (born Saxony [now Germany], 1675–1840)
Meissen, Electorate of Saxony (now Germany) | c. 1710–13 | Applied Arts of Europe | | true |
|---|
| Lance for the Carousel (Running at the Ring) | German, Dresden | 1710-20 | Applied Arts of Europe | | true |
|---|
| Lance for Joust or Quintain Course | German, Dresden | 1710-20 | Applied Arts of Europe | | true |
|---|
| Scroll | China | Qing dynasty (1644–1911), c. 1720 | Textiles | | false |
|---|
| Scroll | China | Qing dynasty (1644–1911), c. 1720 | Textiles | | false |
|---|
| Dish | Designed by John Simpson III
English, 1685-1775 | c. 1715 | Applied Arts of Europe | | false |
|---|
| Scroll | China | Qing dynasty (1644–1911), c. 1720 | Textiles | | false |
|---|
| Teapot | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1708-13 | Applied Arts of Europe | | true |
|---|
| Teapot | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1708-13 | Applied Arts of Europe | | true |
|---|
| Teapot | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c.1708-13 | Applied Arts of Europe | | true |
|---|
| Teapot | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1708-13 | Applied Arts of Europe | | true |
|---|
| Dish | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1708-13 | Applied Arts of Europe | | true |
|---|
| Bottle | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1710-13 | Applied Arts of Europe | | true |
|---|
| Coffeepot | Jungfernbastei Workshop (1708–10) or Meissen Porcelain Manufactory (German, founded 1710)
Dresden or Meissen, Saxony, Germany | c. 1708-13 | Applied Arts of Europe | | true |
|---|
| Panel | France | 1707/08 | Textiles | | false |
|---|
| Two Panels | France, provincial, possibly Nimes or Avignon | 1707/08 | Textiles | | false |
|---|
| Monteith | Robert Cooper
English, active 1706
London, England | 1706/07 | Applied Arts of Europe | | false |
|---|
| Mug | John Martin Stocker and Edward Peacock
English
London, England | 1706/07 | Applied Arts of Europe | | false |
|---|
| Panel | England, Spitalfields | 1706/09 | Textiles | | false |
|---|
| Panel (Dress Fabric) | France or England | c. 1711 | Textiles | | false |
|---|
| Tankard | Meissen Porcelain Factory
Germany, founded 1710 | c. 1708–13 | Applied Arts of Europe | | true |
|---|
| Length of Chintz | India
Exported for the Sri Lankan market | c. 1730/50 | Textiles | | false |
|---|
| Bust of a Man | Probably De Metalle Pot (The Metal Pot) Factory
Delft, the Netherlands, 1670–1775 | c. 1710–20 | Applied Arts of Europe | | false |
|---|
| Panel | France | 1705/07 | Textiles | | false |
|---|
| Fragment | France | c. 1705/06 | Textiles | | false |
|---|
| Canister (one of three) | Edward Workman
Irish, active 1699-1722
Dublin, Ireland | 1704/06 | Applied Arts of Europe | | false |
|---|
| Canister (one of three) | Edward Workman
Irish, active 1699-1722
Dublin, Ireland | 1704/06 | Applied Arts of Europe | | false |
|---|
| Sampler | Lucy Garland (American, active c. 1704)
United States | 1704 | Textiles | | false |
|---|
| Sampler | Rebecah Garland (American, active c. 1704)
United States | 1704 | Textiles | | false |
|---|
| Panel (Dress Fabric) | France | 1703/05 | Textiles | | false |
|---|
| Plate | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Pieter Adriaensz. Kocks
Dutch, active 1701-1722 | 1703 | Applied Arts of Europe | | false |
|---|
| Glass Cooler (Monteith) | Marked by Thomas Bolton (born Ireland, c. 1658–1736)
Dublin | 1702–3 | Applied Arts of Europe | | true |
|---|
| Dish Depicting Queen Anne of England | Bristol, England | c. 1702–27 | Applied Arts of Europe | | true |
|---|
| Panel | England | Queen Anne period (1702–1714), 1700/25 | Textiles | | false |
|---|
| Panel | England | Queen Anne period (1702–1714), 1701/1725 | Textiles | | false |
|---|
| Curtain or Wall Hanging | Chefchaouen, Morocco | 18th century | Textiles | | true |
|---|
| Mihrab or Jai-namaz Suzani | Bukhara Khanate (in present-day Uzbekistan) | 18th century | Textiles | | true |
|---|
| Fragment (From a Cover) | Republic of Türkiye | 18th century | Textiles | | true |
|---|
| Woman's Skirt | Kuba, Bushong
Democratic Republic of the Congo, Mushenge | Possibly 18th century | Textiles | | false |
|---|
| Pendent (For Bed Curtain) | Manchu
China | Qing Dynasty (1644–1911, 1701/50 | Textiles | | false |
|---|
| Tunic | Iran (Persia) | 18th century | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XVI period (1774–1793) | Textiles | | false |
|---|
| Man's Waist Sash | Made in Iran or Poland for the Polish market | 18th century | Textiles | | false |
|---|
| Karaori (Noh Costume) | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Needlework Rug | English | 18th century | Textiles | | false |
|---|
| Woman's Ceremonial Skirt (tapis) | Paminggir people
Indonesia, South Sumatra, Lampung area | 18th century (?) | Textiles | | false |
|---|
| Section of Border from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Section of Border from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Section of Border from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Section of Border from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fan | France | 1701/25 | Textiles | | false |
|---|
| Kesa | Japan | Edo period (1615–1868), 18th century | Textiles | | false |
|---|
| Ceremonial Textile (mbesa tali tau batu or pewo) | Rongkong people
Indonesia, Sulawesi, North Luwu Regency | 18th/19th century | Textiles | | false |
|---|
| Ceremonial Textile (mbesa tali tau batu or pewo) | Rongkong people
Indonesia, Sulawesi, North Luwu Regency | 18th/19th century | Textiles | | false |
|---|
| Lining from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Backing from Thanka (Religious Picture) | Manchu
China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Lace Flounce | Flanders, Brussels (present-day Belgium) | 1701-25 | Textiles | | false |
|---|
| Panel (Dress Fabric) | China, Possibly Macao | Qing dynasty (1644–1911), 1701/1800 | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XVI period (1774–1793) | Textiles | | false |
|---|
| Furisode | Japan | 18th century, late Edo period (1789–1868) | Textiles | | false |
|---|
| Table Frontal | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel | France or Italy | 1701/50 | Textiles | | false |
|---|
| Fan | France | 18th century | Textiles | | false |
|---|
| Panel (Dress Fabric) | Made in China for the European/American market | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XV period, 1774–1793) | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XVI period (1774–1793) | Textiles | | false |
|---|
| Sarasa | Japan | Edo period (1615–1868), probably 18th century | Textiles | | false |
|---|
| Fragment of an Altar Cloth | Bhutan | Late Ming dynasty (1368–1644) or early Qing dynasty (1644–1911), 18th century | Textiles | | false |
|---|
| Fan (Military or Battle) | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Plate | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Pieter Adriaensz. Kocks
Dutch, active 1701-1722 | 1701-22 | Applied Arts of Europe | | false |
|---|
| Kosode Made into a Tobari or Fukusa Composed of Six Panels | Japan | mid–Edo period (1716–1789), early 18th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kosode Panel | Japan | Edo period (1615–1868), 1701/25 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Kosode (Robe) | Japan | Edo period (1615–1868), 1701/25 | Textiles | | false |
|---|
| Fragment from a Royal Overskirt (ncaka kot) | Kuba
Kasai region, Democratic Republic of the Congo | Probably early 19th century and possibly as early as the 18th century | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XVI period (1774–1793) | Textiles | | false |
|---|
| Mandarin Fan | China | 18th century | Textiles | | false |
|---|
| Chasuble | Italy | 18th century | Textiles | | false |
|---|
| Dalmatic | Italy | 18th century | Textiles | | false |
|---|
| Chocolate Cup Stand | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Pieter Adriaensz. Kocks
Dutch, active 1701-1722 | 1701-22 | Applied Arts of Europe | | false |
|---|
| Kesa | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Sampler | Mary M. Wallace (active c. 1796)
United States | 1796 | Textiles | | false |
|---|
| Fan | France | 18th century, Louis XVI period (1774–1793) | Textiles | | false |
|---|
| Kesa | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Sash or Towel | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Three Casters | Alice Sheene
English, active 1700-02
London, England | 1701/02 | Applied Arts of Europe | | false |
|---|
| Obi (Belt) | Japan | 18th/19th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Panel | England | 18th century, Queen Anne period | Textiles | | false |
|---|
| Kesa | Japan | 18th century, Edo period (1603–1868) | Textiles | | false |
|---|
| Fragment | Japan | 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Fragment | Japan | 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Woman's Riding Jacket | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Bedspread | England | Queen Anne period, 1701/25 | Textiles | | false |
|---|
| Kesa (Formerly Nō Costume) | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Sash | Republic of Türkiye | 18th‒19th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Scarf or Cover | Republic of Türkiye | 1701‒25 | Textiles | | false |
|---|
| Turban Cover | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Cover (possibly Turban Cover) | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Cover or Handkerchief | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Harvesting | England | 1701/25 | Textiles | | false |
|---|
| Obi (Belt) | Japan | 18th/19th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Obi (Belt) | Japan | 18th/19th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Woman's Waistcoat | England | 1701/25 | Textiles | | false |
|---|
| Fire Fan | England | 1701/25 | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Carpet (Known as a "Ryijy" or "Rya") | Central Finland | 1701/25 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1701/25 | Textiles | | false |
|---|
| Fragment | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Fragment | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Valance | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Picture | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Border | England | Queen Anne period (1702–1714), early 18th century | Textiles | | false |
|---|
| Mizugoromo | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Pattern | Bukhara, Turkestan, Uzbekistan | 18th century | Textiles | | false |
|---|
| Pattern | Bukhara, Turkestan, Uzbekistan | 18th century | Textiles | | false |
|---|
| Pattern | Bukhara, Turkestan, Uzbekistan | 18th century | Textiles | | false |
|---|
| Fan | China | 18th century, Qing dynasty(1644–1911) | Textiles | | false |
|---|
| Bedspread | England | Queen Anne period (1702–1714), 1701/25 | Textiles | | false |
|---|
| Kesa | Japan | 18th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Panel (Pillar Print) | Manufactured by Stead McAlpin & Co., founded in 1835
England | 18th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia) | 18th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia, Kashan) | 18th century | Textiles | | false |
|---|
| Fragment | Kashan, Persia (present-day Iran) | 18th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 19th century | Textiles | | false |
|---|
| Cover (Possibly for a Tray) | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Tray Cloth or Cover | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel or Napkin (Altered) | Republic of Türkiye | 18th‒19th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Cover (possibly for a Turban) | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel, Napkin or Sash | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye or Greece | 18th‒19th century | Textiles | | false |
|---|
| Cover (possibly Turban Cover) | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 1700‒1725 | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 18th‒19th century | Textiles | | false |
|---|
| Head Scarf | Republic of Türkiye | 18th‒19th century | Textiles | | false |
|---|
| Fragment (Cushion Cover) | Bursa, Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Chasuble (Back) | Italy | 1701/25 | Textiles | | false |
|---|
| Chasuble (Front) | Italy | 1701/25 | Textiles | | false |
|---|
| Panel | Japan | 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Patolu | Gujarat, India | 18th-19th century | Textiles | | false |
|---|
| Patolu | Gujarat, India | 18th–19th century | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fragment | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Uncut Yardage (Panel for Dress) | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Panel (Dress Fabric) | Iran (Persia, Yazd) | 18th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran, probably Kashan | 18th century | Textiles | | false |
|---|
| Uncut Yardage (Ribbon) | China | 18th century, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia, Isfahan) | 18th century | Textiles | | false |
|---|
| Panel (Dress Fabric) | Iran (Persia, Esfahan) | 18th/19th century | Textiles | | false |
|---|
| Fragment | Iran (Persia, Isfahan) | 18th century | Textiles | | false |
|---|
| Fragment | Iran (Persia, Kashan) | 18th century | Textiles | | false |
|---|
| Fragment (Border) | Iran (Persia, Kashan) | 18th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia, Isfahan) | 18th century | Textiles | | false |
|---|
| Panel | Made in China for the European/American market | Qing dynasty (1644–1911), 1701/25 | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 18th century | Textiles | | false |
|---|
| Chasuble | Central Europe | 18th century | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1701/50 | Textiles | | false |
|---|
| Coffer | Attributed to André-Charles Boulle (born France, 1642–1732)
Paris | c. 1700–20 | Applied Arts of Europe | | true |
|---|
| Candelabrum | England | 1700–20 | Applied Arts of Europe | | true |
|---|
| Vestment for a First-Degree Taoist Priest | Han-Chinese
China | Qing dynasty (1644–1911), 18th century; inscribed 1793 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Miniature Grotto | Nevers, France | Early 18th century | Applied Arts of Europe | | true |
|---|
| Woman Holding a Chalice | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Monk Holding a Child | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Priest | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Jupiter | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Soldier | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Old Man | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Soldier | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Female Nude | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Figure of a Man | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Man with Arms Crossed in Front | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Plate | Germany | 18th century | Applied Arts of Europe | | true |
|---|
| Dish Depicting King William III and Queen Mary II of England | Bristol, England | c. 1688–1727 | Applied Arts of Europe | | true |
|---|
| Pair of Flintlock Holster Pistols | Austrian, Vienna | c. 1700/25 | Applied Arts of Europe | | true |
|---|
| Cuirass | French | 1700/50 | Applied Arts of Europe | | true |
|---|
| Lance for the Carousel (Running at the Ring) | German, Dresden | 1700-1750 | Applied Arts of Europe | | true |
|---|
| Uncut Yardage (Dress Fabric) | Manchu
China | Kangxi period, Qing dynasty (1644–1911), 1700/25 | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1700/50 | Textiles | | false |
|---|
| Cushion Cover | Manchu
China | Qing dynasty (1644–1911), 1700/50 | Textiles | | false |
|---|
| Crewel Work Curtain | English | early 18th century | Textiles | | false |
|---|
| Chintz Curtain | Indian export for European market | First quarter 18th century | Textiles | | false |
|---|
| Length of Woven Silk | France or Italy | 1700–1705 | Textiles | | false |
|---|
| Cravat End | Flanders, Brussels (present-day Belgium) | 1700-50 | Textiles | | false |
|---|
| Winter, from The Seasons | After a design by Charles Le Brun (French, 1619–1690)
Woven at the workshop of Étienne Le Blond (French, 1652–1727) and Jean de La Croix (French, 1628–1712) at the Manufacture Royale des Gobelins
France, Paris | 1700/20 | Textiles | | false |
|---|
| Mail Shirt | Islamic, probably Indian | 18th century (?) | Applied Arts of Europe | | false |
|---|
| Dagger with Scabbard | Hilt: Turkish
Blade: European | 18th/19th century | Applied Arts of Europe | | false |
|---|
| Jiasha (Mantle) | Han-Chinese
China | Qing dynasty (1644–1911), 1700/50 | Textiles | | false |
|---|
| Fragment | Manchu
China | Qing dynasty (1644–1911), 1700/50 | Textiles | | false |
|---|
| Panel (Former Fragment of Man's Coat) | Manchu
China | Qing dynasty(1644–1911), 1700/35 | Textiles | | false |
|---|
| Panel | France | 1700/25 | Textiles | | false |
|---|
| Panel | France or Spain | 1700/25 | Textiles | | false |
|---|
| Candlestick | Meissen Porcelain Manufactory
German, founded 1710 | 18th century | Applied Arts of Europe | | false |
|---|
| Candlestick | Meissen Porcelain Manufactory
German, founded 1710 | 18th century | Applied Arts of Europe | | false |
|---|
| Atlas of the World | Meissen Porcelain Manufactory
German, founded 1710 | 18th–19th century | Applied Arts of Europe | | false |
|---|
| Uchishiki (Altar Cloth) | Japan | Edo period (1615–1868), 1700/50 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Tankard | William Penstone
English, active 1700
London, England | 1700/01 | Applied Arts of Europe | | false |
|---|
| Atlas of the World | Meissen Porcelain Manufactory
German, founded 1710 | 18th–19th century | Applied Arts of Europe | | false |
|---|
| Chasuble | France | 1700/25 | Textiles | | false |
|---|
| Waistcoat | England or France | 1700/25 | Textiles | - silk
- cotton_linen
- metal
- wood
| false |
|---|
| Flower Vase (one of a pair) | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811 | c. 1700-22 | Applied Arts of Europe | | false |
|---|
| Flower Vase (one of a pair) | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811 | c. 1700-22 | Applied Arts of Europe | | false |
|---|
| Bottle Cooler | Clérissy Pottery Factory
French, late 16th century-1736 | 1700/1720 | Applied Arts of Europe | | false |
|---|
| Panel | France | 1700/25 | Textiles | | false |
|---|
| Plate | Augusteyne Reygensburgh
Dutch, 18th century | c. 1700/25 | Applied Arts of Europe | | false |
|---|
| Plate | A. Karst
Austria | 18th century; engraving probably 19th century | Applied Arts of Europe | | false |
|---|
| Plate with Silenus and Putti | Engraving after Hans Baldung
German, 1484-1545
Germany | 18th century; engraving probably 19th century | Applied Arts of Europe | | false |
|---|
| Plaque: Psalm No. 150 | Probably Utrecht, Netherlands | early 19th century | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Fragment (From a Chair Strip) | China | Qing Dynasty (1644–1911), 1700/50 | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia, Isfahan) | 18th century | Textiles | | false |
|---|
| Cup and Saucer | Amstel Porcelain Factory
Netherlands, 1784-1814 | 18th century | Applied Arts of Europe | | false |
|---|
| Allegorical Figure Group: The Virtues | Buen Retiro Porcelain Factory
Spanish, 1759-1808 | 18th century | Applied Arts of Europe | | false |
|---|
| Allegorical Figure Group: The Arts | Buen Retiro Porcelain Factory
Spanish, 1759-1808 | 18th century | Applied Arts of Europe | | false |
|---|
| Pair of Prick Spurs | Northern African, Algeria or Morocco | 18th/19th century | Applied Arts of Europe | | false |
|---|
| Temple Banner | China | 1700/50, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Temple banner | China | 1700/50, Qing dynasty (1644–1911) | Textiles | | false |
|---|
| Charger | Sebald Ruprecht
German, active 1700-1750
Germany | 1700/50 | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Johann Jacob Behr
Flemish, Maastricht or Liège | 1700/30 | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Barrels signed Lazzarino Cominazzo
Italian, Brescia, act. 1685—1729
Locks signed Giovanni Botti
Italian, Brescia, act. 1685—1729 | early 18th century | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Barrel: Lazzarino Cominazzo
Lock: Giovanni Botti
Italian, Brescia | 18th century | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | 18th/19th century, Edo period (1615–1868)/ Meiji period (1868–1912) | Textiles | | false |
|---|
| Two-Handled Cup with Cover | Isaac Dighton
English, active 1698
London, England | 1698/99 | Applied Arts of Europe | | false |
|---|
| Fragment | Probably France | About 1708-09 | Textiles | | false |
|---|
| Panel | England or France | c. 1707 | Textiles | | false |
|---|
| Tazza | Joseph Ward
English, active 1680-1726
London, England | 1697/98 | Applied Arts of Europe | | false |
|---|
| Tazza | Joseph Ward
English, active 1680-1726
London, England | 1697/98 | Applied Arts of Europe | | false |
|---|
| Tazza | Possibly Thomas Ash
English, active 1697
London, England | 1697/98 | Applied Arts of Europe | | false |
|---|
| Platter | France, Rouen | c. 1700–20 | Applied Arts of Europe | | true |
|---|
| Figure of Guanyin | China | c. 1700 | Applied Arts of Europe | | true |
|---|
| Tea Bowl and Saucer | Marked by Matthäus Baur II (active Augsburg [now Germany], 1681–1728)
Augsburg (now Germany) | c. 1700 | Applied Arts of Europe | | true |
|---|
| Tea Bowl and Saucer | Marked by Matthäus Baur II (active Augsburg [now Germany], 1681–1728)
Augsburg (now Germany) | c. 1700 | Applied Arts of Europe | | true |
|---|
| Teapot | Marked by Matthäus Baur II (active Augsburg [now Germany], 1681–1728)
Augsburg (now Germany) | c. 1700 | Applied Arts of Europe | | true |
|---|
| Looking Glass | Paris or London | c. 1700 | Applied Arts of Europe | | true |
|---|
| Vase | Netherlands, Delft | c. 1700 | Applied Arts of Europe | | true |
|---|
| Bottle | Delft, Netherlands | c. 1690–1700 | Applied Arts of Europe | | true |
|---|
| Covered Diamond-Engraved Armorial Marriage Goblet | England | c. 1700–09 | Applied Arts of Europe | | true |
|---|
| Covered Diamond-Engraved Armorial Marriage Goblet | England | c. 1700–09 | Applied Arts of Europe | | true |
|---|
| Bracket Clock | Daniel Quare
English, 1649-1724
London, England | 1695 | Applied Arts of Europe | | false |
|---|
| Plate | China | c. 1700 | Applied Arts of Europe | | false |
|---|
| Platter | Rouen, France | c. 1700/20 | Applied Arts of Europe | | false |
|---|
| Platter | France, Rouen | c. 1700/20 | Applied Arts of Europe | | false |
|---|
| Tea Caddy | De Metaale Pot (The Metal Pot) Factory
Delft, Netherlands, 1670-1775
Lambertus van Eenhoorn
Dutch, active 1691-1721 | c. 1700 | Applied Arts of Europe | | false |
|---|
| Tray | France, Rouen or Lille | c. 1700/20 | Applied Arts of Europe | | false |
|---|
| Bowl | Germany, Frankfurt-am-Main | c. 1700 | Applied Arts of Europe | | false |
|---|
| Needlework Picture Depicting Susannah and the Elders | England | about 1700-10 | Textiles | | false |
|---|
| Game Board for Chess and Backgammon | Attributed to Johann Nicolaus Haberstumpf (German, active 1691–1728)
Czech Republic, Bohemia | c. 1700 | Applied Arts of Europe | | false |
|---|
| Dish | Germany, Frankfurt | c. 1700 | Applied Arts of Europe | | false |
|---|
| Figure of a Buddhist Monk (Budai Hoshang) | De Grieksche A (The Greek A) Factory
Delft, the Netherlands, 1658-1811 | c. 1690-c. 1700 | Applied Arts of Europe | | false |
|---|
| Dalmatic | Italy or Spain | c. 1700 | Textiles | | false |
|---|
| Beaker | London, England | 1692/93 | Applied Arts of Europe | | false |
|---|
| Watch | Edward Orton
English, 1680-1709
London, England | 1692/93 | Applied Arts of Europe | | false |
|---|
| Pair of Candlesticks | England | 1691/92 | Applied Arts of Europe | | false |
|---|
| Halberd for the Civic Guard of Cologne | German | c. 1700 | Applied Arts of Europe | | true |
|---|
| Sampler | Parnell Mackett (English, 1675-1766)
London, England | 1690 | Textiles | | false |
|---|
| Cuff | England | c. 1700 | Textiles | | false |
|---|
| Beaker | England | 1690/91 | Applied Arts of Europe | | false |
|---|
| Panel | France | c. 1700 | Textiles | | false |
|---|
| Valance | China | Qing dynasty (1644–1911), c. 1700 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), c. 1700 | Textiles | | false |
|---|
| Dish | Staffordshire, England | 1690–1710 | Applied Arts of Europe | | false |
|---|
| Panel | France | 1690s | Textiles | | false |
|---|
| Goblet | Germany, Potsdam
Engraving attributed to Gottfried Spiller (German, born Czechoslovakia, c. 1663-1728) | 1690/1720 | Applied Arts of Europe | | false |
|---|
| Sampler | Mercy Mackett (English, born c. 1973)
London, England | 1688 | Textiles | | false |
|---|
| Armchair | Coromandel Coast, probably Madras (Chennai), India | c. 1690–1700 | Applied Arts of Europe | | true |
|---|
| Vase | Attributed to De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658–1811 | c. 1690–1700 | Applied Arts of Europe | | true |
|---|
| Beaker and Cover with Bacchic Scene | Engraved by Gottfried Spiller (active Brandenburg [now Germany], 1663–1728)
Potsdam, Margraviate of Brandenburg (now Germany) | 1685–1700 | Applied Arts of Europe | | true |
|---|
| Stand for Candelabrum (Torchère) | Paris | c.1685–90 | Applied Arts of Europe | | true |
|---|
| Stand for Candelabrum (Torchère) | Paris | c.1685–90 | Applied Arts of Europe | | true |
|---|
| Glass Cooler (Monteith) | Mark attributed to Daniel Beverley (active London c. 1665–97)
London, England | c.1685–86 | Applied Arts of Europe | | true |
|---|
| Basting Spoon | Thomas Cory
English
London, England | 1685/86 | Applied Arts of Europe | | false |
|---|
| Goblet-Shaped Ewer | London, England | 1683 | Applied Arts of Europe | | false |
|---|
| Footed Salver | Possibly John Sutton
English, active 1667-c. 1708 | 1683/84 | Applied Arts of Europe | | false |
|---|
| Dish Decorated with a Floral Pattern | London, England | c. 1680–90 | Applied Arts of Europe | | true |
|---|
| Natural Trumpet | Wilhelm Haas (German, 1648—1723)
Nuremberg | 1680/1720 | Applied Arts of Europe | | true |
|---|
| Boar Spear | Austrian | 1680/1700 with later decoration | Applied Arts of Europe | | true |
|---|
| Goblet with Cover | Netherlands | c. 1685 | Applied Arts of Europe | | true |
|---|
| Large Hanging with Crown and Escutcheon | Peru, southern Andes | c. 1700 | Textiles | | false |
|---|
| Tankard | London, England | 1680/81 | Applied Arts of Europe | | false |
|---|
| Needlework Panel | Portugal or England | Late 17th century | Textiles | | false |
|---|
| Charger | Thomas Shakle
English, active 1680-1695
London, England | 1680/95 | Applied Arts of Europe | | false |
|---|
| Flintlock Turn-Off Holster Pistol (One of a Pair) | Barrel Smith: Domenico Bonomino
(Italian, about 1635-c. 1700)
Gunsmith: Johann Casimir Tanner
(German, 1691- 1764)
Barrel: Brescia; lock and stock: Sonderhausen | 1680/90 and 1732 | Applied Arts of Europe | | false |
|---|
| Vase with Cover | Attributed to The Greek A (De Grieksche A) Factory (1658–1811)
Delft, Netherlands | c. 1678-80 | Applied Arts of Europe | | true |
|---|
| Serving Dish | Marked by John Sutton (active England, 1661–c. 1708)
London | 1677–78 | Applied Arts of Europe | | true |
|---|
| Carpet | Morocco, Egypt, Syria, Caucaus Mountains, or Persia (current day Iran) | 1675-1725 | Textiles | | false |
|---|
| Sampler | Katherine Veren (English, active c. 1676)
England | 1676 | Textiles | | false |
|---|
| Vase (One of a Pair) | Netherlands or England | 1675–85 | Applied Arts of Europe | | true |
|---|
| Vase (One of a Pair) | Netherlands or England | 1675–85 | Applied Arts of Europe | | true |
|---|
| Overmantel and Cornice from Great House in Cassiobury Park, Hertfordshire | Grinling Gibbons
English, 1648-1721 | c. 1685 | Applied Arts of Europe | | true |
|---|
| Caesar Sends a Messenger to Cleopatra from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Produced at the workshop of Willem van Leefdael (1632–1688)
Brussels | c. 1680 | Textiles | | true |
|---|
| Fragment of a Kimono | Japan | Edo period (1615–1868), 1675-1725 | Textiles | | true |
|---|
| Boy's Armor | Western European | late 17th century | Applied Arts of Europe | | true |
|---|
| Candelabrum | Probably London | c. 1680 | Applied Arts of Europe | | true |
|---|
| Vase | Delft, Netherlands | c. 1660–80 | Applied Arts of Europe | | true |
|---|
| St. Louis of France | Nevers, France | c. 1700–50 | Applied Arts of Europe | | true |
|---|
| Actor with Moustache | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Actor | Nevers, France | c.1700–50 | Applied Arts of Europe | | true |
|---|
| Fecundity Platter | Southwark, London, England | c.1675–80 | Applied Arts of Europe | | true |
|---|
| Charger | Delft, Netherlands | c. 1690–1700 | Applied Arts of Europe | | true |
|---|
| Hussar's Armor | Polish | 1675/1700 | Applied Arts of Europe | | true |
|---|
| Pair of Flintlock Holster Pistols | Gunsmith: Gerrit Lasonder
(Dutch, active 1659-87)
Utrecht | c. 1680 | Applied Arts of Europe | | true |
|---|
| Fragment (For a Curtain) | Manchu
China | Qing dynasty (1644–1911), 1675/1725 | Textiles | | false |
|---|
| Cleopatra Asked to Pay Tribute to Rome from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (Flemish, 1601–1674)
Produced at the workshop of Willem van Leefdael (1632–1688)
Brussels | c. 1680 | Textiles | | false |
|---|
| Caesar Throws Himself into the Sea from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (Flemish, 1601–1674)
Woven at the workshop of Willem van Leefdael (Flemish, 1632–1688)
Brussels | c. 1680 | Textiles | | false |
|---|
| September and October [fragment] from The Twelve Months of the Year | After a design by David III Teniers (Flemish, 1638–1685)
Woven at the workshop of Gerard Peemans (Flemish, 1637/39–1725)
Brussels | After 1675 | Textiles | | false |
|---|
| Pair of Candlesticks | Attributed to Francesco Bertos
Italian, active 1693-1710 | c. 1680 | Applied Arts of Europe | | false |
|---|
| Gaming Bag | France | 1675/1700 | Textiles | | false |
|---|
| Plate | Saint Jean du Désert Factory | Late 17th/early 18th century | Applied Arts of Europe | | false |
|---|
| Collar and Cuffs (From a Border) | Italy, Venice | Late 17th century | Textiles | | false |
|---|
| Tazza | De Grieksche A (The Greek A) Factory
Delft, the Netherlands, 1658-1811 | c. 1678-85 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1675/1725 | Textiles | | false |
|---|
| Caesar and Cleopatra Enjoying Themselves from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Woven at the workshop of Gerard Peemans (1637/39–1725)
Brussels | c. 1680 | Textiles | | false |
|---|
| Cleopatra Enjoys Herself at Sea from The Story of Cleopatra | After a design by Justus van Egmont (Flemish, 1601–1674)
Woven at the workshop of Willem van Leefdael (Netherlandish, 1632–1688)
Brussels | c. 1680 | Textiles | | false |
|---|
| Fragment (from Noh Costume) | Japan | Edo period (1615– 1868), 1675/1725 | Textiles | | false |
|---|
| Fragment (from Noh Costume) | Japan | Edo period (1615– 1868), 1675/1725 | Textiles | | false |
|---|
| Caesar in the Gallic Wars from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Woven at the workshop of Willem van Leefdael (1632–1688)
Brussels | c. 1680 | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 1675‒1725 | Textiles | | false |
|---|
| Fragment (Cushion Cover) | Republic of Türkiye | 1675‒1700 | Textiles | | false |
|---|
| Barber's Bowl | William Allen
English, active 1674-1695
England | c. 1680 | Applied Arts of Europe | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1675/1725 | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Iran (Persia, probably Yazd) | 1675/1725 | Textiles | | false |
|---|
| Panel (Possibly from trousers) | Iran (Persia, Kashan) | 1675/1725 | Textiles | | false |
|---|
| Fragment | Iran (Persia, Isfahan) | 1675/1700 | Textiles | | false |
|---|
| Goblet with Peasant Dancers and Musicians | Probably engraved by Willem Mooleyser
Dutch, active 1666-1697
Netherlands | Late 17th century | Applied Arts of Europe | | false |
|---|
| Bedcover | Indo-Portuguese
Portugal | Late 17th century | Textiles | | false |
|---|
| Bedcover | Indo-Portuguese | Late 17th century | Textiles | | false |
|---|
| Bedcover | Indo-Portuguese | Late 17th century | Textiles | | false |
|---|
| Panel (Dress Fabric) | Iran | 1675/1700
Safavid Dynasty (1501–1722) | Textiles | | false |
|---|
| Carpet | India, possibly Lahore or Abhar | 1675/1700 | Textiles | | false |
|---|
| Caesar's Death Makes Cleopatra Mourn from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Woven at the workshop of Gerard Peemans (1637/39–1725)
Brussels | c. 1680 | Textiles | | false |
|---|
| The Triumph of Caesar from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Produced at the workshop of Gerard Peemans (1637/39–1725)
Brussels | c. 1680 | Textiles | | false |
|---|
| Caesar Defeats the Troops of Pompey from The Story Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Woven at the workshop of Gerard Peemans (1637/39–1725)
Brussels | c. 1680 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1675/1800 | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 1675/1700 | Textiles | | false |
|---|
| Bottle | De Grieksche A (The Greek A) Factory
Delft, Netherlands, 1658-1811
Samuel van Eenhoorn
Dutch, 1655-1686/87 | c. 1678-85 | Applied Arts of Europe | | true |
|---|
| The Offering of the Boar's Head from The Story of Meleager and Atalanta | After a design by Charles Le Brun (1619–1690)
Woven at the workshop of Jan II Leyniers (1630–1686)
Brussels | 1673/86 | Textiles | | false |
|---|
| Ewer | Richard Morrell
English, active 1703
London, England | 1671 | Applied Arts of Europe | | false |
|---|
| Table Clock | Case attributed to André-Charles Boulle (born France, 1642–1732)
Clock made by Nicolas Gribelin (born France, 1637–1719)
Paris | c. 1675 | Applied Arts of Europe | | true |
|---|
| Charger | London, England | c. 1675 | Applied Arts of Europe | | true |
|---|
| The Battle of Actium from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (1601–1674)
Woven at the workshop of Willem van Leefdael (1632–1688)
Brussels | c. 1680 | Textiles | | false |
|---|
| Breastplate | French | 1670-1700 | Applied Arts of Europe | | true |
|---|
| Flintlock Pistol | Gunsmith: Vincenzo Marini (Italian)
Barrel signed "Lazarino Cominazo"
Brescia, Italy | 1670–80 | Applied Arts of Europe | | true |
|---|
| Flintlock Pistol | Italian, Brescia | c. 1680 | Applied Arts of Europe | | true |
|---|
| Wheellock from a Rifle | German or Austrian | 1670/90 | Applied Arts of Europe | | true |
|---|
| Cleopatra and Antony Enjoying Supper from The Story of Caesar and Cleopatra | After a design by Justus van Egmont (Flemish, 1601–1674)
Woven at the workshop of Gerard Peemans (Flemish, 1637/39–1725)
Brussels | c. 1680 | Textiles | | false |
|---|
| Wine Pot | Delft, Netherlands | c. 1670–c. 1680 | Applied Arts of Europe | | false |
|---|
| Paten | Robert Clothyer
English
England | 1670/1710 | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Holster Pistols | Italian, Gardone Val Trompia
Barrels by Vicenzo Cominazzo | c. 1680/90 | Applied Arts of Europe | | false |
|---|
| Flintlock Magazine Pistol (Lorenzoni System) | August Wetschgin (German, active 1676-90)
Germany, Augsburg or Austria, Vienna | About 1690 | Applied Arts of Europe | | false |
|---|
| Abundantia from The Four Continents and Related Allegories | After a cartoon by Lodewijk van Schoor (died 1702) and Pieter Spierinckx (1635–1711)
Woven at the workshop of Albert Auwercx (1629–1709)
Brussels | c. 1680/1700 | Textiles | | false |
|---|
| Mizuhiki (Temple Banner) | Japan | Edo period (1615–1868), 1668/1703 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Caudle Cup | Lambeth, England | 1668 | Applied Arts of Europe | | false |
|---|
| Smallsword | Western European
Hilt: Probably French; Blade: Sollingen, Germany | 1670/80 | Applied Arts of Europe | | true |
|---|
| Plate depicting The Flight into Egypt | Delft or possibly Haarlem, Netherlands | c. 1650/60 | Applied Arts of Europe | | true |
|---|
| Wheellock Rifle | Elias Becker (German, Augsburg active 1633-1673)
Augsburg, Germany | c. 1670 | Applied Arts of Europe | | true |
|---|
| Vase | Delft, Netherlands | c. 1670 | Applied Arts of Europe | | true |
|---|
| Plate depicting Adam and Eve | Delft or possibly Haarlem, Netherlands | c. 1650/60 | Applied Arts of Europe | | true |
|---|
| Quaich | Glasgow, Scotland | c. 1670 | Applied Arts of Europe | | false |
|---|
| Halberd | Possibly Lamprecht Koller (Swiss, Würenlos, active about 1663-1681) | 1663-81 | Applied Arts of Europe | | true |
|---|
| Halberd | Possibly Lamprecht Koller (Swiss, Würenlos, active about 1663-1681) | 1663-81 | Applied Arts of Europe | | true |
|---|
| Plate | China | 1662/1722 | Applied Arts of Europe | | false |
|---|
| Two Fragments from a Border | England, Devonshire or Dorset | 1661 | Textiles | | false |
|---|
| Box with Scale and Set of Weights | Wilhelm von Essen
German, 17th century
Pluckhoff, Cologne, Germany | 1661 | Applied Arts of Europe | | false |
|---|
| Garden Urn | Nevers, France | c. 1665–85 | Applied Arts of Europe | | true |
|---|
| Wheellock Rifle of Emperor Leopold I | Stock: Johann Georg Maucher
German, Schwäbisch Gmünd, active 1650-1700
Lock and barrel: Michael Has | 1664 | Applied Arts of Europe | | true |
|---|
| Cup-Hilted Rapier | Spanish or south Italian | 1670/90 | Applied Arts of Europe | | true |
|---|
| Knife | European, possibly Dutch | late 17th century | Applied Arts of Europe | | true |
|---|
| Fork | European, possibly Dutch | late 17th century | Applied Arts of Europe | | true |
|---|
| Combined Axe-Flintlock Gun-Dagger | East German or Polish (Silesia; possibly Teschen) | 1660/80 | Applied Arts of Europe | | true |
|---|
| Hunting Hanger | Handle: German
Crossguard and Blade: German | Handle: about 1670
Crossguard and Blade: 18th century | Applied Arts of Europe | | true |
|---|
| Embroidery with Allegorical and Mythological Motifs | Peru, probably Lima | 1660s | Textiles | | false |
|---|
| Portable Diptych with Compass, Sundial, and Perpetual Calendar | Charles Bloud
French, mid to late 17th century
France | 1660/80 | Applied Arts of Europe | | false |
|---|
| Cyrus Defeats Spargapises from The Story of Cyrus | Adapted from designs by Michiel Coxie (1499–1592)
Produced at the workshop of Albert Auwercx (1629–1709)
Brussels | c. 1670 | Textiles | | false |
|---|
| Jug | Painted by Johann Schaper
German, 1621-1670
Nuremberg, Germany | c. 1665 | Applied Arts of Europe | | false |
|---|
| Caudle Cup with Cover | Arthur Manwaring
English, active 1643-91
London, England | 1659/60 | Applied Arts of Europe | | false |
|---|
| Tazza | Possibly by William Hough
English, active after 1641
London, England | 1659/60 | Applied Arts of Europe | | false |
|---|
| Pair of Flintlock Pistols | Dutch, Maastricht | 1660–70 | Applied Arts of Europe | | true |
|---|
| Goblet | Northern Europe | c. 1660–80 | Applied Arts of Europe | | true |
|---|
| Flute | Netherlands or Belgium | c. 1660/80 | Applied Arts of Europe | | true |
|---|
| Court Cupboard | England | c. 1660 | Applied Arts of Europe | | false |
|---|
| Needlework Picture Depicting the Four Seasons | England | about 1660 | Textiles | | false |
|---|
| Plate | Possibly Paulus Öham
German, 1634-1671
Germany, Nuremberg | c. 1660 | Applied Arts of Europe | | false |
|---|
| Goblet (Pokal) | Georg Schwanhardt
German, active mid-17th century
Nuremberg, Germany | c. 1660 | Applied Arts of Europe | | false |
|---|
| Fragment (From a Chair Panel (K’assu) | China | Qing dynasty (1644–1911), 1654/1772 | Textiles | | false |
|---|
| Inkwell | Isaac Ruprecht
German, 1652-1678
Germany | 1652/78 | Applied Arts of Europe | | false |
|---|
| Sampler | Mary Bidgood (English, active mid-17th century)
England | 1651 | Textiles | | false |
|---|
| Winged Goblet (Flügelglas) | Southern Netherlands, or Germany | c. 1670-c. 1690 | Applied Arts of Europe | | true |
|---|
| Parrying Dagger | South Italian or Spanish | 1650/60 | Applied Arts of Europe | | true |
|---|
| Parrying Dagger | Spanish or south Italian | 1650/1675 | Applied Arts of Europe | | true |
|---|
| Wheellock Birding Rifle (Tschinke) | Polish, Silesia, Teschen | 1650/60 | Applied Arts of Europe | | true |
|---|
| Boar Sword | German | 1650/60 | Applied Arts of Europe | | true |
|---|
| Scarf Sword | Hilt: northern European (possibly Swedish)
Blade: possibly Italian or Spanish | c. 1660 | Applied Arts of Europe | | true |
|---|
| Oval Box Depicting Charles II and Catherine of Braganza | England | about 1660 | Textiles | | false |
|---|
| Jiasha (Mantle) | Han
China | Qing dynasty (1644–1911), 1650/1725 | Textiles | | false |
|---|
| Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660 | France | c. 1660 | Textiles | | false |
|---|
| Panel or Hanging | China | Late–Ming dynasty (1368–1644)/Qing dynasty (1644–1911), 1650/1700 | Textiles | | false |
|---|
| Kesa | Japan | 1650/1700, Edo period (1615–1868) | Textiles | | false |
|---|
| Buddhist Monk's Cape (Incomplete) | China | Qing dynasty (1644–1911), 1650/1700 | Textiles | | false |
|---|
| Needlework Picture Depicting the Queen of Sheba Before King Solomon | England | about 1660 | Textiles | - silk
- cotton_linen
- metal
- glass
| false |
|---|
| Valance | China | Qing dynasty (1644–1911), 1650/1700 | Textiles | | false |
|---|
| Bed Curtain | Manchu
China | Mid–17th/mid–18th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Silk | Iran (Persia, Isfahan) | 1650/1700 | Textiles | | false |
|---|
| Pair of Banners | China | Qing dynasty (1644–1911), 1650/1700 | Textiles | | false |
|---|
| Pair of Flintlock Holster Pistols | Lazzarino Cominazzo
Italian, Brescia, 17th century | c. 1660/70 | Applied Arts of Europe | | false |
|---|
| Wine Taster | London, England | 1649/50 | Applied Arts of Europe | | false |
|---|
| Flintlock (Patilla) in the Spanish or southern Italian style | Brescia, Italy | c. 1660 | Applied Arts of Europe | | true |
|---|
| Smallsword | Crossguard and Pommel: attributed to Gottfried Christian Leygebe
German, Nuremberg, 1630-1683
Blade: French, early 18th century
Grip: German | Crossguard and Pommel: c. 1650
Blade: early 18th century
Grip: c. 1550 | Applied Arts of Europe | | false |
|---|
| Powder Flask | Johann Georg Maucher (workshop)
German, Schwäbisch Gmünd, active 1650-1700 | c. 1650 | Applied Arts of Europe | | false |
|---|
| Double-Barrel Revolving Flintlock Pocket Pistol | Lock signed Henri Suber
French, Marseilles 17th century | c. 1650/60 | Applied Arts of Europe | | false |
|---|
| Cabinet | Cabinet: Augsburg (now Germany); internal panels: Eger, Bohemia (now Cheb, Czech Republic) | c. 1640–50 | Applied Arts of Europe | | true |
|---|
| Triple-Barrel Revolving Flintlock Fowling Piece from the Gun Cabinet of the Princes of Liechtenstein | Gunsmith: Tilman Keucks (Dutch) | c. 1650 | Applied Arts of Europe | | true |
|---|
| Smallsword for a Child | French | c. 1670 | Applied Arts of Europe | | true |
|---|
| Beaker | Netherlands | c. 1640 | Applied Arts of Europe | | true |
|---|
| Cup-Hilted Rapier | South Italian or Spanish | c. 1650/60 | Applied Arts of Europe | | true |
|---|
| Cup-Hilted Rapier | Hilt: Italian; blade: Tomas Ayala, Spanish, Toledo | About 1650 | Applied Arts of Europe | | true |
|---|
| Rapier | Spanish or south Italian | 1640/60 | Applied Arts of Europe | | true |
|---|
| Spider Helmet | English or French | 1650/1700 | Applied Arts of Europe | | true |
|---|
| Flintlock Pistol | French, Alsace | 1640/50 | Applied Arts of Europe | | true |
|---|
| Wheellock Birding Rifle (Tschinke) | Polish, Silesia, Teschen | 1640/60 | Applied Arts of Europe | | true |
|---|
| Beadwork Basket Depicting a Courting Couple in a Garden | England | about 1645 | Textiles | - cotton_linen
- metal
- glass
- paper
| false |
|---|
| Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus | After a design by Jacob Jordaens (1593–1678)
Woven at the workshop of Jan van Leefdael (1603–1668)
Brussels | c. 1650 | Textiles | | false |
|---|
| Prunted Beaker (Roemer) | Netherlands | c. 1640 | Applied Arts of Europe | | true |
|---|
| Charger | Balthasar Dauman
German, active 1623-1632
Glatz, Germany (now Kłodzko, Poland) | 1632 | Applied Arts of Europe | | false |
|---|
| Monstrance | Spain | 1631 | Applied Arts of Europe | | false |
|---|
| Sweetmeat Dish | London, England | 1631/32 | Applied Arts of Europe | | false |
|---|
| Cup in the Form of a Horse and Rider | Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653)
Ulm (now Germany) | 1630 | Applied Arts of Europe | | true |
|---|
| Rapier | Western European | 1630-40 | Applied Arts of Europe | | true |
|---|
| Buckler | Italian or Spanish | 1630/50 | Applied Arts of Europe | | true |
|---|
| Cabinet or Box Depicting Scenes from the Old Testament | Made by Rebecca Stonier Plaisted (English, 1653-1724)
England | 1668 | Textiles | - silk
- cotton_linen
- metal
- wood
- paper
| false |
|---|
| Rapier and Scabbard | Probably Flemish | c. 1630 | Applied Arts of Europe | | true |
|---|
| Halberd for the Bodyguard of Karl Eusebius, Prince of Liechtenstein | German | 1632 | Applied Arts of Europe | | true |
|---|
| Pikeman Armor for an Officer | English, Greenwich | 1625/30 | Applied Arts of Europe | | true |
|---|
| Wheellock Rifle | East German of Polish (Silesia, possibly Teschen) | 1625/50 | Applied Arts of Europe | | true |
|---|
| Sword (Pappenheimer Rapier) | Dutch | c. 1630 | Applied Arts of Europe | | true |
|---|
| Linen Cupboard (Kast) | The Netherlands, probably Amsterdam | 1630/50 | Applied Arts of Europe | | false |
|---|
| Coverlet | China | Ming dynasty (1368–1644)/ Qing dynasty (1644–1911), Mid–17th century | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Composite Armor for Heavy Cavalry (Cuirassier) | South German, Nuremberg | 1620-40 | Applied Arts of Europe | | true |
|---|
| Rapier | Italian or Spanish | c. 1630 | Applied Arts of Europe | | true |
|---|
| Rapier | Southern European | 1620-30 | Applied Arts of Europe | | true |
|---|
| Rapier | Italian or Spanish | c. 1630 | Applied Arts of Europe | | true |
|---|
| Halberd | Flemish | 1620/50 | Applied Arts of Europe | | true |
|---|
| Zischägge (Helmet) | German | 1620-40 | Applied Arts of Europe | | true |
|---|
| Zischägge (Helmet) | Probably Flemish | 1620-40 | Applied Arts of Europe | | true |
|---|
| Gorget | German | 1620/50 | Applied Arts of Europe | | true |
|---|
| Coin Cabinet for a Member of the Barberini Family | Italian; Rome | 1630–34 | Applied Arts of Europe | | false |
|---|
| The Stafford Chasuble | England | 1620/40 (appliquéd late 17th century) | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China, Guangzhou (Canton) or Macao | late Ming (1368–1644) or early Qing dynasty (1644–1912) | Textiles | | false |
|---|
| The Crossing of the Granicus from The Story of Alexander the Great | After a design by, and woven at the workshop of, Karel van Mander the Younger (1579–1623)
Holland, Delft | 1619 | Textiles | | false |
|---|
| Drinking Cup (Bernegal) | Miguel de Urbiola (active New Spain [now Mexico], 1619–25)
Viceroyalty of New Spain (now Mexico) | c. 1620 | Applied Arts of Europe | | true |
|---|
| Pair of Wheellock Pistols | German | 1620/30 | Applied Arts of Europe | | true |
|---|
| Shaffron | Pierre du Coudroy (Flemish, born France, 1560-about 1626)
Brussels | about 1620 | Applied Arts of Europe | | true |
|---|
| Kesa | Japan | 17th century, Edo period (1615–1868) | Textiles | | false |
|---|
| Halberd for the Bodyguard of Emperor Mattias | Austrian | 1612 | Applied Arts of Europe | | true |
|---|
| Triple-Wheellock Pistol | Franco-German (Alsatian); Strasbourg | 1610/20 | Applied Arts of Europe | | true |
|---|
| Rapier | Probably Italian | 1610-20 | Applied Arts of Europe | | true |
|---|
| Rapier | Probably Italian | 1610-20 | Applied Arts of Europe | | true |
|---|
| Zischägge (Helmet) | Flemish | 1620/30 | Applied Arts of Europe | | true |
|---|
| Zischägge (Helmet) and Cuirass of Emperor Ferdinand II | South German | c. 1620 | Applied Arts of Europe | | true |
|---|
| Siege Helmet | Probably Italian | 1610/20 | Applied Arts of Europe | | true |
|---|
| Composite Zischägge (Helmet) | Flemish, probably Brussels | c. 1620 | Applied Arts of Europe | | true |
|---|
| Reinforcing Breastplate | German | 1610-20 | Applied Arts of Europe | | true |
|---|
| The Petitions [right part] from The Story of Artemisia | After a design by Antoine Caron (1521–1599)
Woven at an unknown workshop at the Manufacture du Faubourg Saint-Marcel
France, Paris | 1607/30 | Textiles | | false |
|---|
| The Feast [central part] from The Story of Artemisia | After a design by Antoine Caron (French, 1521-1599)
Woven at an unknown workshop at the Manufacture du Faubourg Saint-Marcel
France, Paris | 1607/30 | Textiles | | false |
|---|
| Close Helmet from an Armor of Tsar Dmitry I | Italian, Milan | 1605-1606 | Applied Arts of Europe | | true |
|---|
| Wheellock-Matchlock Musket | Dutch, possibly German | c. 1600-c. 1630 | Applied Arts of Europe | | true |
|---|
| Armor for Heavy Calvary (Cuirassier) | Italian; Milan | about 1610 | Applied Arts of Europe | | true |
|---|
| Ewer | Porcelain: Jingdezhen, China; mounts: probably London | Porcelain: c. 1573–1610 (Ming dynasty [1368–1644], Wanli period [1573–1620]); mounts: c. 1610 | Applied Arts of Europe | | true |
|---|
| Powder Flask | German; possibly Munich | 1610/40 | Applied Arts of Europe | | true |
|---|
| Wheellock Pistol (Pedrenyal) of King Louis XIII of France | Spanish, Ripoll | c. 1615 | Applied Arts of Europe | | true |
|---|
| Cuirass from an Armor of Tsar Dmitry I | Italian; Milan | 1605/06 | Applied Arts of Europe | | true |
|---|
| Wheellock Gun | Franco-German; Possibly Alsace
Embellishment probably by Workshop of Frédéric Spitzer (Austrian, active 1815-1890)
Paris | c. 1610, with later 19th century embellishment | Applied Arts of Europe | | false |
|---|
| Hunting Trousse (Waidpraxe) with the Coat of Arms and Initials of Christian II, Elector of Saxony | German (Saxony), Dresden
Silversmith: Joachim Puttlost, active 1607-1652 | 1609 | Applied Arts of Europe | | true |
|---|
| Bell Salt | London, England | 1601/02 | Applied Arts of Europe | | true |
|---|
| Pall | Spain | 17th century | Textiles | | false |
|---|
| Needlework Picture Depicting the Queen of Sheba before King Solomon | England | early to mid-17th century | Textiles | | false |
|---|
| Needlework Picture Depicting the Five Senses | England | 1601-25 | Textiles | | false |
|---|
| Mirror Depicting King Charles II and Queen Catherine of Braganza | England | 17th century | Textiles | | false |
|---|
| Fire Fans | France | 17th century | Textiles | | false |
|---|
| Sampler | Probably England | 1601/25 | Textiles | | false |
|---|
| Book Cover for Book of Psalms, Prayers, and Hymns | England | 17th century | Textiles | | false |
|---|
| Chasuble | Spain | 17th century | Textiles | | false |
|---|
| Fragment (Cut/Slashed) | Italy | 1601/25 | Textiles | | false |
|---|
| Cap | England | 16th century | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 1601‒25 | Textiles | | false |
|---|
| Dalmatic | Spain | 17th century | Textiles | | false |
|---|
| Cover | Made in Bengal, India, for the Portuguese market | 1601/50 | Textiles | | false |
|---|
| Dalmatic with Apparel and Orphrey Band | Spain | 17th century | Textiles | | false |
|---|
| Stomacher | England | 17th century | Textiles | | false |
|---|
| Dalmatic | Spain or Italy | 17th century | Textiles | | false |
|---|
| Hanging (Furnishing Fabric) | China | Ming (1368–1644)/ Qing dynasty (1644–1911), 17th century | Textiles | | false |
|---|
| Panel (Dress Fabric) | Iran | 17th century, Safavid Dynasty (1501–1722) | Textiles | | false |
|---|
| Scroll | China | Ming dynasty (1368–1644)/ Qing dynasty (1644–1911), 17th century | Textiles | | false |
|---|
| Sash or Scarf Fragment (?) | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th‒18th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment (Cover or Turban Cover) | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | Ottoman Dynasty (1299–1923), 17th century | Textiles | | false |
|---|
| Cushion Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Man's Cap | England | 1601/25 | Textiles | | false |
|---|
| Curtain | England | Queen Anne period, 17th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Kashan, Iran or India | 17th century | Textiles | | false |
|---|
| Carpet | Uşak, Anatolia, Republic of Türkiye | 1601‒25 | Textiles | | false |
|---|
| Towel or Napkin | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Towel | Republic of Türkiye | 17th‒early 18th century | Textiles | | false |
|---|
| Towel or Napkin (?) | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment (Towel) | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th‒early 18th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover or Hanging | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 1600‒1725 | Textiles | | false |
|---|
| Panel | Bursa, Republic of Türkiye | 1601‒25 | Textiles | | false |
|---|
| Cushion cover | Bursa, Republic of Türkiye | 1601‒50 | Textiles | | false |
|---|
| Cushion cover | Bursa, Republic of Türkiye | 1601‒25 | Textiles | | false |
|---|
| Panel | Bursa, Republic of Türkiye | 1601‒25 | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Fragment | France | Louis XIII period (1610–1643), early 17th century | Textiles | | false |
|---|
| Fragment (Dress Fabric) | Isfahan, Iran (Persia) | 17th century | Textiles | | false |
|---|
| Carpet | Kerman, Persia (present-day Iran) | 1601-25 | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 1601‒1875 | Textiles | | false |
|---|
| Fragment | France | 1600-25 | Textiles | | false |
|---|
| Bedcover | Indo-Portuguese | 17th century | Textiles | | false |
|---|
| Fragment (Border) | Iran (Persia, Kashan) | 17th/18th century | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 1601‒50 | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 1601‒50 | Textiles | | false |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 17th century | Textiles | | false |
|---|
| Carpet | Tabriz, Persia (present-day Iran) | Early 17th century | Textiles | | false |
|---|
| Fragment | Japan | Edo period (1615–1868), 17th/18th century | Textiles | | false |
|---|
| Monk Carrying Woman | Probably after a model by Guillaume Dupré (French, about 1574–1642)
Possibly the workshop of Claude Bertélemy (French, 1525–1626)
Fontainebleau or Avon, France | 1600–20 | Applied Arts of Europe | | true |
|---|
| Rapier | Hilt: English; Blade: probably German | c. 1610 | Applied Arts of Europe | | true |
|---|
| Footed Bowl (one of a pair) | Manerbe or Le Pré-D'Auge, Normandy, France | 1600-50 | Applied Arts of Europe | | true |
|---|
| Gondola Cup with a Figure of Spring | Possibly after a model by Guillaume Dupré (French, about 1574–1642)
Possibly the workshop of Claude Bertélemy (French, 1525–1626)
Fontainebleau or Avon, France | 1600–20 | Applied Arts of Europe | | true |
|---|
| Pierced Footed Bowl | Manerbe or Le Pré-D'Auge, Normandy, France | 1600-50 | Applied Arts of Europe | | true |
|---|
| Footed Bowl (one of a pair) | Manerbe or Le Pré-D'Auge, Normandy, France | 1600-50 | Applied Arts of Europe | | true |
|---|
| Halberd | Hans Ulrich Hermann (Swiss, active c. 1600-25) | 1600-25 | Applied Arts of Europe | | true |
|---|
| Mordaxt | Swiss, probably Zurich | 1600-30 | Applied Arts of Europe | | true |
|---|
| Closed Burgonet | South German; Nuremberg | 1600/10 | Applied Arts of Europe | | true |
|---|
| Halberd | Western European | 1600-25 | Applied Arts of Europe | | true |
|---|
| Cleaver | German | early 17th century | Applied Arts of Europe | | true |
|---|
| Nautilus Shell Cup | Possibly Augsburg (now Germany) | c. 1600 (mounts altered 1800s) | Applied Arts of Europe | | true |
|---|
| Rapier Combined with two Wheel-Lock Pistols | German
Bladesmith: Hernandez Sebastian | c. 1600 | Applied Arts of Europe | | true |
|---|
| Close Helmet | Dutch | 1610/20 | Applied Arts of Europe | | true |
|---|
| Matchlock Musket for Target Shooting for the Court of Christian II, Elector of Saxony | Probably Dutch | 1600–10 | Applied Arts of Europe | | true |
|---|
| Powder Flask and Leather Carrier with Bullet Bag for the Bodyguard of the Elector of Saxony | German, Dresden | 1600/10 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Tourney | South German; probably Augsburg | 1600/10 | Applied Arts of Europe | | true |
|---|
| Small Howitzer (Field Cannon) of Artillery Captain Johannes Faulhaber | German; possibly Ulm | 1600/35 | Applied Arts of Europe | | true |
|---|
| Halberd | Western European | 1600-25 | Applied Arts of Europe | | true |
|---|
| Backplate | Italian
Marked GP [Gioco del Ponte, Pisa] | early 17th century, marked later | Applied Arts of Europe | | true |
|---|
| Lucerne Hammer | Swiss | 1600-50 | Applied Arts of Europe | | true |
|---|
| Morgenstern | Swiss or Austrian | 1600-75 | Applied Arts of Europe | | true |
|---|
| Wheellock Pistol (Puffer) with the Coat of Arms of Johann Georg, Duke of Saxony | Stock maker: probably Klaus Hirt (German)
Wasungen, Thuringia | 1604 | Applied Arts of Europe | | true |
|---|
| Split Shot (Projectile) for a Cannon | Austrian | 17th Century | Applied Arts of Europe | | true |
|---|
| Chain Shot (Projectile) for a Cannon | Austrian | 17th Century | Applied Arts of Europe | | true |
|---|
| Grape Shot (Projectile) for a Cannon | Austrian | 17th Century | Applied Arts of Europe | | true |
|---|
| Goat's Foot Lever | Spanish | 1530/60 | Applied Arts of Europe | | true |
|---|
| Mace | Eastern European style, probably Polish | 1600/1700 | Applied Arts of Europe | | true |
|---|
| Closed Burgonet | Italian | 1600/10 | Applied Arts of Europe | | true |
|---|
| Susanna and the Elders | English | early 17th century | Textiles | | false |
|---|
| Mail Shirt | Islamic, possibly Indian | 17th century (?) | Applied Arts of Europe | | false |
|---|
| Needlework Picture Depicting Orpheus Charming the Animals | England | first half of the 17th century | Textiles | | false |
|---|
| Oval Dish | Paris, France
In the style of Bernard Palissy | 17th century | Applied Arts of Europe | | false |
|---|
| Panel (Furnishing Fabric) | China | Ming dynasty (1368–1644)/Qing dynasty (1644–1911), 1600/50 | Textiles | | false |
|---|
| The Triangle Player | Avon, France or Fontainebleu, France
Possibly after a model by Guillaume Dupré (French, 1579–1640) | Early 17th century | Applied Arts of Europe | | false |
|---|
| Fireman's Pick Ax | Japan | Edo period (1615–1868), 1600/1868 | Textiles | | false |
|---|
| Valance | China | Ming dynasty (1368–1644), 1600/40 | Textiles | | false |
|---|
| Valance | China | Ming dynasty (1368–1644), 1600/44 | Textiles | | false |
|---|
| Panel (Furnishing Fabric) | China | Qing dynasty (1644–1911), 1600/44 | Textiles | - silk
- cotton_linen
- metal
- paper
| false |
|---|
| Fragment from a cover or wall hanging | Republic of Türkiye | 1600–1750 | Textiles | | false |
|---|
| Crown, Probably for a Statue of the Christ Child | Spanish or Spanish Colonial | c. 1600-c. 1650 | Applied Arts of Europe | | false |
|---|
| Charger | Talavera de la Reina Potteries
Spanish, founded mid-16th century | 17th century | Applied Arts of Europe | | false |
|---|
| Tazza | Talavera de la Reina Potteries
Spanish, founded mid-16th century | 17th century | Applied Arts of Europe | | false |
|---|
| Fragment | Iran | first half of the 17th century | Textiles | | false |
|---|
| Beaker | Attributed to Hermann Beckert
Germany | 1600—25 | Applied Arts of Europe | | false |
|---|
| Powder Flask for Archduke Mathias of Austria (Emperor 1612-19) | Austrian | early 17th century | Applied Arts of Europe | | false |
|---|
| Youths Standing among Cypress Trees, Ponds, and Flowers | Persia (present-day Iran) | Safavid dynasty (1501-1722), Shah 'Abbas (Abbas I, Shah Abbas the Great, r. 1588-1629); early 17th century | Textiles | | false |
|---|
| Jug with the Head of a Woman | Bohemian | 1597 | Applied Arts of Europe | | true |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), 1597 | Textiles | | false |
|---|
| Tankard with Cover | Bohemian | 1596 | Applied Arts of Europe | | true |
|---|
| Halberd for the Bodyguard of Archduke of Inner Austria (Later Emperor) Ferdinand II | Austrian | 1596 | Applied Arts of Europe | | true |
|---|
| Fork, Knife, and Spoon | Southern Germany | c. 1600 | Applied Arts of Europe | | true |
|---|
| Parade Cuirass | Possibly France | c. 1600–10 | Applied Arts of Europe | | true |
|---|
| Goblet | Italian
Venice | c. 1600 | Applied Arts of Europe | | true |
|---|
| Platter | In the style of Bernard Palissy (French, 1510–1590)
Probably the workshop of the Griffin Master (also known as the Dragon Master; French, probably active late 1500s–early 1600s)
Paris | c. 1600 | Applied Arts of Europe | | true |
|---|
| Beaker with the Emperor and Seven Electors (Kurfürsten Humpen) | Bohemian or German | c. 1600 | Applied Arts of Europe | | true |
|---|
| Beaker (Humpen) with the Ages of Man | Bohemian or German | c. 1600 | Applied Arts of Europe | | true |
|---|
| Combination Spanner-Primer Flask-Screwdriver with the Coat of Arms of the Haller von Hallerstein and Nüzel von Sunderspuhl Families | South German, Nuremberg | c. 1600 | Applied Arts of Europe | | true |
|---|
| Wheellock Gun for a Boy | German; Nuremberg | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Box for Trenchers | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Trencher with a Scene from Aesop's Fables | England | c. 1600 | Applied Arts of Europe | | true |
|---|
| Cup | L. Umbach
German, early 17th century | c. 1600 | Applied Arts of Europe | | false |
|---|
| Rosewater Ewer and Basin | Franz Dotte, active c. 1595-1600
Germany, Nuremberg | 1603/1609 | Applied Arts of Europe | | false |
|---|
| Casket | Venice, Italy | c. 1595 | Applied Arts of Europe | | true |
|---|
| Model Field Cannon (Culverin) | Possibly by Hans Reischperger
Austrian, Vienna, active 1595 | 1595 | Applied Arts of Europe | | true |
|---|
| Ostrich Cup | Marked by John Spilman (born Bavaria [now Germany], active England, died 1626)
London | 1590–91 | Applied Arts of Europe | | true |
|---|
| Demi Shaffron | Italian, Milan | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Panel (Furnishing Fabric) | Italy, probably Tuscany or Milan | about 1600-1625 | Textiles | | true |
|---|
| Tankard with Mansfeld Arms | German; probably Saxony | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Parrying Dagger with Scabbard | German; Dresden | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Close Burgonet | Italian; Milan | about 1600 | Applied Arts of Europe | | true |
|---|
| Closed Burgonet | Italian, Milan | 1600/10 | Applied Arts of Europe | | true |
|---|
| Model Field Cannon with Carriage | Dutch | c. 1600 | Applied Arts of Europe | | true |
|---|
| Glaive for the Civic Guard of Rome | Italian | 1600 | Applied Arts of Europe | | true |
|---|
| Demi-Shaffron | Italian, Milan | 1570/80 | Applied Arts of Europe | | true |
|---|
| Wheellock Pistol | Barrel smith: Peter Danner
(German, active 1582–1602) Nuremberg | c. 1590 | Applied Arts of Europe | | true |
|---|
| Crossbow | Spanish | 1530/60 | Applied Arts of Europe | | true |
|---|
| De Gli Habiti Antichi, et Moderni di Diuerse Parti del Mondo Libri Dve, Fatti da Cesare Vecellio et con discoursi da Lui Dichiarti. Con Privilegio" | Cesare Vecellio (Italian, c. 1521–1601)
Italy, Venice | 1590 | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590s | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China, Ming dynasty (1368-1644) | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Sutra Cover | China | Ming dynasty (1368–1644), c. 1590's | Textiles | | false |
|---|
| Panel of English Elizabethan Embroidery | English | 1590-1600 | Textiles | | false |
|---|
| Wheellock Sporting Rifle | Barrel: Johan Bichler
German, Augsburg, active 1595-1625 | c. 1600/25 | Applied Arts of Europe | | false |
|---|
| Pluto and Proserpina with Falconry | After an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Falconry
Woven at the workshop of Erasmus I de Pannemaker (c. 1565–1620 or later)
Brussels | c. 1600 | Textiles | | false |
|---|
| Pilgrim Flask | Workshop of Jan Emens Mennicken
(Flemish, active 1568-94) | 1587 | Applied Arts of Europe | | true |
|---|
| Wheellock Puffer (Pistol) for the Mounted Bodyguard of the Elector of Saxony | Abraham Dressler
(German, active 1572-90), Dresden | 1591 | Applied Arts of Europe | | true |
|---|
| Infantry Armor and Targe (Shield) | Master I.P.F. (Italian)
Milan | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Beaker | Bohemian or German | c. 1590 | Applied Arts of Europe | | true |
|---|
| Walking Stick-Hammer-Sword-Wheellock Pistol | South German, probably Augsburg | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Backplate | Northern Italian | c. 1590–1600 | Applied Arts of Europe | | false |
|---|
| Portions of a Field Armor | Jacob Halder (English, 1558–1608)
Royal Workshops of Greenwich, England | c. 1588 | Applied Arts of Europe | | true |
|---|
| Riding Sword | Dresden, Saxony, Germany | c. 1580–1600 | Applied Arts of Europe | | true |
|---|
| Model Artillery with Field Carriage | Master Dodemont of Normandy
French, active mid-16th century | 1580/1600 | Applied Arts of Europe | | true |
|---|
| Wheellock Gun | Barrel smith: Berhard Albrecht
(German, active 1557–87)
Augsburg | c. 1585 | Applied Arts of Europe | | true |
|---|
| Close Helmet for Foot Tournament at the Barriers | Anton Peffenhauser (German, c. 1525—1603)
Augsburg | 1591 | Applied Arts of Europe | | true |
|---|
| Glaive | Italian, possibly Brescia | c. 1600 | Applied Arts of Europe | | true |
|---|
| Wheellock Puffer (Pistol) for the Mounted Bodyguard of the Elector of Saxony | Abraham Dressler
(German active 1572—1590), Dresden | 1589 | Applied Arts of Europe | | true |
|---|
| Wheellock Carbine for the Bodyguard of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg | Gunsmith: Valentin Klett (German, 1556–1603)
German; Suhl, Thuringia | 1600 | Applied Arts of Europe | | true |
|---|
| Two-Handed Sword with Scabbard | German, possibly Munich | 1580-1600 | Applied Arts of Europe | | true |
|---|
| Halberd for the Bodyguard of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg | Austrian | 1589 | Applied Arts of Europe | | true |
|---|
| Two-Handed Sword | German, possibly Munich | 1580-1600 | Applied Arts of Europe | | true |
|---|
| Composite Boy's Armor for Foot Tournament at the Barriers | South German; Augsburg | c. 1600 | Applied Arts of Europe | | true |
|---|
| Halberd | German | 1592 | Applied Arts of Europe | | true |
|---|
| Shishak | Ottoman, Turkish | late 16th–early 17th century | Applied Arts of Europe | | false |
|---|
| Plaque with Virgin and Child | Italian
Probably Rome | 1580–1600 | Applied Arts of Europe | | true |
|---|
| Covered Jug | Bohemia | 1581 | Applied Arts of Europe | | true |
|---|
| Pole Glass (Stangenglas) | Probably Netherlandish | 1580/1620 | Applied Arts of Europe | | true |
|---|
| Casket | South German; Nuremberg | c.1590 | Applied Arts of Europe | | true |
|---|
| Rapier of the Guard of the Duke-Electors of Saxony | German, Dresden | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Gorget | French | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Cuirass and Pauldrons for a Papal Swiss Guard | Italian, Brescia | 1590; decoration 1623/44 | Applied Arts of Europe | | true |
|---|
| Shield for the Bodyguard of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg | Italian, Venice | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Halberd | Italian | 1590/1600 | Applied Arts of Europe | | true |
|---|
| Glaive for the Bodyguard of Markus Sittikus von Hohenems, Prince-Archbishop of Salzburg | Austrian | 1589 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Joust and Tourney | South German; probably Augsburg | c. 1590 | Applied Arts of Europe | | true |
|---|
| Barred Visor of a Close Helmet for the Gioco del Ponte | Italian; Pisa | c. 1600 or later | Applied Arts of Europe | | true |
|---|
| Gorget for Composite Boy's Armor for Foot Tournament at the Barriers | South German; Augsburg | c. 1600 | Applied Arts of Europe | | true |
|---|
| Elements of a Half Armor for Foot Tournament at the Barriers | South German; Augsburg | c. 1590 | Applied Arts of Europe | | true |
|---|
| Pellet Crossbow | Flemish | 1580/1610 | Applied Arts of Europe | | true |
|---|
| Parrying Dagger | German; Dresden | 1590–1600 | Applied Arts of Europe | | true |
|---|
| Rapier | German; Dresden | 1590–1600 | Applied Arts of Europe | | true |
|---|
| Close Helmet for Foot Tournament at the Barriers | Italian, Milan | c. 1600/10 | Applied Arts of Europe | | true |
|---|
| Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal) | Switzerland | c. 1590 | Textiles | | false |
|---|
| Coconut Cup with Biblical Scenes from the Life of David | Carving: Netherlands; mounts: London | 1577-78 | Applied Arts of Europe | | true |
|---|
| Dagger with Two Awls and Sheath for the Bodyguard of the Elector of Saxony | Silver mounts marked by Wolf Paller Paller (German, died 1583)
Dresden | 1580 | Applied Arts of Europe | | true |
|---|
| Two Awls | German (Saxon) | late 16th century | Applied Arts of Europe | | true |
|---|
| Glaive of the Bodyguard of August I, Elector of Saxony | German | 1580 | Applied Arts of Europe | | true |
|---|
| Morion-Burgonet | Southern German, probably Augsburg | 1585 | Applied Arts of Europe | | true |
|---|
| Boar Spear | German, Saxony | 1575/1600 | Applied Arts of Europe | | true |
|---|
| Infantry Armor | Northern German, Brunswick | 1575/85 | Applied Arts of Europe | | true |
|---|
| Tazza | Italian; Venice | 1575/1600 | Applied Arts of Europe | | true |
|---|
| Cushion Cover | Bursa, Republic of Türkiye | 1575‒1625 | Textiles | | false |
|---|
| Panel | Bursa, Republic of Türkiye | 1575‒1600 | Textiles | | false |
|---|
| Panel | Bursa, Republic of Türkiye | 1575‒1625 | Textiles | | false |
|---|
| Woman's Coif (Altered) | England | c. 1600 | Textiles | | false |
|---|
| Çatma cover | Bursa, Republic of Türkiye | 1575‒1600 | Textiles | | false |
|---|
| Portion of Chasuble Back | Italy | Late 16th/early 17th century | Textiles | | false |
|---|
| Chasuble with Medallion Depicting John the Baptist | Tondo after a fresco by Andrea del Sarto (Italian, 1486–1530)
Italy | 1575/1625 | Textiles | | false |
|---|
| Cover | Republic of Türkiye | 1575‒1625 | Textiles | | false |
|---|
| Cushion Cover (Made from Woman's Dress) | England | Elizabethan period, 1575/1600 | Textiles | | false |
|---|
| Cope (without Orphrey or Hood) | Italy, Florence | 1575/1600 | Textiles | | false |
|---|
| Water Jug with Arms of Jülich-Cleves-Berg | Workshop of Anno Knütgen
(German, active 1564-83) | 1574 | Applied Arts of Europe | | true |
|---|
| Plackart | German, Augsburg | 1573 | Applied Arts of Europe | | true |
|---|
| Wheellock Rifle of Archduke Charles of Styria | Hans Paumgartner
Austrian, Graz, active 1556-1582 | 1571 | Applied Arts of Europe | | true |
|---|
| Sword with Scabbard for an Officer in the Bodyguard of the Elector of Saxony | Silversmith: Attributed to Urban Schneeweiss
German, Dresden, 1536-1600 | c. 1580 | Applied Arts of Europe | | true |
|---|
| Infantry Garniture of a Target (Shield) and Pointed Morion | North Italian; Milan | 1570/80 | Applied Arts of Europe | | true |
|---|
| Morion for the Bodyguard of the Elector of Saxony | Probably Hans Michel
(German, 1539-1599) Nuremberg | c. 1580 | Applied Arts of Europe | | true |
|---|
| Cranequin ( Winder ) for a Crossbow | South German; possibly Nuremberg
Master H W over W | 1570/1600 | Applied Arts of Europe | | true |
|---|
| Cranequin (Winder) for a Crossbow | German, Nuremberg | 1570/80 with a mid–17th century decoration | Applied Arts of Europe | | true |
|---|
| Pointed Morion | North Italian, probably Milan | c. 1580 | Applied Arts of Europe | | true |
|---|
| Breastplate | North Italian, probably Milan | 1570-80 | Applied Arts of Europe | | true |
|---|
| Cartridge Box | German, probably Brunswick | 1570/80 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Tourney | South German; Augsburg | c. 1580 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Joust | Italian; Milan | 1580/90 | Applied Arts of Europe | | true |
|---|
| Morion-Burgonet | North Italian, probably Brescia | 1570-80 | Applied Arts of Europe | | true |
|---|
| Pointed Morion | Northern Italian, probably Brescia | c. 1580 | Applied Arts of Europe | | true |
|---|
| Pointed Morion | North Italian, probably Milan | c. 1580 | Applied Arts of Europe | | true |
|---|
| Breastplate | South German; Augsburg | c. 1580 | Applied Arts of Europe | | true |
|---|
| Breastplate | North Italian, probably Milan | c. 1580 with some modern restorations | Applied Arts of Europe | | true |
|---|
| Burgonet | Northern German | c. 1580/90 | Applied Arts of Europe | | true |
|---|
| Shaffron | South German; probably Augsburg | 1580/1600 | Applied Arts of Europe | | true |
|---|
| Pellet Crossbow | Italian or French | 1570/1600 | Applied Arts of Europe | | true |
|---|
| Tazza with Moses Striking Water from the Rock | Jean de Court (French, active c. 1555–85) | 1570–75 | Applied Arts of Europe | | false |
|---|
| Model Cannon (Culverin) | French | 1580/1600 | Applied Arts of Europe | | false |
|---|
| Tankard with Biblical Scenes | German, Passau or Ingolstadt | 1569 | Applied Arts of Europe | | true |
|---|
| Wheellock Pistol | I. (possibly Hans) Gender (German,1567—1568?)
Nuremberg | 1567 | Applied Arts of Europe | | true |
|---|
| Gauntlet for the Left Hand | Lucio Piccinino (Italian, active 1575-1595)
Milan | 1575/90 | Applied Arts of Europe | | true |
|---|
| Crossbow | South German, Possibly Nuremburg | 1570 | Applied Arts of Europe | | true |
|---|
| Powder Flask Carved with the Parable of the Good Samaritan | German or French | 1570/1600 | Applied Arts of Europe | | true |
|---|
| Waistcoat Cuirass | Italian; Milan | c. 1570—c.1580 | Applied Arts of Europe | | true |
|---|
| Glaive for the Bodyguard of Emperor Maximilian II | Austrian | 1564 | Applied Arts of Europe | | true |
|---|
| Portions of a Jousting Helmet | Italian; Milan | 1570/80 | Applied Arts of Europe | | true |
|---|
| Gauntlet from a Tournament Garniture of a Hapsburg Prince | Attributed to Anton Peffenhauser (German 1525—1603)
Augsburg | 1571 | Applied Arts of Europe | | true |
|---|
| Gauntlet from a Tournament Garniture of a Hapsburg Prince | Attributed to Anton Peffenhauser
(German 1525—1603) Augsburg | 1571 | Applied Arts of Europe | | true |
|---|
| Garniture for Field and Foot Tourney at the Barriers | Italian, Milan | c. 1575 | Applied Arts of Europe | | true |
|---|
| Comb Morion | French | 1570 | Applied Arts of Europe | | true |
|---|
| Garniture for Field and Foot Tourney at the Barriers | Northern Italian, Milan | c. 1575 | Applied Arts of Europe | | true |
|---|
| Composite Armor for the Joust and Tourney | German; Augsburg | 1560-70 with some restoration before 1841 | Applied Arts of Europe | | true |
|---|
| Armor for the Field and Tourney | South German or Austrian (Probably Innsbruck) | 1560/70 | Applied Arts of Europe | | true |
|---|
| Breastplate | South German, Nuremberg | 1560-70 | Applied Arts of Europe | | true |
|---|
| Tournament Sallet (Rennhut) with Buffe | German, Saxony | c. 1570/1600 | Applied Arts of Europe | | true |
|---|
| Two-Handed Sword for the Bodyguard of Julius, Duke of Brunswick-Lüneburg and Prince of Wolfenbüttel | Northern German, Brunswick | 1573 | Applied Arts of Europe | | true |
|---|
| Matchlock Petronel | French | 1570/80 | Applied Arts of Europe | | true |
|---|
| Powder Flask | Italian | 1570/80 | Applied Arts of Europe | | true |
|---|
| Targe (Shield) | Flemish or English | 1580/1600 | Applied Arts of Europe | | true |
|---|
| Elements of an Armor for the Joust in the Italian Fashion | South German; Augsburg | c. 1570 | Applied Arts of Europe | | true |
|---|
| Pair of Dueling Gauntlets | Southern German; probably Nuremberg | 1580/1600 | Applied Arts of Europe | | true |
|---|
| Pair of Wheellock Pistols | German, Nuremberg | c. 1570 | Applied Arts of Europe | | true |
|---|
| Sword from the Armory of Schloss Ambras, Innsbruck | Hilt: German or possibly Austrian (Innsbruck)
Blade: German, Passau | 1570/90 | Applied Arts of Europe | | true |
|---|
| Demi Shaffron of an Infantry Garniture | Italian; Milan | 1570/80 | Applied Arts of Europe | | true |
|---|
| The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob | Produced at the workshop of Jan van Tieghem (died 1573 or later)
Brussels | 1560/68 | Textiles | | false |
|---|
| Spear for the Bodyguard of Emperor Ferdinand I | Austrian | 1558 | Applied Arts of Europe | | true |
|---|
| L'Honesto Essempio (The Accurate Example) | Matthio Pagan (Italian, active 1538–1562)
Italy, Venice | 1556 | Textiles | | false |
|---|
| Plate with Story of Numa Pompilius and Arms of Gonzaga | Fontana Workshops
Italian; Urbino | c. 1560 | Applied Arts of Europe | | true |
|---|
| Glaive for the Bodyguard of King of Hungry and Bohemia (Later Emperor) Maximilian II | Austrian | 1563 | Applied Arts of Europe | | true |
|---|
| Reinforcing Breastplate Bevor, and Grandguard for the Joust | South German, Augsburg | c. 1560 | Applied Arts of Europe | | true |
|---|
| Plate with Scene of the Month of April | Jean de Court (French, active c. 1555–85) | c. 1560–70 | Applied Arts of Europe | | false |
|---|
| Wine Cistern | Francesco Durantino
Italian, active 1543-after 1553 | 1553 | Applied Arts of Europe | | true |
|---|
| Shoe | England
Found in Hill Street, Finsbury Park | 1553/58 | Textiles | | false |
|---|
| Three-Quarter Field Armor of Anime Construction | Michel Witz the Younger (Austrian, active 1525—60)
Innsbruck | c. 1560 | Applied Arts of Europe | | true |
|---|
| Dish | Italian; Venice | 1575/1600 | Applied Arts of Europe | | true |
|---|
| Close Helmet for Foot Tourney at the Barriers | Italian, Milan | c. 1575 | Applied Arts of Europe | | true |
|---|
| Reinforcing Bevor and Grandguard for the Joust | South German, probably Augsburg | c. 1560 | Applied Arts of Europe | | true |
|---|
| Burgonet with Falling Buffe possibly from an Armor of William Herbert, Earl of Pembroke | English; Greenwich | c. 1555 | Applied Arts of Europe | | true |
|---|
| Mail Shirt | Western European; probably German | 1550/75 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Tourney | South German; Landshut | c. 1560 | Applied Arts of Europe | | true |
|---|
| Burgonet | South German, probably Nuremberg | c. 1560 | Applied Arts of Europe | | true |
|---|
| Burgonet | South German | 1550-60 | Applied Arts of Europe | | true |
|---|
| Elements of an Armor Garniture for the Field, Joust, and Tourney of a Radziwill Prince of Poland and Lithuania | South German; Augsburg | 1573 | Applied Arts of Europe | | true |
|---|
| Targe (Shield) | Innsbruck, Austria | Dated 1551 | Applied Arts of Europe | | true |
|---|
| Buckler (Targa) | Italian | 1550/75 | Applied Arts of Europe | | true |
|---|
| Breastplate | Italian, Milan | c. 1560, refashioned 1600-10 | Applied Arts of Europe | | true |
|---|
| Infantry Armor | North German | c. 1550-60 | Applied Arts of Europe | | true |
|---|
| Portions of a Jousting Armor | Italian | c. 1560 with some modern restorations | Applied Arts of Europe | | true |
|---|
| Demi Shaffron | German | 1570/80 | Applied Arts of Europe | | true |
|---|
| Armor for the Joust | Northern Italian | c. 1560 | Applied Arts of Europe | | true |
|---|
| Parrying Gauntlet | Italian | 1550/1575 | Applied Arts of Europe | | true |
|---|
| Codpiece | German | 1550/70 | Applied Arts of Europe | | true |
|---|
| Pair of Mail Sleeves | European | 1550/1600 | Applied Arts of Europe | | true |
|---|
| Fifteen Links Mounted as a Necklace | Italian | c. 1550–c. 1600 | Applied Arts of Europe | | false |
|---|
| Panel | Italy or Spain | 1550/1600 | Textiles | | false |
|---|
| Panel | Italy | c. 1560 | Textiles | | false |
|---|
| Pendant Cross | Spanish or Spanish Colonial | 17th century | Applied Arts of Europe | | false |
|---|
| Panel | Republic of Türkiye | 1550‒75 | Textiles | | false |
|---|
| Pillow Cover Depicting the Annunciation | Southern Germany (Swabia) or Switzerland | 1550-1600 | Textiles | | false |
|---|
| Panel | Bursa, Republic of Türkiye | 1550‒1600 | Textiles | | false |
|---|
| Pendant with a Cameo of Orpheus Charming the Animals | Italian | c. 1550-c. 1600 (cameo); 19th or 20th century (mount) | Applied Arts of Europe | | false |
|---|
| Display Plate with a Man Striking a Heart on an Anvil | Italian; Deruta | c. 1550 | Applied Arts of Europe | | true |
|---|
| Hispano-Moresque Plate | Spanish; Valencia (probably Manises) | 16th century | Applied Arts of Europe | | true |
|---|
| Reinforcing Bevor and Grandguard for the Joust | South German; Augsburg | c. 1560 | Applied Arts of Europe | | true |
|---|
| Mace | German | 1550 | Applied Arts of Europe | | true |
|---|
| Drug Jar (Albarello) | Italian, Urbino (Castel Durante) or Sicily | c. 1550 | Applied Arts of Europe | | false |
|---|
| Drug Jar (Albarello) | Italian, possibly Faenza | c. 1550 | Applied Arts of Europe | | false |
|---|
| Jug with Adam and Eve | Attributed to Paul Preuning, (German, active c.1540-50)
Nuremberg | c. 1550 | Applied Arts of Europe | | false |
|---|
| Plate with Moses Striking the Rock | Italian; Urbino | c. 1545 | Applied Arts of Europe | | true |
|---|
| Left Greave and Sabaton | Attributed to Wolfgang Grosschedel
(German, 1517-1562) Landshut | 1540/50 | Applied Arts of Europe | | true |
|---|
| Close Helmet for the Tourney | South German; Nuremberg | 1550/60 | Applied Arts of Europe | | true |
|---|
| Armor for the Field and Tourney | Southern German | c. 1550 | Applied Arts of Europe | | true |
|---|
| Grandguard and Bevor for the Tourney | North German; Brunswick | 1550/60 | Applied Arts of Europe | | true |
|---|
| Close Helmet | Austrian; Innsbruck | c. 1550 | Applied Arts of Europe | | true |
|---|
| Infantry or Demi Lancer's Armor | South German | 1540-50 | Applied Arts of Europe | | true |
|---|
| Plate with Theseus in the House of Achelous, from the Lancierini Service | Italian; Urbino | 1540/50 | Applied Arts of Europe | | true |
|---|
| Fragment | Bursa, Republic of Türkiye | about 1550 | Textiles | | false |
|---|
| Christ Appearing to Mary Magdalene (Noli Me Tangere) | Design attributed to Michiel Coxcie (1499–1592) or Giovanni Battista Lodi da Cremona
Woven in the workshop of Willem de Pannemaker (active 1515–c. 1581)
Brussels | 1540-1545 | Textiles | | false |
|---|
| Composite Sword | Blade by Melchior Diefstetter
German, Munich, Au c. 1520-1555/1556 | dated 1538 [at a later date] | Applied Arts of Europe | | false |
|---|
| Plate with Isaac Blessing Jacob | Workshop of Guido di Merlino
(Italian, active about 1523-64) | 1540/1545 | Applied Arts of Europe | | true |
|---|
| Bowl with a Bust of Mucius Scaevola | Italian; Faenza | 1535/45 | Applied Arts of Europe | | true |
|---|
| Wine Jug | Italian; Venice | c. 1540 | Applied Arts of Europe | | true |
|---|
| Gun Shield | Italian | c. 1544 | Applied Arts of Europe | | true |
|---|
| Fragment from the Shoulder of a Tunic (Uncu) | Colonial Inca
Inca or Indigenous
Viceroyalty of Peru, likely near Cuzco (now probably Peru, possibly Bolivia) | 1550-1625 | Textiles | | false |
|---|
| Fragment from the Topacu Waistband of a Tunic (Uncu) | Colonial Inca
Inca or Indigenous
Viceroyalty of Peru, likely near Cuzco (now probably Peru, possibly Bolivia) | 1550-1625 | Textiles | | false |
|---|
| Coca Bag | Inca-Colonial
Peru, Probably southern highlands | 1532-1650 | Textiles | | false |
|---|
| Armor for Field and Tournament | Jörg T. Sorg, the Younger, after
German, Augsburg, active 1502-1542 | About 1560 | Applied Arts of Europe | | true |
|---|
| Triple-Combed Burgonet | South German; Augsburg | 1540/50 | Applied Arts of Europe | | true |
|---|
| Portions of a Field Armor | Austrian; Innsbruck | c. 1540 with some modern restoration | Applied Arts of Europe | | true |
|---|
| Halberd | Possibly French or German | 1540/60 | Applied Arts of Europe | | true |
|---|
| Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne Before Two Widows (verso) | Attributed to Léonard Limosin (French, c. 1505–c. 1577) | c. 1530–1540 | Applied Arts of Europe | | true |
|---|
| Salt Cellar | Attributed to the Milan Marsyas Painter
(Italian, active about 1525-1535) | c. 1530 | Applied Arts of Europe | | true |
|---|
| Plate with Horatio at the Bridge | Italian; Urbino | c. 1535 | Applied Arts of Europe | | true |
|---|
| Plate with Narcissus, Cupid, and Echo Transformed | Francesco Xanto Avelli (Italian, active about 1525-1542) | c. 1530 | Applied Arts of Europe | | true |
|---|
| Thrusting Sword (Estoc) | German | c.1520—c.1540 | Applied Arts of Europe | | true |
|---|
| Plate with a Youth | Italian; Faenza | c. 1530 | Applied Arts of Europe | | true |
|---|
| Pair of Sleeves of Mail | German | mid–16th century | Applied Arts of Europe | | true |
|---|
| Mace | Italian, possiblly Spanish | 1530/50 | Applied Arts of Europe | | true |
|---|
| Dish (Coppa Amatoria) | Italian; Urbino | 1530/45 | Applied Arts of Europe | | true |
|---|
| Large Leaf Verdure with Animals and Birds | Southern Netherlands, possibly Bruges, 1525/50 | 1525-1550 | Textiles | | false |
|---|
| Shirt of Mail | European(?), possibly Islamic(?) | mid–16th century | Applied Arts of Europe | | false |
|---|
| Ring | Probably Italian | c. 1525–c. 1575 | Applied Arts of Europe | | false |
|---|
| Fingered Gauntlet for the Left Hand | Wolfgang Grosschedel
Southern German, Landshut, active 1551–1562 | c. 1535/40 | Applied Arts of Europe | | false |
|---|
| Plate with Female Bust | Italian, possibly Castel Durante | c. 1525 | Applied Arts of Europe | | true |
|---|
| Cuirass | Valentin Siebenburger (German, 1510—1564)
Nuremberg | 1530/40 | Applied Arts of Europe | | true |
|---|
| Lovers in a Garden | Northern Netherlandish | 1520/30 | Applied Arts of Europe | | true |
|---|
| The Birth and Naming of Saint John the Baptist | Northern Netherlandish | c. 1525 | Applied Arts of Europe | | true |
|---|
| Partisan | Italian | 1520-1540 | Applied Arts of Europe | | true |
|---|
| Breastplate with Tassets (Thigh Defenses) | South German, possibly Nuremberg | 1520-30 with some modern restoration | Applied Arts of Europe | | true |
|---|
| Mitten Gauntlet for the Right Hand | Probably Jörg Seusenhofer
Austrian, Innsbruck | c. 1530/40 | Applied Arts of Europe | | false |
|---|
| Thrusting Sword (Estoc) | German | c.1525—c.1540 | Applied Arts of Europe | | true |
|---|
| Mordechai Overhears the Conspiracy from the Story of Esther | Circle of Pieter Cornelisz (1498/90 - 1560/61) or Lucas van Leyden (1489-1533)
Northern Netherlandish | c. 1525 | Applied Arts of Europe | | false |
|---|
| Display Plate with Female Bust | Italian, Deruta | 1500/1530 | Applied Arts of Europe | | false |
|---|
| Mitten Gauntlet for the Left Hand | Attributed to the workshop of Kolman Helmschmid
German, Augsburg, 1471–1532
Etching attributed to Daniel Hopfer
German, Augsburg, 1471–1536 | 1524 with some restoration | Applied Arts of Europe | | false |
|---|
| Saints and Worshippers in Adoration | French; Paris | 1510-15 | Applied Arts of Europe | | true |
|---|
| Close Helmet | South German, Probably Nuremberg | c. 1520 | Applied Arts of Europe | | true |
|---|
| Close Helmet | South German; Nuremberg | 1520/30 | Applied Arts of Europe | | true |
|---|
| Close Helmet | Southern German or Austrian | 1520 | Applied Arts of Europe | | true |
|---|
| Breastplate | South German or Austrian (Innsbruck) | c. 1520 | Applied Arts of Europe | | true |
|---|
| Shaffron | Southern German | c. 1520 | Applied Arts of Europe | | true |
|---|
| Plate with Unidentified Coat of Arms | Spanish; Valencia (probably Manises) | 1500/25 | Applied Arts of Europe | | true |
|---|
| Crinet | German | c. 1520 | Applied Arts of Europe | | true |
|---|
| Bone Saw from a Hunting Trousse | France | c. 1570 | Applied Arts of Europe | | true |
|---|
| Chasuble | Italy | 1501-1525 | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Boot | England | 16th century | Textiles | | false |
|---|
| Child's Boot | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Sole of a Clog | England | 16th century | Textiles | | false |
|---|
| Toe of a Shoe | England | 16th century | Textiles | | false |
|---|
| Shoe | England | 16th century | Textiles | | false |
|---|
| Man's Horned Toe Shoe | England | 16th century | Textiles | | false |
|---|
| Man's Horned Toe Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Horned Toe Shoe | England | 16th century | Textiles | | false |
|---|
| Bear's Paw Shoe | England | 16th century | Textiles | | false |
|---|
| Bear's Paw Shoe | England | 16th century | Textiles | | false |
|---|
| Woman's Horned Toe Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Child's Shoe | England | 16th century | Textiles | | false |
|---|
| Bag | England | 16th century | Textiles | | false |
|---|
| Bag | England | 16th century | Textiles | | false |
|---|
| Bag | England | 16th century | Textiles | | false |
|---|
| Toe of a Shoe | England | 16th century | Textiles | | false |
|---|
| Fragment | Spain | 16th century | Textiles | | false |
|---|
| "Renaissance" Fringe | Italy | 16th century | Textiles | | false |
|---|
| "Renaissance" Fringe | Italy | 16th century | Textiles | | false |
|---|
| "Renaissance" Fringe | Italy | 16th century | Textiles | | false |
|---|
| Panel | Italy | 16th century | Textiles | | false |
|---|
| "Renaissance" Fringe | Italy | 16th century | Textiles | | false |
|---|
| Fragment (Dressing Fabric) | China | Ming dynasty (1368–1644), 16th century | Textiles | | false |
|---|
| Orphrey Band | France | 16th century | Textiles | | false |
|---|
| Orphrey | Spain | 16th century | Textiles | | false |
|---|
| Orphrey | Spain | 16th century | Textiles | | false |
|---|
| Parts of a Belts | England | 16th century | Textiles | | false |
|---|
| Border | Germany | 16th–17th century | Textiles | | false |
|---|
| Chalice | German
Possibly Saxony | c. 1500–c. 1520 | Applied Arts of Europe | | true |
|---|
| Shaffron | Ottoman, Turkish | 16th century | Applied Arts of Europe | | false |
|---|
| Halberd | German | 1500-50 | Applied Arts of Europe | | true |
|---|
| Close Helmet | German | c. 1510 | Applied Arts of Europe | | true |
|---|
| Salt | Innsbruck, Austria | 16th century | Applied Arts of Europe | | true |
|---|
| Shishak | Possibly Caucasus or Turkey | 16th century | Applied Arts of Europe | | false |
|---|
| Halberd | German | 1500-50 | Applied Arts of Europe | | true |
|---|
| Peytral of a Horse Armor | German | c. 1520 | Applied Arts of Europe | | true |
|---|
| Close Helmet | German or Austrian (possibly Innsbruck) | c. 1510 | Applied Arts of Europe | | true |
|---|
| Close Helmet | South German | 1510/20 | Applied Arts of Europe | | true |
|---|
| Breastplate with Tassets (Thigh Defenses) | Probably Italian | c. 1510 | Applied Arts of Europe | | true |
|---|
| Elements of Composite Armor | German or Austrian | c. 1520 with later additions | Applied Arts of Europe | | true |
|---|
| Infantry Armor | German, possibly Cologne | 1510/15 | Applied Arts of Europe | | true |
|---|
| Field Armor for Man | South German, Nuremberg | c. 1520 | Applied Arts of Europe | | true |
|---|
| Jousting Lance with Vamplate | German | 1560/80, modern lance | Applied Arts of Europe | | true |
|---|
| Fluted Field Armor | German, Nuremberg | c. 1520 | Applied Arts of Europe | | true |
|---|
| Lance for the Carousel (Running at the Ring) | German, Dresden | 1700-50 | Applied Arts of Europe | | true |
|---|
| Mail Cape (Bishop's Mantle) | German | 1520/70 | Applied Arts of Europe | | true |
|---|
| Curb Bit | German | 1510/20 | Applied Arts of Europe | | true |
|---|
| Roundel Dagger and Scabbard | German | 1500-20 | Applied Arts of Europe | | true |
|---|
| Hand-and-a-Half Sword | German, Passau | c. 1520 | Applied Arts of Europe | | true |
|---|
| Cantle Plate | German | c. 1520 | Applied Arts of Europe | | true |
|---|
| Katzbalger (Infantry Sword) | Swiss or German | 1500/15 | Applied Arts of Europe | | true |
|---|
| Saddle Steels (Front three piece) | Italian, Milan | c. 1575 | Applied Arts of Europe | | true |
|---|
| Display Plate with Judith Holding the Head of Holofernes | Italian; Deruta | 1500/1530 | Applied Arts of Europe | | true |
|---|
| Plate with a Coat of Arms (Possibly Burgundy) | Spanish; Valencia (probably Manises) | 1500/50 | Applied Arts of Europe | | true |
|---|
| Composite Dagger | Turkish | Grip (formally a mirror handle): Turkish, 16th century
Crossguard: Turkish, 19th century
Blade: European, probablly Spanish, late 16th–early 17th century | Applied Arts of Europe | | false |
|---|
| Nuihaku (Noh Costume) | Japan | Momoyama period (1568–1615), 16th century | Textiles | | false |
|---|
| Baptismal Shells (3) | Mexico | 16th to 18th century | Applied Arts of Europe | | false |
|---|
| Cope | Italy or Spain | 1500-1525 | Textiles | | false |
|---|
| Panel | Probably Morocco | Probably Saadi (السعديون; Saʿdī) dynasty (1510-1659), 16th-17th century | Textiles | | false |
|---|
| Pair of Shells with Portraits Forming a Purse | Limoges Pottery & Porcelain Factories
France, founded 1736
Attributed to Nardon Pénicaud
French, c.1470-1542/43 | Early 16th century or 19th century | Applied Arts of Europe | | false |
|---|
| Close Helmet | Domenico dei Barini, called Negroli
Italian, Milan, 1492—c. 1516 | c. 1510/15 | Applied Arts of Europe | | false |
|---|
| Plate with a Seated Woman | South Netherlandish or German | 1425/1475 | Applied Arts of Europe | | true |
|---|
| Dish | Portuguese; possibly Lisbon | c. 1500 | Applied Arts of Europe | | true |
|---|
| Casket | Italian | 1500/1525 | Applied Arts of Europe | | true |
|---|
| Reliquary Pendant of Saint Barbara | French or Netherlandish | c. 1500 | Applied Arts of Europe | | false |
|---|
| Plate | Italy, Umbria | c.1500/50 | Applied Arts of Europe | | false |
|---|
| Writing Cabinet (Escritorio) | Spanish, possibly Granada | 1500/50 | Applied Arts of Europe | | true |
|---|
| Halberd | Master B. E. (Italian) | 1500/40 | Applied Arts of Europe | | true |
|---|
| Beaker with Cover | German; Nuremburg or Augsburg | c. 1500 | Applied Arts of Europe | | true |
|---|
| Arming Sword | Probably Italian | 1520/30 | Applied Arts of Europe | | true |
|---|
| Sword | Northern Italian | c. 1500 | Applied Arts of Europe | | true |
|---|
| Halberd | German | c. 1500 | Applied Arts of Europe | | true |
|---|
| Armet | Northern Italian or Flemish | 1500/20 | Applied Arts of Europe | | true |
|---|
| Horseman's Axe | German | 1500/25 | Applied Arts of Europe | | true |
|---|
| War Hammer | German | 1500/30 | Applied Arts of Europe | | true |
|---|
| Triptych with The Crucifixion, The Flagellation, and The Entombment | French; Limoges | c. 1500 | Applied Arts of Europe | | true |
|---|
| Display Plate with the Bust of a Woman | Italian; Deruta | 1500/30 | Applied Arts of Europe | | true |
|---|
| Cope | England | 1490-1525, with later restoration | Textiles | | false |
|---|
| The Lovers | Basel (present-day Switzerland) | 1490/1500 | Textiles | | false |
|---|
| Footed Bowl | Italian
Venice | c. 1490 | Applied Arts of Europe | | true |
|---|
| Standing Bowl | Italian; Venice | 1490/1500 | Applied Arts of Europe | | true |
|---|
| The Holy Family with the Infant Christ Pressing the Wine of the Eucharist | Southern Netherlands | 1485/1525 | Textiles | | false |
|---|
| Christ Appearing to Mary Magdalene (“Noli me tangere”) | Southern Netherlands, possibly Brussels | 1485/1500 | Textiles | | false |
|---|
| The Annunciation | After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506) | 1484/1519 | Textiles | | false |
|---|
| Cover of a Reliquary Container with the Virgin and Child on the Crescent Moon | South German | about 1480 | Applied Arts of Europe | | true |
|---|
| Ahlspiess | German or Austrian | 1480-1500 | Applied Arts of Europe | | true |
|---|
| Mordaxt | Swiss or German | 1480-1500 | Applied Arts of Europe | | true |
|---|
| Ahlspiess | German or Austrian | 1480-1500 | Applied Arts of Europe | | true |
|---|
| A Nun Kneeling before Saint John the Evangelist | South German | c. 1500 | Applied Arts of Europe | | true |
|---|
| War Hammer | German | 1490/1510 | Applied Arts of Europe | | true |
|---|
| Sallet | Northern Italian; probably Milan | 1490/1500 | Applied Arts of Europe | | true |
|---|
| Sallet | Spanish | c. 1500 | Applied Arts of Europe | | true |
|---|
| Breastplate | Spanish | c. 1500 | Applied Arts of Europe | | true |
|---|
| Bill | Italian | c. 1500 | Applied Arts of Europe | | true |
|---|
| Halberd | German | c. 1500 | Applied Arts of Europe | | true |
|---|
| Poncho | Chuquibamba
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Tunic Fragment (?) | Inca or provincial Inca
Peru, Possibly south coast | AD. 1476/1532 | Textiles | | false |
|---|
| Belt | Inca
Probably south coast, Peru | 1476/1532 | Textiles | | false |
|---|
| Fragment | Possibly provincial Inca
Possibly Yauca Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Possibly provincial Inca
Possibly Yauca Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment (Headband or Belt) | Possibly provincial Inca
Possibly Ocoña Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Provincial Inca
Peru, Possibly Nazca Valley, south coast | 1476-1532 | Textiles | | false |
|---|
| Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Bag | Provincial Inca
Peru, south coast, Possibly Majes Valley | 1476-1532 | Textiles | | false |
|---|
| Headband or Belt Fragment | Provincial Inca
Possibly Ocoña Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Chuquibamba
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Chuquibamba
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Headband or Belt Fragment | Provincial Inca
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Headband or Belt Fragment | Provincial Inca
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Chuquibamba
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Sling | Inca
Probably south coast, Peru | 1476/1532 | Textiles | | false |
|---|
| Headband or Belt Fragments | Provincial Inca
Possibly Ocoña Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Carrying Cloth | Provincial Inca
Peru, south coast, Rio Grande Valley | 1476-1532 | Textiles | | false |
|---|
| Band | Provincial Inca
Possibly Ocoña Valley, south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment (Tunic) | Provincial Inca
Probably north or central coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Coca Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Coca Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Coca Bag | Provincial Inca
Peru, Probably south coast | 1476-1532 | Textiles | | false |
|---|
| Fragment | Probably Chuquibamba
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Chuquibamba
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Fragment | Chuquibamba
Probably south coast, Peru | 1476-1532 | Textiles | | false |
|---|
| Hispano-Moresque Lusterware Plate with Griffin | Spanish; Valencia (probably Manises) | 1475/1500 | Applied Arts of Europe | | true |
|---|
| Stove Tile with Saint George and the Dragon | Austrian or south German | 1475/1500 | Applied Arts of Europe | | true |
|---|
| Cuirass (Breastplate and Backplate) in the Late Gothic Style | South German or Austrian | c. 1480 | Applied Arts of Europe | | true |
|---|
| Dish with Rampant Lion | Italian, possibly Ferrara | Late 15th century | Applied Arts of Europe | | true |
|---|
| Mace | German | 1480/1500 | Applied Arts of Europe | | true |
|---|
| Jousting Helm (Stechhelm) | Christian Spor (Austrian, 1464-1495)
Innsbruck, Austria | c. 1480 | Applied Arts of Europe | | true |
|---|
| Fragment | Probably Granada, Spain | Nasrid dynasty (1230–1492), late 15th century | Textiles | | false |
|---|
| Signet Ring | Netherlandish
Probably Bruges | c. 1475–c. 1500 | Applied Arts of Europe | | false |
|---|
| Orphrey Cross | Southern Germany | Late 15th century | Textiles | | false |
|---|
| Carpet Fragment | Egypt | Mamluk period (1250–1517), late 15th/early 16th century | Textiles | | false |
|---|
| Peytral from a horse armor of Georg von Wolframsdorf | Christian Spor (Austrian, died 1485)
Austrian, Mühlau | About 1480 | Applied Arts of Europe | | false |
|---|
| Feathered Tunic | Chimú
Peru, south coast, Possibly Nazca Valley, | 1470-1532 | Textiles | | false |
|---|
| Tunic | Chimú
Possibly Trujillo, north coast, Peru | 1470-1532 | Textiles | | false |
|---|
| Bevor (Barbote) | Spanish or Italian | 1470-90 | Applied Arts of Europe | | true |
|---|
| Breastplate | Spanish or northern Italian | 1500/20 | Applied Arts of Europe | | true |
|---|
| Fragment | Probably Chimú
Probably north coast, Peru | 1470-1532 | Textiles | | false |
|---|
| Turban Helmet | Eastern Turkey or Western Iran | c. 1475–1500 | Applied Arts of Europe | | false |
|---|
| Jug with Bartoli Coat of Arms | Spanish; Valencia (probably Manises) | 1458 | Applied Arts of Europe | | true |
|---|
| Altarpiece of the Virgin and Child | Spain, El Burgo de Osma | 1460-1470 | Textiles | | true |
|---|
| Sallet (Barbute) | Antonio Missaglia (Italian, 1416/17-1495/96) and Master LA | 1460-1470 | Applied Arts of Europe | | true |
|---|
| Sallet (Barbute) | North Italian, Milan | c. 1460 | Applied Arts of Europe | | true |
|---|
| Archer's Sallet | Spanish | 1470/90 | Applied Arts of Europe | | true |
|---|
| Cope | Italy, probably Venice | 1460-1470 | Textiles | | false |
|---|
| Altar Frontal depicting The Resurrection with Four Saints | German, Rhineland | late-15th century | Textiles | | false |
|---|
| Floor Tile with Bone Pattern | Spanish; Valencia (probably Manises) | 1450/1500 | Applied Arts of Europe | | true |
|---|
| Reliquary Monstrance with a Relic of Saint Christina | German; probably Brunswick ( Braunschweig) | 1450/1500 | Applied Arts of Europe | | true |
|---|
| Poleax | Western European, probably Italian | c.1470—c.1520 | Applied Arts of Europe | | true |
|---|
| Cope | Probably Spain | 1450-1500 | Textiles | | true |
|---|
| Poleax | Western European | c.1470—c.1520 | Applied Arts of Europe | | true |
|---|
| Sallet | German | c. 1460 | Applied Arts of Europe | | true |
|---|
| Mail Standard (Collar) | Western European | 1450/1500 | Applied Arts of Europe | | true |
|---|
| Mail Breeches | German | late 15th century | Applied Arts of Europe | | true |
|---|
| Ballock Dagger | German | 1450/1500 | Applied Arts of Europe | | true |
|---|
| Panel from an Altar Frontal | Italy | 1450-1500 | Textiles | | false |
|---|
| Carpet | Probably Murcia, Spain | 1450-1500 | Textiles | | false |
|---|
| Sallet (Barbuta) | Master Z O (Italian)
Milan | 1450/60 | Applied Arts of Europe | | true |
|---|
| Jousting Shield (Stecktarge) with the Coat of Arms of the City of Deggendorf | South German; Bavaria | 1450/60 | Applied Arts of Europe | | true |
|---|
| Hand Pavise with the Coat of Arms of the Teutonic Order | German | c. 1450 | Applied Arts of Europe | | true |
|---|
| Carpet | Spain | About 1450, before 1473 | Textiles | | false |
|---|
| Reliquary Monstrance with a Tooth of Saint John the Baptist | Weddeghe Velstede (German, active 1432-73)
container: Egyptian | 1433; container: 900/1200 | Applied Arts of Europe | | true |
|---|
| Fragment | Italy | 1425-1475 | Textiles | | false |
|---|
| Altar Frontal | Germany, probably Middle Rhine region | c. 1450 | Textiles | - silk
- wool
- cotton_linen
- metal
| false |
|---|
| Ring with the Virgin and Child and Saints Margaret and Catherine | English | c. 1425–c. 1480 | Applied Arts of Europe | | false |
|---|
| Hexagonal Floor Tile | Spanish; Valencia (probably Manises) | 1400/50 | Applied Arts of Europe | | true |
|---|
| Poleaxe | Italian; Venice | 1500/10 | Applied Arts of Europe | | true |
|---|
| Reliquary Monstrance in the form of a Church | German, Brunswick (Braunschweig) | c. 1484 | Applied Arts of Europe | | true |
|---|
| Fragment | Andalucia, Spain | 15th century | Textiles | | false |
|---|
| Fragment | Granada, Spain | 15th century | Textiles | | false |
|---|
| Fragment (From an Orphrey Band) | Italy | 15th century | Textiles | | false |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), 15th century | Textiles | | false |
|---|
| Painted cotton with medallion and figures | Deccan, India | 15th century | Textiles | | false |
|---|
| Fragment | Probably Emirate of Granada (present-day southern Spain) | Nasrid Dynasty (ruled 1232–1492), 15th century | Textiles | | false |
|---|
| Fragment | Probably Emirate of Granada (present-day southern Spain) | Nasrid Dynasty (ruled 1232–1492), 15th century | Textiles | | false |
|---|
| Narrow Strip | Spain | 15th century | Textiles | | false |
|---|
| Square | Germany | 15th century | Textiles | | false |
|---|
| Fragment (Furnishing Fabric) | China | Ming dynasty (1368–1644), 15th century | Textiles | | false |
|---|
| Chasuble Front with Orphrey Cross | Chasuble: Florence, Italy
Orphrey Cross: Bohemia or Germany | Chasuble: 15th century; Orphrey Cross: 1401/50 | Textiles | | false |
|---|
| Ceremonial Shawl (Kata) | China | Ming dynasty (1368–1644), 15th/16th century | Textiles | | false |
|---|
| Fragment | Italy | 1401-1425 | Textiles | | false |
|---|
| Fragment of Velvet | Probably Florence, Italy | 1401–50 | Textiles | | false |
|---|
| Fragment (From an Orphrey Band) | Italy | 15th century | Textiles | | false |
|---|
| Half of a Tabard | Chimú, Ica, or Chincha (“Provincial Inca”?)
Peru, south coast, Possibly Nazca Valley | 1400-1532 | Textiles | | false |
|---|
| Stool | North European | 15th century | Applied Arts of Europe | | true |
|---|
| Front of Mail Breech | European | 15th century | Applied Arts of Europe | | true |
|---|
| Pair of Spurs | Hungarian | 15th/16th century | Applied Arts of Europe | | true |
|---|
| Saddle | Central European, probably Bohemian | 1400-20 | Applied Arts of Europe | | false |
|---|
| Fragment with Nasrid Coat of Arms | Probably Emirate of Granada (present-day southern Spain) | Nasrid Dynasty (ruled 1232–1492), about 1400 | Textiles | | false |
|---|
| Visored Bascinet | Western European | 1390/1400 | Applied Arts of Europe | | true |
|---|
| Casket | Embriachi Workshop (Florence, Italy, c. 1370-1395 and Venice, Italy, 1395-c. 1420)
Italian; Venice | c. 1390-c. 1410 | Applied Arts of Europe | | true |
|---|
| Thrusting Sword (Estoc) | Western European, probably Solingen or Passau, Germany | 1390/1400 | Applied Arts of Europe | | true |
|---|
| Reliquary Monstrance with Relics of Saints Anianus and Lawrence | German, probably Brunswick (Braunschweig) | 1375/1400 | Applied Arts of Europe | | true |
|---|
| Crozier | Italian | 14th century, with 15th century German and other later metal fittings | Applied Arts of Europe | | true |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), 14th/ 15th century | Textiles | | false |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), late 14th century | Textiles | | false |
|---|
| Fragment from an Orphrey | Italy, Florence | 1360s | Textiles | | false |
|---|
| Circular Reliquary with Domed Roof and Relics of Saints Godehard and Bernward | German, Brunswick (Braunschweig) | 1375/1400 | Applied Arts of Europe | | true |
|---|
| Panel | Germany, Lower Saxony | 1350-1375 | Textiles | | false |
|---|
| Aquamanile in the Form of a Lion | Follower of Johannes Apengeter
(German, active about 1325-50) | c. 1350 | Applied Arts of Europe | | true |
|---|
| Mirror Case with Falconry Scene | French, Paris | 1325–50 | Applied Arts of Europe | | false |
|---|
| Fragment | Italy | 14th century | Textiles | | false |
|---|
| Fragment | Italy | Late 14th/15th century | Textiles | | false |
|---|
| Altar Cross | German, probably Brunswick (Braunschweig) | c. 1325; foot: 15th century | Applied Arts of Europe | | true |
|---|
| Girdle (Belt) | North Italian | c. 1325–c. 1375 | Applied Arts of Europe | | false |
|---|
| Fragment of Embroidery | China | Yüan dynasty (1279–1368), 14th century | Textiles | | true |
|---|
| Reliquary Monstrance | French; Limoges | 1300–1400 | Applied Arts of Europe | | true |
|---|
| Woven Silk Fragment Supplemented with Drawing | Paul Schulze (German, 1854-1928)
Italy and Germany | Fragment: 14th century; drawing: 19th century | Textiles | | false |
|---|
| Fragment (From an Orphrey Band) | Possibly after work by Naddo Ceccharelli (Italian, active 14th century)
Sienna, Italy | 14th century | Textiles | | false |
|---|
| Fragment | Granada, Spain | 14th/15th century | Textiles | | false |
|---|
| Fragment | Middle East, Spain, or Italy | 14th century | Textiles | | false |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), 14th/15th century | Textiles | | false |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), 14th/15th century | Textiles | | false |
|---|
| Fragment | Egypt | Mamluk period (1250–1517), 14th century | Textiles | | false |
|---|
| Chest | German; Alsace | 14th century | Applied Arts of Europe | | true |
|---|
| Poncho | Chuquibamba region (south coast, Peru) | 1300-1550 | Textiles | | false |
|---|
| Footed Pyx Used as a Reliquary | German; probably Brunswick (Braunschweig) | 14th century | Applied Arts of Europe | | true |
|---|
| Bottle | Germany, Cologne | Late Medieval Period | Applied Arts of Europe | | false |
|---|
| Reliquary Cross with the Arms of the Veltheim Family | German; Brunswick (Braunschweig) | c. 1300 | Applied Arts of Europe | | true |
|---|
| Fragment from the Mantle of Don Felipe | Villalcázar de Sirga, provence of Palencia, Kingdom of Castile (present-day Spain) | 1275-1300 | Textiles | | false |
|---|
| Probably a Fragment from a Garment of Don Felipe | Possibly Villalcázar de Sirga, Spain | 1275-1300 | Textiles | | false |
|---|
| Loincloth Panel | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Loincloth Panel | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Fragment (Loincloth) | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Fragment (Loincloth) | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Panel | Possibly Chimú
Peru, Possibly north coast | 1250-1470 | Textiles | | false |
|---|
| Fragment | Chimú
Peru, Probably north coast | 1250-1532 | Textiles | | false |
|---|
| Tunic Fragment | Possibly Chimú
Peru, Possibly north coast | 1250-1532 | Textiles | | false |
|---|
| Plaques from a Reliquary Casket with the Martyrdom of a Saint | French; Limoges | 1200–50 | Applied Arts of Europe | | true |
|---|
| Fragment (Loincloth) | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Fragment | Possibly Chimú
Possibly north coast, Peru | 1250-1532 | Textiles | | false |
|---|
| Fragment (Tunic) | Chimú
Peru, north coast, Trujillo | 1250-1470 | Textiles | | false |
|---|
| Fragment | Possibly Chimú
Possibly north coast, Peru | 1250-1470 | Textiles | | false |
|---|
| Fragment | Probably Chimú
Probably north coast, Peru | 1250-1470 | Textiles | | false |
|---|
| Fragment | Chimú
Probably north coast, Peru | 1250-1532 | Textiles | | false |
|---|
| Fragment | Chimú
Probably north coast, Peru | 1250-1470 | Textiles | | false |
|---|
| Band | Chimú
Probably north coast, Peru | 1250-1470 | Textiles | | false |
|---|
| Half of a Tabard | Peru, Probably central or south coast | 1250-1450 | Textiles | | false |
|---|
| Half of a Tabard | Peru, Possibly south coast | 1250-1450 | Textiles | | false |
|---|
| Fragment | Possibly Chimú
Peru, Possibly north coast | 1250-1470 | Textiles | | false |
|---|
| Fragment (Band) | Possibly Chimú
Possibly north coast, Peru | 1250-1532 | Textiles | | false |
|---|
| Fragment (Border) | Chimú
Peru, Probably north coast | 1250-1470 | Textiles | | false |
|---|
| Casket | German | 13th century | Applied Arts of Europe | | true |
|---|
| Fragment | Spain or Sicily | 13th century | Textiles | | false |
|---|
| Fragment | Egypt | Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century | Textiles | | false |
|---|
| Fragment from the Dalmatic of San Valero | Spain | 13th century | Textiles | | false |
|---|
| Fragment with Roundel Pattern | Spain | 13th-14th century | Textiles | | false |
|---|
| Fragment of Striped Silk | Egypt | 13th-15th century | Textiles | | false |
|---|
| Fragment From the Chasuble of San Valero | Spain | 13th century | Textiles | | false |
|---|
| Panel | Eastern Islamic World | 13th century | Textiles | | false |
|---|
| Fragment | Egypt | Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century | Textiles | | false |
|---|
| Border | Egypt | Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century | Textiles | | false |
|---|
| Fragment | Italy | 13th/14th century | Textiles | | false |
|---|
| Fragment | Egypt | Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century | Textiles | | false |
|---|
| Band | Egypt | Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century | Textiles | | false |
|---|
| Fragment | Spain or Italy | 13th/14th century | Textiles | | false |
|---|
| Panel | Spain (Possibly Italy) | 13th-14th century | Textiles | | false |
|---|
| Plaque with the Crucifixion | French; Limoges | 1200–10 | Applied Arts of Europe | | true |
|---|
| Two Plaques with Interlaced Chimeras | French; Limoges | 1200–50 | Applied Arts of Europe | | true |
|---|
| Agnus Dei | French; Limoges | 1200–25 | Applied Arts of Europe | | true |
|---|
| Tart Mold Ring | French | 13th century | Applied Arts of Europe | | false |
|---|
| Fragment | Egypt | 13th-14th century | Textiles | | false |
|---|
| Fragment | Egypt | 13th-14th century | Textiles | | false |
|---|
| Fragment | Egypt or Syria | 1200-50 | Textiles | | false |
|---|
| Reliquary Casket | French; Limoges | c. 1200 | Applied Arts of Europe | | true |
|---|
| Plaque with a Bishop | Follower of Nicholas of Verdun
(French [Lorraine] or Mosan, active 1181–1205) | 1180–1200 | Applied Arts of Europe | | true |
|---|
| Spandrel for a Reliquary Shrine | German; Cologne | 1170–80 | Applied Arts of Europe | | true |
|---|
| Spandrel for a Reliquary Shrine | German; Cologne | 1170–80 | Applied Arts of Europe | | true |
|---|
| Plaque with Hope | Germany (Rhineland) or French (Troyes) | 1160–80 | Applied Arts of Europe | | true |
|---|
| Plaque with Aaron | German (Rhineland) or French (Troyes) | 1160–80 | Applied Arts of Europe | | true |
|---|
| Plaque with Saints James and John the Evangelist | Mosan (Meuse River Valley) | 1160–80 | Applied Arts of Europe | | true |
|---|
| Shaft of a Column | German; Rhineland | 1175–1200 | Applied Arts of Europe | | true |
|---|
| Plaque from an Arch of a Reliquary Shrine | German; Rhineland | 1175–1200 | Applied Arts of Europe | | true |
|---|
| Fragment | Egypt | 12th century | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171)/Ayyubid period (1171–1250)/Mamluk period (1250–1517), 12th/13th century | Textiles | | false |
|---|
| Casket | Italian; Sicily | 12th century | Applied Arts of Europe | | true |
|---|
| Reliquary Casket of Saints Adrian and Natalia | León, Spain | 1100–50 | Applied Arts of Europe | | true |
|---|
| Fragment | Egypt | Late Fatimite (969–1171 CE)/ Ayyubid period (1171–1250), 11th/13th century | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171), late 11th/early 12th century | Textiles | | false |
|---|
| Fragment | Iran | 11th/13th century | Textiles | | false |
|---|
| Headcloth | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment of a Garment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Tunic shoulder fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Border Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Headcloth Fragment | Chancay
Central coast, Peru | 11th-15th century | Textiles | | false |
|---|
| Panel | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Lambayeque
Probably north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Tunic | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fish | Rimac
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Rimac
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Peru, Probably north coast | 1000-1476 | Textiles | | false |
|---|
| Work Basket | Possibly Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Band Fragments | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Rimac
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Mantle Corners | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Rimac
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Loincloth Panel | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Loincloth Panel | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Headcloth | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Neck or Armhole Panel | Ica
Peru, south coast, Ica Valley | 1000-1532 | Textiles | | false |
|---|
| Fragment | Possibly Inca
Possibly central or south coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Bag | Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragments | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Loincloth Panel | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Nasca
Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment (Band) | Ica
Peru | 1000-1532 | Textiles | | false |
|---|
| Fragment | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment (Border) | Chancay
Peru, central coast, Possibly Chillon Valley | 1000-1476 | Textiles | | false |
|---|
| Fragment (Shawl) | Ica
Peru, south coast, Nazca Valley, Estaqueria | 1000-1532 | Textiles | | false |
|---|
| Fragment | Ica
Probably Ica Valley, south coast, Peru | 1000-1532 | Textiles | | false |
|---|
| Fragment | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment (Border) | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment (Border) | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Tunic | Possibly Chancay
Peru, Possibly central coast | 1000-1532 | Textiles | | false |
|---|
| Fragment | Peru, north coast, Culebra Valley, La Capilla | 1000-1476 | Textiles | | false |
|---|
| Fragment | Peru, north coast, Culebra Valley, La Capilla | 1000-1476 | Textiles | | false |
|---|
| Fragment | Late Chimu
Probably north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Peru | 1000-1532 | Textiles | | false |
|---|
| Carrying Cloth | Peru, Probably central coast | 1000-1476 | Textiles | | false |
|---|
| Loincloth Panel | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragments (Loincloth) | Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Peru, Probably north or central coast | 1000-1476 | Textiles | | false |
|---|
| Border Fragment | Probably north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Band Fragment | Possibly Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Band | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment (Band) | Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Band | Probably Lambayeque
Probably north coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Peru, Probably north coast | 1000-1476 | Textiles | | false |
|---|
| Patch | Lambayeque
Peru, Probably north coast | 1000-1476 | Textiles | | false |
|---|
| Fragments | Possibly Chancay
Peru, Possibly central coast | 1000-1476 | Textiles | | false |
|---|
| Band | Probably Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Peru, south coast, Ica Valley, Callango | 1000-1476 | Textiles | | false |
|---|
| Fragment (Band) | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Panel | Possibly Chancay
Possibly central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment from a Mantle | Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly Chancay
Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragments | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment (Border) | Possibly Chancay
Peru, Possibly central coast | 1000-1476 | Textiles | | false |
|---|
| Border | Chancay
Peru, Central coast | 1000-1476 | Textiles | | false |
|---|
| Panel | Peru, Possibly central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Sampler | Possibly Chancay
Peru, Possibly central coast | 1000-1476 | Textiles | | false |
|---|
| Sampler | Chancay
Central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably central or south coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Band | Possibly Rimac
North coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Possibly central or south coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment | Probably central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Tiraz Fragment | Egypt | Fatimid period (969-1171), 11th century | Textiles | | false |
|---|
| Band Fragment | Possibly north or central coast, Peru | 1000-1476 | Textiles | | false |
|---|
| Fragment (From a mantle) | Peru, Possibly central or south coast | 1000-1532 | Textiles | | false |
|---|
| Fragment | Peru, Possibly north or central coast | 1000-1476 | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Borders | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragments | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment (Border) | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Egypt | Fatimid period (969–1171) | Textiles | | false |
|---|
| Fragment | Peru | 900/1470 | Textiles | | false |
|---|
| Fragment | Peru | 900-1470 | Textiles | | false |
|---|
| Pair of Woman's Boots with Tying Ribbon | China | Tang dynasty(618–906)/ Song dynasty(960–1279), 10th/11th century | Textiles | | false |
|---|
| Fragment | Probably north coast, Peru | 900–1470 | Textiles | | false |
|---|
| Border | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Fragment | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Fragment | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Fragment | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Fragment | Central Asia | Tang dynasty (618–906)/ Song dynasty (960–1279), 9th/10th century | Textiles | | false |
|---|
| Fragment | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Front Panel of a Tunic | Egypt | 9th-10th century | Textiles | | false |
|---|
| Fragment | Egypt | Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century | Textiles | | false |
|---|
| Fragment | Egypt | 9th-10th century | Textiles | | false |
|---|
| Fragments (Tunic) | Provincial Wari
Possibly north-central coast, Peru | 800-1100 | Textiles | | false |
|---|
| Fragment with Step-Fret Design | Nasca
South coast, Peru | 9th-12th century | Textiles | | false |
|---|
| Tunic | Nasca
Peru, Probably south coast | 800-900 | Textiles | | false |
|---|
| Band | Nasca
Probably south coast, Peru | 800-900 | Textiles | | false |
|---|
| Panel (Probably from a Mantle) | Nasca
Peru, Probably south coast | 800-900 | Textiles | | false |
|---|
| Fragment (Band) | Provincial Wari
Probably central or south coast, Peru | 800-1100 | Textiles | | false |
|---|
| Fragment | Moche-Huari
Possibly Huarmey Valley, north-central coast, Peru | 500 CE-1000 | Textiles | | false |
|---|
| Tunic | Nasca
Probably south coast, Peru | 800-900 | Textiles | | false |
|---|
| Fragment (Band) | Provincial Wari
Probably central or south coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Band | Provincial Wari
Peru | 800 CE-1100 | Textiles | | false |
|---|
| Headband | Provincial Wari
Possibly central coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Fragment (Band) | Provincial Wari
South coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Fragment (Band) | Possibly provincial Wari
Possibly central coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Band Fragment | Possibly provincial Wari
Probably central or south coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Fragment | Possibly provincial Wari
Possibly central coast, Peru | 800 CE-1100 | Textiles | | false |
|---|
| Fragment | Provincial Wari
Peru, Probably central or south coast | 800 CE-1100 | Textiles | | false |
|---|
| Fragment (Dress Fabric) | China | Tang dynasty (CE 618–906), late 8th/early 9th century | Textiles | | false |
|---|
| Fragment | Probably central coast, Peru | 750–1100 | Textiles | | false |
|---|
| Fragment | Iran, Iraq, or Egypt (Persia) | Umayyad dynasty (661-750 CE), mid-8th century | Textiles | | false |
|---|
| Fragments | Possibly Nasca-Wari
South coast, Peru, possibly Nazca Valley | 700 CE-900 CE | Textiles | | false |
|---|
| Fragment | Nasca-Wari
Peru, south coast, Probably Nazca Valley | 700-900 | Textiles | | false |
|---|
| Band | Nasca-Wari
Peru, south coast, Nazca Valley, Hacienda las Trancas | 700-900 | Textiles | | false |
|---|
| Fragment (Band) | Nasca
Peru, Probably south coast | 700-900 | Textiles | | false |
|---|
| Band | Possibly Nasca-Wari
Probably central or south coast, Peru | 700 CE-900 CE | Textiles | | false |
|---|
| Band | Nasca-Wari
Probably south coast, Peru | 700 CE-900 CE | Textiles | | false |
|---|
| Band Fragment | Nasca-Wari
Probably south coast, Peru | 700 CE-900 CE | Textiles | | false |
|---|
| Fragment (Band) | Nasca-Wari
Probably south coast, Peru | 700-900 | Textiles | | false |
|---|
| Band or Belt Fragment | Nasca-Wari
Probably south coast, Peru | 700 CE-900 CE | Textiles | | false |
|---|
| Fragments | Nasca-Wari
Peru, Probably south coast | 700 CE-900 CE | Textiles | | false |
|---|
| Fragment | Nasca-Wari
Peru | 700 CE-900 CE | Textiles | | false |
|---|
| Fragment | Nasca-Wari
Peru, Probably south coast | 700-900 | Textiles | | false |
|---|
| Fragments | Nasca-Wari
Peru, Probably south coast | 700-900 | Textiles | | false |
|---|
| Fragment (Border) | Nasca-Wari
Peru, Probably south coast | 700 CE-900 CE | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 7th century | Textiles | | false |
|---|
| Fragment | Egypt | 7th-8th century | Textiles | | false |
|---|
| Child's Tunic | Egypt | 7th century | Textiles | | false |
|---|
| Fragment | Egypt | 7th century | Textiles | | false |
|---|
| Roundel | Iran (Persia, Khorasan) | 7th century | Textiles | | false |
|---|
| Fragment (Border) | Egypt | Roman period (30 BCE– 641 CE)/ Arab period (641–969), 7th/8th century | Textiles | | false |
|---|
| Tunic | Wari
Nazca Valley, Atarco, Nazca Valley, Peru | 600-800 | Textiles | | false |
|---|
| Tunic Fragment | Wari
Probably central or south coast, Peru | 600-800 | Textiles | | false |
|---|
| Tunic | Wari
Probably central or south coast, Peru | 600-800 | Textiles | | false |
|---|
| Hat | Wari
Peru, Probably central or south coast | 600 CE-900 CE | Textiles | | false |
|---|
| Mantle | Wari
Peru, Probably south coast | AD 600/800 | Textiles | | false |
|---|
| Fragment | Wari
Uyujalla basin, Ica Valley, south coast, Peru | About 600-800 CE | Textiles | | false |
|---|
| Tunic | Possibly Huari or Late Nasca
Possibly central highlands or south coast, Peru | 600 CE-800 CE | Textiles | | false |
|---|
| Hat | Wari
Probably central or south coast, Peru | 600 CE-900 CE | Textiles | | false |
|---|
| Fragments (From a Tunic) | Wari
Peru, Possibly central or south coast | 600-800 | Textiles | | false |
|---|
| Headband | Wari
Probably central or south coast, Peru | 600 CE-900 CE | Textiles | | false |
|---|
| Tapestry Medallion | Nasca
South coast, Peru, probably Nazca Valley | 650 CE-700 CE | Textiles | | false |
|---|
| Tapestry Medallion | Nasca
South coast, Peru, probably Nazca Valley | 650 CE-700 CE | Textiles | | false |
|---|
| Tapestry Medallion | Nasca
South coast, Peru, probably Nazca Valley | 650 CE-700 CE | Textiles | | false |
|---|
| Tapestry Medallion | Nasca
South coast, Peru, probably Nazca Valley | 650 CE-700 CE | Textiles | | false |
|---|
| Fragment | Wari
Probably south coast, Peru | 600 CE-800 CE | Textiles | | false |
|---|
| Fragment (From a Tunic) | Wari
Peru, south coast, Nazca Valley | 600 CE-800 CE | Textiles | | false |
|---|
| Fragment | Wari
Peru, Probably central or south coast | 600-1000 | Textiles | | false |
|---|
| Fragment (Headband) | Wari
Probably central or south coast, Peru | 600 CE-900 CE | Textiles | | false |
|---|
| Fragment | Egypt | 6th-7th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt, probably Akhmin
Found in Egyptian tombs | Roman period (30 BCE– 641 CE)-Arab period (641–969), 6th-7th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Roundel Fragment Depicting Aphrodite | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 6th-7th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 6th century | Textiles | | false |
|---|
| Fragment | Egypt, Akhmîn | Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century | Textiles | | false |
|---|
| Fragment from a Tunic | Egypt | 6th-7th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE), 6th century | Textiles | | false |
|---|
| Fragment | Egypt | 6th-7th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment of a Tunic | Egypt | 6th-8th century | Textiles | | false |
|---|
| Ribbon | Egypt, Antinöe | Roman period (30 BCE– 641 CE), 6th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969), 6th/7th century | Textiles | | false |
|---|
| Panel | Nasca
South coast, Peru | Possibly 500 CE-600 CE | Textiles | | false |
|---|
| Tassel | Nasca
South coast, Peru | 500-900 | Textiles | | false |
|---|
| Tassel | Nasca
South coast, Peru | 500-900 | Textiles | | false |
|---|
| Fragment | Nasca
South coast, Peru | Possibly 500-600 | Textiles | | false |
|---|
| Fragment | Nasca
South coast, Peru | Possibly 500-600 | Textiles | | false |
|---|
| Tassel | Nasca
South coast, Peru | 500-900 | Textiles | | false |
|---|
| Tassel | Nasca
South coast, Peru | 500-900 | Textiles | | false |
|---|
| Tassel | Nasca
Peru, south coast, Probably Nazca Valley | 500-900 | Textiles | | false |
|---|
| Tassel | Nasca
South coast, Peru, probably Nazca Valley | 500-900 | Textiles | | false |
|---|
| Tassel | Nasca
South Coast, Peru, Probably Nazca Valley | 500-900 | Textiles | | false |
|---|
| Tassels | Nasca
South coast, Peru, probably Nazca Valley | 500-900 | Textiles | | false |
|---|
| Fragment | Moche-Wari
Possibly north-central coast, Peru | 500 CE-1000 | Textiles | | false |
|---|
| Fragment (Band) | Moche-Wari
Possibly Huarmey Valley, north-central coast, Peru | 500-1000 | Textiles | | false |
|---|
| Fragment (Border) | Nasca
South coast, Peru, probably Nazca Valley | possibly 500-600 | Textiles | | false |
|---|
| Tassels | Nasca
Nazca Valley, south coast, Peru | 500-900 | Textiles | | false |
|---|
| Fragment | Moche-Wari
Peru, north coast, Possibly Huarmey Valley | 500 CE-1000 | Textiles | | false |
|---|
| Fragment | Moche-Wari
Possibly Huarmey Valley, north-central coast, Peru | 500 CE-1476 | Textiles | | false |
|---|
| Border (From a Garment) | Moche-Wari
Peru, Possibly Huarmey Valley, north-central coast | 500 CE-1476 | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Probably central coast, Peru | 500–800 | Textiles | | false |
|---|
| Child's Tunic | Egypt | 6th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment of a Hanging | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, Bahnasa | Roman period (30 BCE–641 CE), 5th/6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 5th-6th century | Textiles | | false |
|---|
| Fragment | Northwest China | Sui dynasty (518–618), 5th/6th century | Textiles | | false |
|---|
| Border | Egypt, Akhmin | Roman period (30 BCE– 641 CE), 5th/6th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE), 5th/6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment Depicting Cross Motif | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment From a Tunic | Egypt | 5th-6th century | Textiles | | false |
|---|
| Two Border Fragments | Egypt, Akhmin | Roman period (30 BCE– 641 CE), 5th/6th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 5th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE), 5th/6th century | Textiles | | false |
|---|
| Border | Egypt, Akhmin | Roman period (30 BCE– 641 CE), 5th/6th century | Textiles | | false |
|---|
| Fragment Depicting a Personification of a Season | Byzantine
Probably Egypt | 5th–6th century | Textiles | | false |
|---|
| Band | Nasca
Probably south coast, Peru | 400-900 | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 5th-6th century | Textiles | | false |
|---|
| Fragment Depicting a Mounted Rider | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragments | Egypt | 4th-6th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment with 8-Pointed Star Motif | Egypt | 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Fragment from a Tunic | Egypt | 4th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-5th century | Textiles | | false |
|---|
| Border | Egypt, probably Akhmin | Greco–Roman period (30 BCE– 641 CE), 4th/5th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-8th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE), 4th century | Textiles | | false |
|---|
| Fragment | Egypt | 4th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE), 4th/6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt, possibly Akhmin | 4th century | Textiles | | false |
|---|
| Fragment | Egypt | 3th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | 3rd-10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE–641 CE), 3rd/5th century | Textiles | | false |
|---|
| Fragment | Egypt | 3th-6th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 3th-5th century | Textiles | | false |
|---|
| Fragments | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Fragment | Egypt, Akhmin | Greco–Roman period (30 BCE–641 CE), 3th/4th century | Textiles | | false |
|---|
| Fragments | Egypt | 3rd-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 3th-4th century | Textiles | | false |
|---|
| Fragment | Egypt | 3th-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 3rd-5th century | Textiles | | false |
|---|
| Fragment | Egypt | 3rd-6th century | Textiles | | false |
|---|
| Fragment | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 3rd-5th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 3rd-5th century | Textiles | | false |
|---|
| Roundel Fragment | Egypt | 3rd-5th century | Textiles | | false |
|---|
| Fragment Displaying Stepped-Fret Motif | Nasca
South coast, Peru | About 200-500 | Textiles | | false |
|---|
| Fragment | Nasca or Wari
Tunga, Nazca Valley, South coast, Peru | 200 CE-900 CE | Textiles | | false |
|---|
| Fragment of a Funerary Shroud | Egypt | Roman Period (30 BCE–395 CE), 2nd–3rd century | Textiles | | false |
|---|
| Sampler | Nasca
Coyunga, Nazca Valley, South coast, Peru | 1 CE-200 CE | Textiles | | false |
|---|
| Fragment of a Tunic | Egypt | 1st-5th century | Textiles | | false |
|---|
| Fragment of a Sleeve | Egypt | 1st-5th century or 4th-6th century | Textiles | | false |
|---|
| Fragment | Egypt | 1st-5th century | Textiles | | false |
|---|
| Seventy Mummy Wrapping Fragments | Egypt | Roman period (30 BCE– 641 CE)/Arab period (641–969), 1st/8th century | Textiles | | false |
|---|